NOTE IMDb
5,5/10
65 k
MA NOTE
Un diplomate américain se rend compte que son jeune fils est peut-être littéralement le diable incarné.Un diplomate américain se rend compte que son jeune fils est peut-être littéralement le diable incarné.Un diplomate américain se rend compte que son jeune fils est peut-être littéralement le diable incarné.
- Récompenses
- 1 victoire et 7 nominations au total
Predrag Bjelac
- Vatican Observatory Priest
- (as Pedja Bjelac)
Tomas Wooler
- Damien - 2 Years Old
- (as Tomas Wooller)
Martin Hindy
- Haines' Limo Driver
- (as Martin 'Mako' Hindy)
Histoire
Le saviez-vous
- Anecdotes(at around 19 mins) Harvey Stephens, who portrayed Damien in La Malédiction (1976), appeared in this remake as the tabloid reporter who asks Robert Thorn (Liev Schreiber) if the deceased nanny "was on drugs".
- Gaffes(at around 18 mins) When the nanny jumps off the balcony at Damien's birthday party, the distance to the ground and the rope are way too long - her head would rip off.
- Citations
Father Brennan: When the Jews return to Zion, and a comet fills the sky, and the holy Roman Empire rises, then you and I must die. From the eternal sea he rises, creating armies on either shore, turning man against his brother, until man exists no more.
- Crédits fousNames of crew in main title are animated, so some of their letters become crosses or "6".
- Bandes originalesOld Comrades
Written by Andrew C. Pilmer (as Andrew Pilmer)
Original melody by Carl Teike (uncredited)
Courtesy of Associated Production Music, LLC.
Commentaire à la une
"The Omen" is one of those movies that still hold up so well, there's really no need to remake them. The date of June 6th 2006 was probably the most tempting thing for producers to release a new version of this film now.
Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.
Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".
The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.
If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.
Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.
Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".
The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.
If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.
- Superunknovvn
- 5 juin 2006
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Omen
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 54 607 383 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 026 496 $US
- 11 juin 2006
- Montant brut mondial
- 119 975 084 $US
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