Duplex

Who else but Danny DeVito could take a sweet little old lady and make a seriously funny sweet little old lady from hell movie that reminded me very much of Home Alone? Hmmm? Drew Barrymore, as sweet as ever, is sugar and spice and ready for some down to earth homicide, while the very demented Ben Stiller, like the twisted offspring of Chevy Chase and Jerry Seinfeld, slam dunks himself just short of his own demise. Hey, folks, Duplex is a seriously funny and entertaining piece of insanity from one of my favorite insane people, Danny DeVito. If you must have 'cinema' to be satisfied or you have no room in your heart for silliness, then you might want to skip this. Otherwise, drop in the DVD and buckle up. Duplex is ready for take off.

Eileen Essell was 80 when she made her Hollywood debut in Duplex. And she steals Duplex from Ben Stiller and Drew Barrymore.

Essell's portrait of a bothersome old tenant is a tour-de-force. Somehow she's sympathetic despite being a royal pain in the ass.

Stiller and Barrymore do so well I almost started to consider Barrymore to be a legitimate Barrymore. You know, an actual actor instead of just a smirking twerp. Watch her face at the restaurant when Stoiller is ranting.

And Stiller, well, his comic talents are under-appreciated in a world where Adam Sandler baby-talk movies haul in billions of dollars.

OK, they have murderous intent. But who could blame them. I would have murdered the old bat within a week.

At any rate there are a lot of laughs in this movie. I don't understand what else people want out of a movie.

Not that it really takes much to be better than Death to Smoochy (which was really "Throw Momma From the Train" with Barney), but this movie is quite a bit better. It's more like "Throw Momma From the Train" in an apartment.

The movie has several HILARIOUS episodes dealing with Ben Stiller and Drew Barrymore as they try to deal with and plot to kill their upstairs tenant. The movie had some GUT-BUSTING parts where I (and the rest of the theater) couldn't stop laughing. [One of those times where you laugh so hard and loud you miss the next 30-60 seconds of dialogue] The performances were great, especially the old lady and Ben Stiller. Drew Barrymore seemed to be miscast at first (or at least not a good match for Ben Stiller), but when things started picking up, she played evil pretty well (thank you, years of recklessness).

The end of the movie was a let down of sorts, as the ending was sort of abrupt. It dragged for the last third, but by the end had wrapped up for the most part with no loose ends. In my opinion, this movie was better than Smoochy, but doesn't hold a candle to THROW MOMMA. I'd still give it 8 out of 10. I'm definitely going to purchase it on DVD when it is released.

I remember watching this back in 2003 and after 15 years again in 2018. Was reasonably funny, it had its moments. The elderly English actress who played Mrs Connelly had trouble drifting in and out of the Irish accent. Ben Stiller as deadpan faced as ever and Drew Barrymore is such a sweetheart even in a dark comedy such as this. Lots of the neighbour problems are a bit cliche but it all works well..May not be vintage Stiller but still very watchable. The elderly lady (Eileen Essell) has since died at the age of 92 back in 2015 .

In Danny De Vito's "Duplex," Ben Stiller and Drew Barrymore play a young couple who buy a "dream apartment" in Brooklyn whose amenities include everything two upwardly mobile yuppies could possibly want: ample space, solid wood floors, three glorious fireplaces, and, above all, a quiet environment where Alex, a budding novelist, can spend his days writing in uninterrupted peace and quiet. Or so they think…for, unfortunately, the place also comes replete with what turns out to be the tenant from hell, a doddering old woman who lives on the second floor and who makes life miserable for the two of them with her continually blaring television and her constant intrusions into their daily lives. Finally driven to the breaking point, Alex and Nancy decide to take matters into their own hands in order to rid themselves of this human pest in any way they can.

"Duplex" is, essentially, a one-joke comedy and, as such, it does suffer from the occupational hazard common to all one-joke comedies of built-in repetitiousness. However, the writing has a surprisingly dark edge to it that lifts the film above the run-of-the-Hollywood-comedy-mill. I must confess to having a certain weakness for dotty old lady comedies, counting among my favorite films the original British classic "The Lady killers" from 1955. Eileen Essel is so delightful as the bete noire of the piece that it's hard not to fall under the spell of both her character and the film itself. De Vito, in a return to the black comedy form that served him so well in "The War of the Roses," keeps the comedy tough and brutal, even if it means bludgeoning the audience over the head a bit in the process. Stiller does his usual shtick as the put-upon Everyman, while Barrymore is able to use her customary cutesiness to full advantage as the sweet little ingénue driven to murder to save her own sanity.

"Duplex" is certainly not everyone's cup of tea, and I imagine that it would not win the stamp of approval from the AARP. Still, if you're in the market for something different in a mainstream comedy, "Duplex" just might fit the bill.