ÉVALUATION IMDb
7,0/10
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MA NOTE
Ajouter une intrigue dans votre langueGeneral Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.
- Nommé pour 4 oscars
- 1 victoire et 10 nominations au total
Kenneth MacKintosh
- Lodovico
- (as Kenneth Mackintosh)
Nick Edmett
- Messenger
- (as Nicholas Edmett)
- …
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This is the best film of a Shakespeare play that I have ever seen. (Throne of Blood is a great movie, but it's an adaptation, not really Shakespeare's Macbeth.) What makes the difference for me are the outstanding performances by the entire cast, not just Olivier. Maggie Smith's Desdemona is truly touching as a woman overwhelmed by fate. A young Derek Jacobi hits all the right notes as Michael Cassio: smart, loyal, eager to please, but a little immature. I haven't seen any other roles played by either Frank Finlay or Joyce Redman, but in any case, they're excellent here. I much prefer Olivier's Othello to his film role as Hamlet. That's because too many of Hamlet's lines were cut from that version. More text gives more characterization to Othello, and gives Olivier the chance to really fill the role, which he does beautifully. My only real complaint is that on the videotape, the widescreen picture is cropped too much. Everybody who is a fan of Shakespeare or any of the above mentioned actors should see this movie!
As this is a filmed stage production, some concessions must be made for the extravagant, loud, performances of some of the cast, although this over-acting does tend to get in the way. Laurence Olivier, as Othello, the moor of Venice, is extraordinary, and some moments in his performance are superb, but his constant habit of shouting at the top of his voice and throwing himself around the stage grates. His voice, made deeper by vocal training, will surprise those who are used to seeing Olivier in other films, where he does not play an Arab. Some of his better moments are his first appearance, his entrance into the brawl in which Cassio (an excellent Derek Jacobi) is banished, and, especaily, the moving final scene. Maggie Smith is an exemplary Desdemona, beleivably confused and upset. Joyce Redman is good, but also suffers Olivier's fate of overacting. Frank Finlay is an absolutely brilliant Iago, willingly talking to us, the audience, in his soliluquies, as though we were one of the characters, and taking malicious delight in his evil machinations. Overall, this is an impressive, though over-rated film. CAST RATING (out of 10) Laurence Oliver (6) Maggie Smith (9) Joyce Redman (6) Frank Finlay (10) Derek Jacobi (8)
This is easily the best version of Othello I've seen (although I haven't seen the Orson Wells version yet).
Laurence Olivier was nominated for Best Actor for his role as Othello, and deservedly so. I was mesmerized by his performance, he was truly one of the greatest actors of all time.
All of the cast performed very well: Frank Finlay as Iago, Joyce Redman as Emilia, Maggie Smith as Desdemona, and in his very first movie role, Derek Jacobi as Cassio.
The direction was flawless - attentive care was put into the timing of conversations and events. The costumes were very good too - I far more enjoy watching Shakespeare set in it's original and appropriate time in history.
Laurence Olivier was nominated for Best Actor for his role as Othello, and deservedly so. I was mesmerized by his performance, he was truly one of the greatest actors of all time.
All of the cast performed very well: Frank Finlay as Iago, Joyce Redman as Emilia, Maggie Smith as Desdemona, and in his very first movie role, Derek Jacobi as Cassio.
The direction was flawless - attentive care was put into the timing of conversations and events. The costumes were very good too - I far more enjoy watching Shakespeare set in it's original and appropriate time in history.
Olivier is truly awesome: I invite you to read his biography by Donald Spoto to see what went in to this characterization. Surely this is his best Shakespeare role, but must admit I wish he could have filmed Macbeth. Another especial comment on the direction--it couldn't have been easy to bring this from the stage to a video version, but I feel it came off beautifully. This was film Shakespeare at its best--until Branagh's Hamlet.
I am very fond of Shakespeare's work so I was all for seeing Olivier's Othello having loved his Hamlet so much. There is some stiff competition, namely the brilliant Orson Welles film, but this doesn't overshadow or is in the shadow of this stiff competition, if anything it is on par with them. In short I honestly believe it is one of the finest Shakespeare adaptations and films. It is very well made, with exemplary photography and settings without ever feeling too stage bound. The music is haunting and evocative, the writing is outstanding(not only in terms of written quality but also how it is delivered and how well adapted it is), the characterisations have complexity especially Othello and the story still is compelling and moving. You couldn't have had a more perfect cast either, I think Laurence Olivier's Othello has more depth than his Hamlet, and to this day I still consider it one of his best performances on films, he is extraordinary. Maggie Smith is poignant, delicate and determined as Desdemona, and a young Derek Jacobi is excellent as Cassio. Frank Finlay's Iago is clever, conniving and altogether brilliant, for me the best of the supporting turns. In conclusion, fantastic really. 10/10 Bethany Cox
Le saviez-vous
- AnecdotesThis is the only Shakespearean movie in which all four leading actors and actresses (Sir Laurence Olivier, Dame Maggie Smith, Frank Finlay, and Joyce Redman) were nominated for Oscars.
- GaffesDesdemona's chest is still going up and down (like she's breathing) after she dies.
- Autres versionsThe film's U.S. DVD release restores the Warner Bros. logo backed by a red curtain and fanfare music to the opening credits, and the "Intermission" title card about ninety minutes into the film. These have not been seen since the film's original U.S. release; they were not featured on the videocassette edition. The long-deleted "intermission break" occurs immediately after Othello says to Iago, "Now art thou my lieutenant" and Iago answers "I am your own forever".
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Otelo
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 45 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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