In a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit commu... Read allIn a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit community.In a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit community.
- Awards
- 1 win & 14 nominations total
Wendy Dynan-Gleeson
- Factory Worker 2
- (as Wendy Dynan Gleeson)
Featured reviews
God's Creatures has an atmospheric setting and a great cast. But one huge flaw in the script fatally holes this ship below the waterline.
Brian returns from an extended sojourn to Australia and his mother Aileen is overjoyed. In fact, she is so happy that she fails to consider why her prodigal son was considered prodigal in the first place. In the scene where Brian appears, it is pointed out that he made no contact while in Australia, and no one even knew what city or town he was in.
Now, that is fine for that scene, but the question of what Brian did during his time in Australia is never re-visited. He meets old schoolmates, a bartender who is enamoured with him, but absolutely no one broaches the topic of Australia. This bizarre omission undermines all the work done to create an authentic sense of place and people. And it would be an easy fix, by, for example, having Brian tell contradictory versions to two people.
Whether it was not discussed in script development, or written but not shot, or shot but left out of the final cut, I do not know. But that egregious misfire in the creative process ruins what could have been an immersive, enjoyable cinema outing.
Brian returns from an extended sojourn to Australia and his mother Aileen is overjoyed. In fact, she is so happy that she fails to consider why her prodigal son was considered prodigal in the first place. In the scene where Brian appears, it is pointed out that he made no contact while in Australia, and no one even knew what city or town he was in.
Now, that is fine for that scene, but the question of what Brian did during his time in Australia is never re-visited. He meets old schoolmates, a bartender who is enamoured with him, but absolutely no one broaches the topic of Australia. This bizarre omission undermines all the work done to create an authentic sense of place and people. And it would be an easy fix, by, for example, having Brian tell contradictory versions to two people.
Whether it was not discussed in script development, or written but not shot, or shot but left out of the final cut, I do not know. But that egregious misfire in the creative process ruins what could have been an immersive, enjoyable cinema outing.
This is one of those stories that is simple, but executed brilliantly. A crisis of identity and of faith as the patriarchy dominates an allegation of sexual assault in a small fishing village. Examining the individual responses of the villagers, creating in-group out-groups that soon meet a flashpoint, yet trundle toward people wanting to normalize and go back to normal. And willfully forget the damage done and ongoing.
I think it's sad/hilarious that so many reviews call it shallow simply because they're triggered the dude is being maligned. It's a story. And it's not his story, nor does it need to be because it's not operating at the concrete level, for the most part.
Emily Watson kills it in this, as does the up-and-comer from the Normal People adaptation. Smart script, not too long, great shots, fantastic soundtrack. Starting my 2023 watch season out right. Excellent stuff.
I think it's sad/hilarious that so many reviews call it shallow simply because they're triggered the dude is being maligned. It's a story. And it's not his story, nor does it need to be because it's not operating at the concrete level, for the most part.
Emily Watson kills it in this, as does the up-and-comer from the Normal People adaptation. Smart script, not too long, great shots, fantastic soundtrack. Starting my 2023 watch season out right. Excellent stuff.
Emily Watson should be your sole reason to see this movie. You feel her in every moment she's on screen
A masterclass in acting.
Paul mescal once again gives a brooding performance as her angry/repressed son.
The movie presents the idea of choices one makes when faced with a difficult scenario.
Do you put on a mask and protect a loved one, Even though your instincts say otherwise?
Or do you finally accept their true nature and do what is right or in her case, What's necessary, when they are immune to consequences.
It's a slow burn. I feel it could've been stronger in the script department and more depth on character motivations, perhaps a bit more detail on what may or may not have happened. The way Last Duel handled that subject matter.
The dad son conflict is sort of there. A fight happens and then oh well next.
Wonderfully dark and moody though . Good for a rainy afternoon/evening.
Paul mescal once again gives a brooding performance as her angry/repressed son.
The movie presents the idea of choices one makes when faced with a difficult scenario.
Do you put on a mask and protect a loved one, Even though your instincts say otherwise?
Or do you finally accept their true nature and do what is right or in her case, What's necessary, when they are immune to consequences.
It's a slow burn. I feel it could've been stronger in the script department and more depth on character motivations, perhaps a bit more detail on what may or may not have happened. The way Last Duel handled that subject matter.
The dad son conflict is sort of there. A fight happens and then oh well next.
Wonderfully dark and moody though . Good for a rainy afternoon/evening.
The movie "God's Creatures" is an intense, heavy-duty drama about a mother's protective relationship with her son. To what extent can a mother's love for her offspring be acceptable and understood?
Emily Watson's performance as the mother Aileen O'Hara is simply brilliant, once again she lets us delve into the insecurity, regret, love, and ambiguity of a mother torn apart between being a mother and a woman. Emily Watson gives herself fully, just like she did in "Breaking the Waves".
Despite having this theme of guilt and shame, the movie has a somewhat excessive conclusion, especially because its plot is related to a form of unconditional love between mother and son.
Emily Watson's performance as the mother Aileen O'Hara is simply brilliant, once again she lets us delve into the insecurity, regret, love, and ambiguity of a mother torn apart between being a mother and a woman. Emily Watson gives herself fully, just like she did in "Breaking the Waves".
Despite having this theme of guilt and shame, the movie has a somewhat excessive conclusion, especially because its plot is related to a form of unconditional love between mother and son.
If A24 wasn't behind this film I doubt I would of checked it out. I like a lot of their films but this was a waste of time. It had the elements to be great, but unfortunately it missed the mark. It starts out ok and there's an erie vibe throughout the film. But when it was all said and done, nothing happens. It had a few good scenes here and there and the score helps carry the film. But it was missing any sort of intensity. The only reason I would suggest watching this film is if you can't sleep. It was like visual melatonin. Other then that, it's not a film I'd recommend or watch again. Don't make the mistake I made and be fooled by the A24 logo, watch something else. Basic 5 stars.
Did you know
- TriviaThe filming locations include Cladnageragh, Teelin, Kilcar, Killybegs, & Glencolumcille - all towns and villages in Co. Donegal, Ireland.
- How long is God's Creatures?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Tanrının Yarattıkları
- Filming locations
- Donegal, Ireland(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $45,849
- Gross worldwide
- $297,597
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 2.39 : 1
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