Carlston za Ognjenku

This movie is.... a tad strange... It's fast, unclear here and there. Some of it's scenes are done in a manner thought to be appealing to a foreign audience, the domestic one isn't all that great, and this is understandable. The acting is good, the dialogues are lively even when they become rough. The acting is, actually the strongest part of this movie, even the extras seem convincing and natural. The story has a nice current, flow, but can be fast at times. The main characters go through certain story progressions expediently, and some scenes are abruptly speedy. It has an interesting idea, a good cast, a life to it... but the look of it was a little too modern, trying a little to hard to reach a broader audience, remember that movie inside a movie in 'Simone' with Pacino, it felt a bit like that. It's definitely different from the other domestic productions. I don't even know what to think of it, it left me a bit fuzzy and confused, but i do recommend it, if for nothing else, then because of the strong, mostly female, cast.

One of the worst peaces of cinematic drab I have seen in a long while.. I'm glad I didn't watch this little ditty in a cinema, because then I would be forced to walk out (which I hate doing).. What I hate the most about this movie is it's awkward pace - It's a mess, a collage of fast paced scenes mixed with slow motion shots. The dialogue is not even close to believable. The CGI, is OK, that's the only thing in the movie I don't hate, but it's far from a redeeming factor - I feel like this heap of a movie was created for the sole purpose that some guys can hone their special effect skills. It's full of shallow symbolism, overinflated to the absurd... The script is bad, the acting is worse, but the direction is a bottomless void of fail. I must note that this movie was so bad that I just had to register here, and vent my anger/disgust/whatever.

Best movie I've ever watched in my life.In the same time sad and funny.

It's a pity the first review of the film on the IMDb website is so negative, by an illiterate reviewer I might add. I need to respond because this was the single most delightful film I saw at TIFF 2008. I don't understand why it hasn't had wider release. Comedy can be the best way to deal with a tragic history - it's why so often people tell funny stories at memorials. I realize that those personally touched by Serbian history may not find Tears for Sale so amusing, but the ability to find perspective through humour can be a first step in moving on to a better, more tolerant and peaceful future. In general, the quality of new Serbian films is amazing, and this one was only surpassed by the wonderful "Honeymoons" at TIFF 2009. If you can find them, see them both!

I saw this movie at the TIFF two years ago and I was overwhelmed by the beautiful images, the incredible actresses, the fantastic story and magical illogic of it all. It reminded me very much of the French movie "Amelie", in that it had a similar cause-and-effect structure which obeyed its very own visionary logic. I believe it is utterly unnecessary to try to categorize the movie since its quality precisely lies in its intriguing eclecticism (which makes it hard to sell to people, unfortunately).

The actresses are ravishing, seductive and radiate a sirenic glow - their performance captures the viewer's attention completely from beginning to end.

The story is one of passion and female determinism - told in an entirely unorthodox, refreshing way without ever taking itself too seriously.

Uros Stojanovic is the Serbian Luc Besson and I hope the movie will get the appreciation it deserves.