Modus

Modus is a pretty well made TV series just like several other nice TV series made by swedes!

I think the reason for why i am pretty much into Modus is that it is pretty engaging. it really is pretty much like quite several other Swedish TV series such like Äkta Människor, Jordskott, Beck and even the comedy one Solsidan. The storytelling is so good and with that many characters making appearance, one never knows what connects all of them and what their true intention really is. Modus does not have a so unique or ground breaking subject in terms of the purpose of the wicked happenings committed so far in it. But the making of it combined with good directing, acting and cinematography gives this series a great atmosphere and quite a few mysteries to solve which, is also what has so far got me hooked for.

it surely is highly different from any America made TV series and it so far lives up to what i am always happy to see in a Swedish TV production. will continue follow the show till the end of the mysteries gets revealed!

IMO, Season 2 was much better than Season 1. If I were to rate each season separately, Season 1 would rate a 5-6, and Season 2 would be an 8. So, if you are OK with the first season, hang in there for the second and you'll be rewarded.

Very enjoyable. 1st series was excellent. 2nd series has an interesting and bold plot. A little spoiled by the terrible acting of Greg Wise (a real 'ham' actor) and wholly unconvincing accent (a poor imitation of 'Dr House'). Good Nordic Noir

With the explosive blooming of Scandi Noir, this decade has seen several dozens of thrilling series where something bad is developed and solved/removed using suspense and uneasiness... Some concepts and approached are distinct, the others not, and even in a relatively big country like Sweden, there are many recurring actors-actresses having bigger or smaller roles in various thrillers, including here, that it takes some time to get used to it. Well, most performers are good at least, but in Modus, it often seemed that the leading characters or performances were more static and trivial that many supporting ones, Melinda Kinnaman and Henrik Norlén did not impress me too much.

As for the plot and it's entertainment level, Modus had a few twists only, and the basic reasons for the wrongdoer's actions were revealed too soon, with some excessive moralisation, and the gay topic was over- exploited in this context. The police work was oddly weak, the killer of foreign origin could easily advance openly, paving the way for protracted scenes and unnecessary cast. But still, the general atmosphere was OK - probably for those having some knowledge of Scandinavian way of living and attitudes; I can hardly imagine that the series in question could be an interesting fellow to viewers outside Nothern Europe.

'The Killing' established a certain template for Scandinavian crime drama: dark, moody, intense, understated, and with a tough, and not conventionally feminine, leading female protagonist. The recipe was followed pretty much exactly in 'The Bridge'; and many of the same elements are also present in 'Modus'. But for my money, 'The Killing' was great because of brilliant acting (and occasionally writing), rather than because it unlocked inherently magic elements, and for me, 'Modus' falls a bit flat. It's one thing to tell a complex multi-part story of a criminal investigation, one which impacts upon the private lives of its characters; but it's another to make this into a cohesive story, one which makes intrinsic sense and makes the viewer care beyond the latest twist. And to my mind, any plot based upon the idea of the serial killer with the premeditated plan is at a disadvantage even before it starts. 'Modus' isn't awfully done, and maybe I'm just a bit Scandi'd out, but it certainly lacks the freshness that the first season of 'The Killing' such a success.