Gwen

Stark, bleak and uncompromising portrayal of the life of a Welsh hill farm family, as demands of the industrial revolution encrouch in on their day to day existence. All depicted from the point view of eldest daughter Gwen, whose responsibilities mount as her mother's health fails, and she waits for news of her father's return from the army. While she can appreciate the beauty of the majestic North Wales landscape it cannot detracte from her struggles to keep the farm working, and the growing sense of unease as misfortunes continue to plague them, while the adults step out of ear shot to discuss issues of great importance, but the true subject remains unknown to her. The simple story is all it needs to be, as there is a uncomfortable atmosphere of mounting dread. With the sparse use of dialogue, and unknown nature of the conversations between her mother and those interested in the farmland, further elevating yours and Gwen's unease about what may befall them. For such a simple tale it is an incredibly uncomfortable watch at times and will stay with you long after a viewing.

Gwen: A dark film set in even darker Welsh valleys and stoney mountain fields. The people are non-conformists, plain, unadorned crosses in their homes. But at the chapel it is clear that this is not a radical form of dissent, the minister praises the bounty of the bleak mountains and quarries. Things go bad for Gwen (Eleanor Worthington Cox) and her family, her father is away at war. blight strikes the potato crops, an animal heart is nailed to their door, their sheep are slaughtered. it rains even more incessantly than in Angela's Ashes. The quarry owner is intent on buying their land. An eerie atmosphere of dread builds up as the cinematography of Adam Etherington makes good use of dark and shadows, figures emerge from the mist, both the living and the dead. Gwen's mother (Maxine Peak) uses folk rites to combat the perceived curse on her family.

A tale of folk horror related in a gothic style reminiscent of Wuthering Heights yet also incorporating elements of The Witch. Evil is abroad but the real malevolence may be the quotidian horror of an impoverished people being manipulated into mob violence by their exploiter, A slow moving film which won't be to everyone's taste and the bleakness may even put Folk Horror aficionados off. But both Cox and Peak put in powerful performances. Writer/Director William McGregor has delivered an interesting addition to the British Folk Horror Canon. 8/10.

I do enjoy folk stories on how real life was for the people, not just the rich and powerful. It was a slow burn, and dark like I expected. Life was harsh and brutal. The acting was really good, and probably was the charm of this film.

The location was absolutely stunning.

But I would have liked more insight to Gwen's Mother's sickness. And I would have loved to know what happened to Gwen, and her sister, because the film just kind of ends. Overall enjoyable if this kind of thing is your cup of tea.

Its a slow paced , icecold, windy, grey, black and heartwrenching story from the welsh countryside, with lots of sickness and death that digs into you as the plot developes. there are absolutely no fun in this flick, nor horror or thrills, just a dreary folktale about the men with power and the people without.

what impresses me most is the beautiful and overwhelmingly made filmography, that tells the story as well as the actors do. its complete from start to end i cant find many flaws.

so why do the grumpy old man give just a 6. the film does not thrill or entertain, and that is not the actors fault, its just the darkness of the story that doesnt appeal to me, even though its recommendable enough

Look... It's a grim story, I get it. But once you decide not to use that as a criticism there's a lot to commend this movie for. The acting is utterly convincing. Peake and Worthington Cox are at their best. It takes its time. At one point the camera stays on Gwen as she falls asleep - her eyes gradually closing and her breathing getting deeper - that's typical of the pace. It's not overly dramatic (I can barely remember the musical soundtrack - which is sparse and acoustic). But it is desperately brutal. The cinematography is beautiful - reminiscent of softly lit 17th century Dutch master interiors - no glaring light or colour - muted pallets. Story wise I know nothing of the background but you can bet someone discovered the terrible way some small farmers were treated by the Welsh mining corporations in the nineteenth century and thought - "Right - I'm going to tell their story - people need to know about this!" And if that's true - great job! Summed up in the movies pivotal line: "If you steal a sheep they take your hand, if you steal a mountain they make you a Lord". Writing this review has made me realise I enjoyed it more than I thought! This struggling little family stay with you...