Latest by Josh Slater-Williams
TIFF
TIFF: Huang Xi’s elegant second feature sees a grieving mother navigate what to do with her deceased daughter’s healthy embryo.
Venice
Venice: Duong Dieu Linh’s film sees a betrayed wife incur the wrath of a spirit after using spells to influence her cheating husband.
Locarno
Co-directing one of them with Christian Ferencz-Flatz, the iconoclastic Romanian filmmaker’s audiovisual experiments make an intriguing double bill.
Locarno
The middle part of the Chinese filmmaker’s documentary trilogy features some subtle tweaks to his observational formula.
Locarno
Director and co-writer/star draw from autobiography for a captivating, lo-fi, meta dramedy.
The Swiss festival is one of the world’s longest-running, known for its adventurous programming, exciting retrospectives, and nightly open-air screenings.
Cannes
Cannes: Truong Minh Quy’s expressionistic second feature is a bleak but beautiful success.
Cannes
Cannes: Executive produced by Hou Hsiao-hsien, Chiang Wei Liang’s first feature taps into tragically universal feelings.
Cannes
Cannes: Set in 1990s Corsica, Julien Colonna’s first feature is bolstered by magnetic debut screen performances.
Cannes
Cannes: Lorcan Finnegan’s film riffs on "Wake in Fright" and "The Swimmer," to mostly compelling ends.
Film Review
Ray Yeung’s compelling film follows an older lesbian trying to save her home when her life-long partner dies.
Film Review
Jeymes Samuel’s ambitious film is part faith drama, part stoner comedy, part superhero tale, and (briefly) part musical.
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