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The Artist's Studio: Donald Judd

2011
33m

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The Artists Studio: Donald Judd explores the concepts surrounding minimalism, sculpture, and geometric form. Though Judd begun his career as a painter he was quickly drawn to creating three dimensional structures which confront the ideas of space, object and tangible art. Judd discusses his projects, intentions and future plans in his SoHo studio and later, his Marfa home.

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Filmed in the fall of 1972, The Artist's Studio: Donald Judd explores the concepts surrounding minimalism, sculpture, and geometric form. After studying art history under Rudolf Wittkower an... Read allFilmed in the fall of 1972, The Artist's Studio: Donald Judd explores the concepts surrounding minimalism, sculpture, and geometric form. After studying art history under Rudolf Wittkower and Meyer Schapiro at Columbia University, Judd launched his career as a painter but was soo... Read allFilmed in the fall of 1972, The Artist's Studio: Donald Judd explores the concepts surrounding minimalism, sculpture, and geometric form. After studying art history under Rudolf Wittkower and Meyer Schapiro at Columbia University, Judd launched his career as a painter but was soon drawn to creating three dimensional structures. Made with common materials such as plywo... Read all

Director
- Michael Blackwood
Stars
- Donald Judd
- Barbara Rose

See production info at IMDbPro

YOUR RATING

Director
- Michael Blackwood
Stars
- Donald Judd
- Barbara Rose

See production info at IMDbPro

Self

Barbara Rose

Self

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Donald Judd: There were several problems that I finally could not solve in painting. I would get something in one painting that I would like, and other things I didn't like so much. The next painting would have something else I would like but some of the other things I didn't like. Nothing ever worked together. The paintings occurred one by one. it would leave always something unresolved. Some of the first three-dimensional things, several of the things I was interested in, occurred all at once. That's a normal logical thing. And that seemed impossible in the paintings. I couldn't get what I waned. I didn't like flatness, I didn't like them being against the wall. And I couldn't get around the problem of there always being something within the rectangle. Then you had the rectangle as a major thing, and the thing within it is a major thing, which gave you two things, and that division seemed impossible.