Springtime in the Sierras

* This review is based on the shortened 54 minute version * A group of poachers are violating all of the hunting regulations so they can provide the venison and other meats for market. Roy Rogers and Captain Foster, who provide a sanatorium for the wildlife go searching for the criminals, who happen to be neighboring rancher Jean Loring. When Foster discovers Jean's gang at work, she shoots him, which unnerves Bert Baker, a young member of the gang, whose sister runs the ranch Roy works for. Jean and her main henchman Matt Wilkes, find out that it is not safe with Roy on their trail, since he already suspects the two of poaching. Roy sets himself as a member of the Loring ranch, but when he finds the proof he needs, Jean and Wilkes make sure that he never reaches the marshal. Enjoyable routing Rogers picture with a nice amount of songs, action, and mushy sentiment often seen in his films. The fight between Roy and Barcroft in the freezer is very well handled by Witney mainly because of free camera movement even in the cramped quarters. Rating based on B westerns- 6.

Roy Rogers returns to an old boyhood hometown in the Sierras, where he discovers poachers killing off the area deer. Mr. Rogers finds an abandoned fawn, and brings it to "The Sanitarium" - an animal refuge run by old friend Harry Cheshire (as Cap. Foster); there, he finds Mr. Cheshire treating the fawn's mother for a bullet wound. When the animal-loving Cheshire stumbles upon the gang of poachers, he is murdered. Rogers must find those responsible. Sheriff Andy Devine (as "Cookie") lends an occasional hand.

The characterizations are very good; especially, the introduction, and disposal, of the character played by Harry Cheshire ("Cap Foster"). The characters played by Stephanie Bachelor ("Miss Loring") and Hal Landon ("Bert") are also nicely drawn. Memorably, Rogers is dramatically beaten and left for dead in a meat freezer. Of course, Rogers escapes frozen death - and the ensuing shootout is quite exciting. During the obligatory shootout, note that the shots fired actually mean something; there is no pointless shooting, so a sense of real danger prevails. "Good Girl" Jane Frazee and "Bad Girl" Loring have a cool fistfight, too.

Bob Nolan and the Sons of the Pioneers demonstrate some excellent harmony and backing vocals on "A Cowboy Has To Sing". On the other hand, "Oh, What a Picture" is dreadful - not only for Mr. Devine's "comedy" vocal, but also for ruining the dramatic pace of the film. A redundant comedy interlude follows almost immediately ("What are You Going to Do Then?"); only one, if any, is really needed. The title song "Springtime in the Sierras" has a strained film tie-in.

***** Springtime in the Sierras (1947) William Witney ~ Roy Rogers, Jane Frazee, Andy Devine

Springtime In The Sierras finds Roy Rogers trying to help Harry Cheshire who is animal lover and conservationist against out of season poachers. Cheshire runs an animal shelter and hospital from his place in the mountains where he also has a crusade against those who poach. Cheshire is convinced that there is an organized gang of poachers operating in his woods. His investigation proves right and he's killed for his troubles. That brings Roy into the picture big time.

Roy has two women in this film good girl Jane Frazee whose brother Harold Landon is mixed up with the poachers and Joan Lorring who heads the poachers along with her number one aide, perennial western villain Roy Barcroft. In the climax Roy and Roy mix it up along side a dandy chick fight with Jane and Joan. I also have to say that Lorring is one evil villain in this film.

Andy Devine who did several Rogers films in the Forties is in this one in his usual befuddled state. Andy was a good ally to have, but he was kind of slow and there isn't a Roy Rogers film in it where he doesn't to have Roy patiently explain the situation. Of course it's a plot device to make sure the Saturday afternoon kids understood exactly what was happening, still it made Andy look stupid. But it was worth seeing him at the climax give one of Lorring/Barcroft's henchmen the big splash as you would see someone like King Kong Bundy do. That villain would have been out for a 25 count on the WWE.

As someone who is not particularly fond of hunting other than as a means for food and regulated at that, I have a soft spot in my heart for this particular film. I wish I had seen a full length version, but what I saw was cut down for television back in the day.

First-rate matinée fare with Roy in fine early form. Republic popped for more than usual with a load of extras and TruColor. Then too, the storyline's almost contemporary with Roy and guys trying to save wildlife from greedy poachers. Of course, this means flying fists, fast guns, and hard riding. Plus a gang headed by a pretty girl (Bachelor), instead of the usual mustachioed slickster. Wow! And most challenging of all, Roy's got to survive being trapped in a frozen meat locker, of all things. Good thing hefty Andy Devine's along providing more than comedy relief. I guess Dale was busy elsewhere, so nifty little Jane Frazee gets to supply the romance, while the Sons of the Pioneers get to croon a few tunes along with our hero. I guess my only minus is the locations. Too bad Republic didn't pop for more scenic surroundings than scrubby greater LA. But that's okay since there's more than enough to keep this Front Row geezer happy, and hopefully you too.

Good, cute little story where it is question of fight for the well being of animals against human predators. Destined to all kinds of audiences. William Witney had a carrer in three parts. First, his most notorious, concerned the serials, the best ever in the movie industry. William Witney was the master of serials, all companies confounded, better than any one else. This period began in the late thirties till the late forties. Then he began a sesond part in B westerns, one hour length, like this one, most of them with Roy Rogers, the singing cowboy or some Allan Rocky Lane, who was not a singing cowboy.... Those B westerns were all alike, more or less, but agreeable for fans of this kind of stuff. The third part of Bill Witney's career involved longer movies and rather good ones: STRANGER AT MY DOOR, BONNIE PARKER STORY, the rest being action flicks where Witney showed his skills that he used decades earlier for his majestic serials.