Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.
- Won 1 BAFTA Award
- 11 wins & 29 nominations total
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The film is guilty of many of the accusations hurled against it. It's long, it's complicated, it's overstuffed with music, situations, jokes, foul language and an enormous cast whose connections to each other are not always clear on first viewing, with nine love stories. There's married love, unrequited love, the love of friends, first love, stymied love, love at first sight and adolescent fantasy love. There's also infidelity, marital difficulties, gigantic shifts in tone and wildly improbable things happening all the time. The film puts you through a dizzying series of emotions. Though it is essentially light and full of funny moments, it also has scenes that are sad and even tragic, moments that will make you cringe and flawed characters making terrible decisions. In other words, it's a lot like humanity and thus a lot like the holiday season.
Curtis had a long career as one of Britain's top comic sketch and television writers often working with his friend from Oxford, Rowan Atkinson with whom he co-created the Mr. Bean character. He was the primary writer for some of Britain's most successful comedy series and when he began writing for movies, he broke through with "Four Weddings and a Funeral", following that with "Notting Hill"and "Bridget Jones's Diary". This is why he was able to attract this amazing cast of mostly British actors, most of whom had a large international following. One of the complaints of some critics was that such a cast should have been in a big, serious film and were wasted here. That seems like the old Hollywood tendency to ignore comedies at award time. It's this cast that makes the film happen and gives it so much emotional power.
The many involvements of love are tied together by the story of old rock star Billy Mack, wonderfully realized by Bill Nighy, attempting to make a comeback with the Troggs late 60's song. "Love Is All Around" by replacing "Love: with "Christmas". Within minutes of the film's start his release of a string of sailor's expletives tells you this is going to be no ordinary Christmas film. He constantly ruins the usual promotional gigs by speaking his mind about things, driving his manager, Joe (Gregor Fisher), totally crazy. The song's music video is a tribute and funny take on Robert Palmer's "Addicted To Love" and "Simply Irresistible" with their very 80s models. Billy would have probably been at his peak in the 80s but judging from the album covers and posters in his office and Joe's Motorhead T-shirt, he was a hard rocker. When they are not in a scene, their video and rising popularity on television are in the background.
The biggest stars have the most serious story. Alan Rickman and Emma Thompson are a happily married couple with two children. He is the head of a design agency and she's devoted herself to the children. She is also the sister of the new Prime Minister, David (Hugh Grant). Troubles arise for them when Rickman's Harry is tempted by new secretary Mia (German film star Heike Makatsch) who makes an overt play for him, seemingly just for a lark. Thompson's scene accompanied by Joni Mitchell's "Both Sides Now" (in her later, deep, smoky voiced version), is the most devastating moment in the film and one of Thompson's greatest as well.
Hugh Grant famously dancing around 10 Downing Street may have seemed an unlikely Prime Minister, but this was before Boris Johnson. Grant really didn't want to do that scene, thinking it unlikely for a P. M. but it turned out to be one of his most iconic and one still imitated by people all over the world. His search through Wandsworth for staff member Natalie (Martine McCutcheon) is one of the funniest extended scenes in the movie. Colin Firth is a writer who flees to France when his girlfriend is unfaithful, and falls in love with his Portuguese housekeeper, Amelia (Lucia Moniz) though there is a total language barrier between them. This was going to be a film as its own as was Hugh Grant's story and the merging of the two was the genesis of "Love Actually".
Daniel (Liam Neeson) and stepson Sam (Thomas Brodie-Sangster) are left alone after the death of Daniel's wife, and Daniel must try to connect with Sam, who seems to have totally withdrawn to his room. This turns into a romantic story for Sam, and provides one of the two entwined, orchestrated climaxes near the end of the film. I have some trouble with the story, largely because Sangster, though thirteen when he made the film, looks eight or nine to me (I mean, he was still playing a thirteen-year-old convincingly eight years later on "Game of Thrones"). He's a good actor and his seriousness as the character won me over in the end. Here, I also found the conversations between them a bit precocious, but perhaps that's just me. (Pay attention to who David mentions in his wife's eulogy).
A hidden love triangle exists between Juliet (Keira Knightly, Peter (Chiwetel Ejiofor) and Mark (Andrew Lincoln). One of the biggest of the establishing scenes is Peter and Juliet's wedding with Mark casually filming the proceedings. It includes a big musical moment that's one of the most totally fun parts of the film. (Look for director Curtis as one of the trombone players). Mark has been secretly in love with Juliet and has acted cold and unwelcoming so as not to complicate matters. This story also created a problem for me because though I believe Curtis intended Mark's actions to be sympathetic with some pathos, they instead make him look somewhat creepy. The front door scene, which is one of the best known,is not exempt from this but that's not what bothers me. If he brings his boombox and tells her to tell Paul "It's just carolers", shouldn't he be playing something that sounds like carolers? "Silent Night" is well sung but it doesn't sound at all like a group of acapella carolers. Maybe Peter is too far away to hear them.
Those are just some of the characters and stories, but I still have to comment on two of the lighter ones. Colin (Kris Marshall) is an unloved redheaded fellow having no luck finding a girl and gets a harebrained idea that if he flies to America, the girls will love his English accent. This develops in such an unreal way that you have to take it as a comic sketch based on adolescent boys' fantasies. It has no reasonable possibility in reality. John (Martin Freeman) and Judy (Joanna Page) are something else, however, as they provide completely unexpected nudity. It only exists to set up a joke, yet more than the infidelity and language in the rest of the film, it is unsuitable for some of the potential audience. First of all, they are stand-ins, not actors, who take the actors' spots and positions so the lighting and cameras can be set up in advance. This takes hours and actors won't do it, but as long as the stand-ins are around the same size and skin tone it works well. But what kind of film is this? It's very unlike the early 2000s and is more like the early 70s, when it seemed every film had to have scenes like this. I finally found an answer in an interview Curtis did. He said as a teenager, he often went to films to see the nude scenes and wanted to include it for that reason. And when was he a teenager? In the early to mid 70's. Its sketch-like nature allows it to be excerpted for some markets and though generally opposed to censorship, I prefer that more people be able to see the film.
In the whole it's no wonder that "Love Actually" has become such a hit with audiences and a Christmas classic in spite of itself. The film is epic in its way, drawing you into so many stories and situations and pulling your emotions this way and that. If you really get into it, it can be an exhausting experience. The Heathrow Airport scenes that open and close the film illustrate that love is, in fact, all around.
It's a funny, feel-good movie with a good heart. It leaves you with a warm cozy feeling inside. The movie is actually really funny at times. It also feels ridiculously campy and romanticized to the point where it feels like a fantasy. But I see it as sort of a cheeky jab at all the cheesy Hallmark movies lol. I noticed not all of the characters had happy rosy-tinted lives which was really refreshing to see. I actually appreciated how it kept things grounded in reality and made things feel a lot less fantasy and cheesy. The best part of the movie is seeing the different couples relationships and the things they're having to deal with. It was very well written, both with characters and story, and the movie went by very fast. Great movie!
And the introductory voice-over by Hugh Grant as we watch an airport full of people hugging made me want to commit an act of violence - either against the people who forced me to watch this film or against myself just to end the torture.
Then the most unbelievably shocking thing happened. Bill Nighy and Gregor Fischer came on screen, mocking one of the most hated love songs in Britain, "Love is all Around" and I found myself getting sucked into the film.
By the time I reached the end of the film I found myself facing the impossible, there was one romantic comedy out there that genuinely is a comedy and actually likeable. No-one was more shocked than I.
Many different kinds of love are covered (although not all kinds), there's 8 storylines and the biggest cast list I've seen in a long time. Somehow, it works. You'd think it wouldn't, I know I certainly didn't.
If you're looking for a full-length story, this is not the film for you. It snap-shots the important events leading to the resolution of the couples involved, nothing more. If you want a classic romantic film, this might not be the film for you. This is funnier than most straight comedies I've seen in recent times, however (I'm just as harsh a critic of comedy films as I am of romantic films).
It's not trying to be the meaning of life, it's not trying to look at the big picture. In fact, it's only trying to do one thing, and that's say positive feelings crop up in the most unexpected places or are more prevalent than people think. One of the storylines, one that is cited constantly in reviews as one of the failed storylines with a sad ending is actually bittersweet. It doesn't end with failure but the failure of one type of love in favour of a different kind.
This film isn't perfect, I'll never find the perfect romantic-comedy because I hate the genre so much, for example, one of the storylines did annoy me intensely and yet ironically still made me laugh in places. However, the flaws in the film are vastly outweighed by positives. It's superficially complicated but is really a very simple film. It makes a statement: "love actually is all around" then shows why it makes that statement and doesn't attempt to do or be anything else.
And like the fact it covers different kinds of love, it covers different attitudes and portrayals of it - so a couple are realistic, a couple are classic fantasy, a couple are pure comedy and a couple are pure rom-com tradition.
I have seen no reviewer give this film a middle-of-the-road review, and I've read many reviews. I think, in the end, Love Actually is up to the individual. It's like Marmite. You either love it or you hate it.
Speaking as a cynical, misanthropic, Marmite-hating, Romantic-Comedy hating member of the human race, I actually liked Love Actually.
It also has a pretty good cast. This film follows the lives of eight very different couples. With it you can believe that a miracle really happens, because someone can even fly to another country, learn another language, just to see their love, to ask to get married knowing that she can refuse.
So, It's romantic, funny and everything happens at Christmas. I highly recommend watching this movie, especially if you can watch it with your loved one. It will bring you a good Christmas mood and you will enjoy it!
Did you know
- TriviaWhen casting the part of Sarah, writer and director Richard Curtis auditioned a great many British women, but kept saying, "I want someone like Laura Linney." The casting director eventually snapped and said, "Oh, for fuck's sake, get Laura Linney then." Linney then auditioned and got the part.
- GoofsWhen Jamie revisits Aurelia, a Marseillaise cab can be seen at the airport, yet everyone in the city seems to understand Portuguese. This can be explained, however, by a large Portuguese community in Marseilles, who live in a common area and would be the ones who understood the language.
- Quotes
[first lines]
Prime Minister: Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often, it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know, none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around.
- Crazy creditsThe list of the cast in the opening credits are arranged alphabetically according to their first name.
- Alternate versionsThere are two instances of switched music between the UK and US versions of the film. In the UK version, the montage introducing the office Christmas party is set to "Too Lost in You" by Sugababes, while the US version of the film replaces it with "The Trouble With Love Is", performed by Kelly Clarkson. Then, during the second half of the end credits after the Clarkson song plays (for the second time in the US version) the UK version concludes with a cover of "Jump (For My Love)", performed by Girls Aloud. This song does not appear at all in the US version, which concludes with the Sugababes song that the UK version used at the party. The 2009 US Blu-Ray actually contains the UK cut of the film, while the original US DVD had the US cut.
- ConnectionsEdited into Dilwale (2015)
- SoundtracksChristmas Is All Around
Written by Reg Presley (as Presley)
Performed by Bill Nighy
Courtesy of Universal Pictures Music
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Réellement l'amour
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $60,352,285
- Opening weekend US & Canada
- $6,886,080
- Nov 9, 2003
- Gross worldwide
- $250,779,876
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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