A young Scottish woman joins the French Resistance during World War II to rescue her Royal Air Force boyfriend who is lost in France.A young Scottish woman joins the French Resistance during World War II to rescue her Royal Air Force boyfriend who is lost in France.A young Scottish woman joins the French Resistance during World War II to rescue her Royal Air Force boyfriend who is lost in France.
- Director
- Writers
- Stars
- Awards
- 6 nominations total
Rupert Penry-Jones
- Peter Gregory
- (as Rupert Penry Jones)
Mathew Plato
- Jacob
- (as Matthew Plato)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If nothing else, the superb cinematography makes Charlotte Grey a winner. The picture is filmed through a creative and sensitive eye with wonderful angles, evocative moods and sensitive textures and shades. The rain and snow outside the train window in the opening scenes is somehow just so right. But photography aside, this is a gripping and well acted work that will satisfy fans of both war movies and love stories. Michael Gambon gives an Oscar worthy performance. It's also so nice to see a film that does not have one of those dreadful syrupy and impractical happy endings. Not that it's a totally sad ending. Call it a bitter sweet ending. In any case this film is an absolute delight from the titles to the closing scene.
My wife and I watched this film last night. We both enjoyed it very much. However, I was disappointed to see such a low rating on this website. I think the film is worthy of at least a 7.
I think that several people are missing the point about language. Charlotte did not speak English when she landed; she spoke French. All you have to do is use your imagination. The director obviously chose to use English to avoid having to use subtitles. Besides, acting must be hard enough without having to speak your lines in a foreign language.
Miss Blanchett is high on my list of favourite actors. I thought she played her part exceptionally well. I challenge anyone to say that they were not moved by her displays of emotion. If anyone can recommend any of her other films, I would be grateful.
I think that several people are missing the point about language. Charlotte did not speak English when she landed; she spoke French. All you have to do is use your imagination. The director obviously chose to use English to avoid having to use subtitles. Besides, acting must be hard enough without having to speak your lines in a foreign language.
Miss Blanchett is high on my list of favourite actors. I thought she played her part exceptionally well. I challenge anyone to say that they were not moved by her displays of emotion. If anyone can recommend any of her other films, I would be grateful.
In the midst of WWII, Charlotte Gray (Cate Blanchett) falls for dashing pilot Peter Gregory. She is recruited into the secret service since she spent time in France and is fluent. When Peter is lost behind the lines, she pushes to get the courier job for the French Resistance. Only she has the ulterior motive to find her missing love. Once on french soil, she finds french communist fighter Julien Levade (Billy Crudup).
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
Charlotte Grey is the title character of this movie, set in WW2 Britain and France. Played by the extremely gifted Cate Blanchett, Charlotte is a young Scottish woman who, after having fallen in love with an army pilot, Peter Gregory (Rubert Penry-Jones), decides to participate in the English efforts to help the French resistance. A fluent French-speaker, Charlotte takes on the identity of Dominique, a married Parisienne, who's moved to the Vichy-governed part of France.
As Dominique, Charlotte gets involved with Julian Lavade, his father and two young Jewish boys, whose parents have just been taken away by the Vichy police. She soon realizes how serious the situation is, and that no one is to be trusted. And her courage and determination sees her through.
Cate Blanchett shows yet again what an amazing actress she is, the new Meryl Streep, but with a warmer aura. Watching her on the screen never gets boring, and even though the movie is somewhat slow moving at times, it really left me craving for more. 4 out of 5!
As Dominique, Charlotte gets involved with Julian Lavade, his father and two young Jewish boys, whose parents have just been taken away by the Vichy police. She soon realizes how serious the situation is, and that no one is to be trusted. And her courage and determination sees her through.
Cate Blanchett shows yet again what an amazing actress she is, the new Meryl Streep, but with a warmer aura. Watching her on the screen never gets boring, and even though the movie is somewhat slow moving at times, it really left me craving for more. 4 out of 5!
This film is a love story, loosely based on the real-life heroism of WWII. Those who enjoy such films would not have been disappointed by Charlotte Gray.
Unfortunately, Channel 4 decided to precede the film with the transmission of a documentary about the real-life heroines, whose personal sacrifices, pragmatic courage and strength of character shone out of my TV in a way that had me close to tears. The film, which followed, showed none of the iron self-discipline, the de-sensitising effect of war nor the constant fear of discovery these people lived with, but concerned itself with emotional story lines that would have been at home in any modern love story, loosely based on any social environment you care to choose. Far from blending into the background, along with the oppressed French population, Cate Blanchett was often portrayed parading in high heels and flattering autumnal colours, looking like a million francs
Too frequently for this viewer, it dipped into the downright absurd, e.g. having a) the male lead exposing himself to danger in an astonishing, barking tirade at German troops, b) the collaborationist French schoolteacher volunteering to the goodies that he was a snitch for the Germans and c) Charlotte herself somehow persuading a gendarme not to reveal her whereabouts to his search party colleagues, even when safely out of range of her pistol.
What a wonderful piece of history it was. And what a wonderful film could have been made of it (with the same cast too; the individual performances were all perfectly OK, especially in the minor roles).
Unfortunately, Channel 4 decided to precede the film with the transmission of a documentary about the real-life heroines, whose personal sacrifices, pragmatic courage and strength of character shone out of my TV in a way that had me close to tears. The film, which followed, showed none of the iron self-discipline, the de-sensitising effect of war nor the constant fear of discovery these people lived with, but concerned itself with emotional story lines that would have been at home in any modern love story, loosely based on any social environment you care to choose. Far from blending into the background, along with the oppressed French population, Cate Blanchett was often portrayed parading in high heels and flattering autumnal colours, looking like a million francs
Too frequently for this viewer, it dipped into the downright absurd, e.g. having a) the male lead exposing himself to danger in an astonishing, barking tirade at German troops, b) the collaborationist French schoolteacher volunteering to the goodies that he was a snitch for the Germans and c) Charlotte herself somehow persuading a gendarme not to reveal her whereabouts to his search party colleagues, even when safely out of range of her pistol.
What a wonderful piece of history it was. And what a wonderful film could have been made of it (with the same cast too; the individual performances were all perfectly OK, especially in the minor roles).
Did you know
- TriviaThe true story of Nancy "White Mouse" Wake inspired Sebastian Faulks' 1999 novel Charlotte Gray upon which this movie was based. Australian Prime Minister Julia Gillard said Mrs. Wake was "a truly remarkable individual whose selfless valor and tenacity will never be forgotten." Born in New Zealand, but raised in Australia, she is credited with helping hundreds of Allied personnel escape from occupied France. Working as a journalist in Europe, she interviewed Adolf Hitler in Vienna in 1933 and then vowed to fight against his persecution of Jews. After the fall of France in 1940, Mrs. Wake became a French Resistance courier and later a saboteur and spy, setting up escape routes and sabotaging German installations, saving hundreds of Allied lives. She worked for British Special Operations and was parachuted into France in April 1944 before D-Day to deliver weapons to French Resistance fighters. At one point, she was top of the Gestapo's most wanted list. "Freedom is the only thing worth living for. While I was doing that work, I used to think it didn't matter if I died, because without freedom, there was no point in living", Mrs. Wake once said of her wartime exploits. It was only after the liberation of France that she learned her husband, French businessman Henri Fiocca, had been tortured and killed by the Gestapo for refusing to give her up. She was Australia's most decorated servicewoman, and one of the most decorated Allied servicewomen of World War II. France awarded her its highest honor, the Legion D'Honneur. She also received Britain's George Medal, and the U.S. Medal of Freedom. In 2004, she was made Companion of the Order of Australia. She died in London on August 8, 2011 at the age of ninety-eight.
- GoofsThe German colors during the Nazi Regime were actually Black, White and Red. These were also the colors of the N.S.D.A.P. and were present on the shield of the German helmets of the Wehrmacht and all of the flags at this time. So the Bundesrepublik Deutschland (West German) colors of Black, Red and Yellow are not appropriate for the film.
- Quotes
Psychiatrist: Of these three, which in your view is the most important: Faith, hope or love?
Charlotte Gray: Hope.
- SoundtracksBlack Eyed Susan Brown
Master performed by Phil Harris and his orchestra featuring The Three Ambassadors
By courtesy Hindsight Records
Written by Al Hoffman and Al Goodhart
Published by Keith Prowse Music Publishing Co Ltd
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Espionne par amour
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $741,394
- Opening weekend US & Canada
- $46,271
- Dec 30, 2001
- Gross worldwide
- $5,323,109
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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