वाइल्ड थिंग्स

Wild Things is a cult classic film of the late 1990's due to several things. First the film seems to be known for its twists and turns (most of which are unpredictable- several foreshadowing occurs with a lot attention to detail to be had), then there's its famous pool scene involving Denise Richards and Neve Campbell.

The film is relatively slow paced and not too engaging in its first half (about 50 minutes or so) then around once the first major reveal is shown, everything picks up (the pacing and plot), it become more intriguing and overall engaging. We want to see what is going to happen next.

Due to its twists and turns, those are what elevates the film from being relatively subpar. Wild Things is a serious drama dealing with a serious topic (rape case and allegations) yet the manner everything unfolds is somewhat trashy and in an MTV type style (this appears to be the appeal). The acting all around is respectable and convincing. "Not everyone is as they appear".

Overall not exactly a great film but it's unpredictability in the second half keeps you guessing and engaged.

During the very limited theatrical run that Wild Things recieved here (I think it was gone in about three weeks), a lot of the reviews and publicity created the impression that this was a soap opera sex thriller. I guess that's an easy approach to take when summing this film up, since its two female leads featured in Party Of Five and episodes of Doogie Howser (man what an awful show that was), not to mention that one of the male leads would be doing well to act his way out of a wet paper bag. The problem with that is that it is just too easy, and easy answer is exactly the sort of thing that this film goes out of its way to avoid. It is not trying to be a modern Hitchcock, it is not trying to be another Basic Instinct, it is just trying to tell a story.

The story, such as it is, seems to revolve around Blue Bay High School, the town it is located in, and its snobby, high-income elite, at least in the first reel. We are introduced to all four of the characters who will figure prominently in the story to come during a lecture to the students in their senior year. There's Sam the guidance counsellor, Ray the corrupt policeman, Kelly the daughter of the wealthiest real estate mogul in town, and Suzie the girl from the caravan park across town. All four of these characters have secrets they'd rather not share with any other inhabitant of the town, but that all comes apart when Kelly accuses Sam of raping her. Suzie corroborates her story at first, but then we get our first inkling that things are not all they seem, through the efforts of Bill Murray in one of his best cameos ever. The whole thing is seemingly a conspiracy between Sam, Suzie, and Kelly, but we are never shown whose idea it is until the very end.

This next passage will ruin a key surprise the film has in store, so don't read it if you haven't seen it. Unless things have radically changed in this regard during the last ten years, psychologists and other such professionals do not tell test subjects exactly what their IQ is. Even if Suzie or her mother did know exactly, this whole point is delivered with such sledgehammer force that it almost utterly ruins the subtle, slow buildup that the rest of the film exhibited. Were they just running out of money when it came time to film this spot and just decided to go with the quickest, simplest thing they could do? It would have been much more effective and satisfying if the ugly cop (I forget the name) had just spent five or ten minutes going through whatever Suzie had left behind on her run to the Carribean. Summing up this plot point in fifteen seconds was an exceptionally bad move.

Overall, however, you can't really go wrong with this film for an evening's entertainment. It doesn't feel the need to talk down at its audience, it doesn't resort to excess simplicity to make itself understood (except for the aforementioned ending), it just tells a story and tells it reasonably well. It is also another great example of DVD's utter superiority, especially during the threesome scene. When this part of the film is shown in its proper aspect ratio, you can make out every character and certain little details I'm sure that Denise Richards would appreciate not having available to horny teenage boys in a freezable and zoomable format. When was the last time you zoomed in on an actress' boobs with a VHS cassette, assuming they were left in frame after some jerk with an editing console chopped it down to fit those garbage 4:3 screens?

There is a website that shows silly abbreviated synopsises for movies...for this movie it says "There's a plot twist, There's a plot twist, There's a plot twist...There's a plot twist...There's a plot twist...There's a plot twist...The End...There's a plot twist."

This sums up the movie very accurately. It's mind popcorn, nothing more. The saving grace of this movie is that you KNOW it's a melodrama that's really not to be taken seriously.

The main actors bring life into what could be very overdone characters. The cinematography is not to be missed, and the supporting cast fills in the movie nicely.

Not a great movie, but a good movie to vegg out to!

Wild Things is a fantastic example of what can be achieved by not worrying about substance and having a film play for straight entertainment value. Here we have a film that takes elements such as beautiful stars, beautiful locations and a bucket load of plot twists and blends it all into a highly enjoyable film experience. Of course, Wild Things doesn't always come across very realistically and, at times even, it's downright ridiculous; but it's done in such a way that it doesn't matter, and because of that we have a film that can do what it wants. The film is helmed by John McNaughton, who had his first success with the cult horror flick Henry: Portrait of a Serial Killer. It has to be said that the scene setting and way that the plot moves is somewhat ham-fisted, as sometimes it's painfully obvious that certain sections of the film exist only to give it another selling point; the argument that starts out between Denise Richards and Neve Campbell beside a swimming pool being a case in point. However, McNaughton makes good of these selling points, and for every three way sex scene and absurd plot twist, the film gains an extra point for trashy entertainment value.

It's not immediately obvious what Wild Things is going to be about, as the first twenty minutes serve only in setting the scene and from that base, the film could easily turn into any teenage school flick. However, it turns out that this time is well used; as by nulling the audience into a false sense of security, the film is able to make sure that every twist comes as a surprise. The film benefits from a great big name cast, which is anchored by Matt Dillon; who gives one of his best performances. Dillon clearly enjoys himself, and his persona is able to suit both the sleazy and upstanding nature of his character. Kevin Bacon sleepwalks and isn't really able to show his true talent, and similarly Neve Campbell looks out of place (sexy with it) in her role as a teenage junkie. However, Denise Richards rounds the piece of nicely with a charged performance and the ensemble is nicely topped off by the likes of Bill Murray, Theresa Russell and Robert Wagner. The settings that the movie takes place in look great, and ensure that there's more eye candy than just the female leads. Director McNaughton presents a fabulously mysterious atmosphere which obviously bodes well with the plot and, on the whole, if you want a couple of hours of entertainment; you can do a lot, lot worse than this twisty little flick.

Much has been said about the sexual content of this movie for which I can only say it was nice to get such mice views, clothed and unclothed of Denise Richards. But overall the sexuality of this film is moderate at best.

Why i really liked it is because all of the twists in the plots actually come together. At the end of the film, integrated with the end credits, are previously unseen events that kept the full tale slightly hidden from the viewer. By inserting them at the end, the full story was told without inhibiting the ride. If you missed the hints and clues along the way, u can see what you failed to figure out.

Certainly this is not a tale that fails to stretch credibility, but its is a film for amusement. But unlike so many, the mystery is solvable and does not rely on contrivances created at the end to make you feel stupid. If you miss them you are not stupid, but if foresee any of the conclusion, and the can be foreseen, hats off to you.