VALUTAZIONE IMDb
6,7/10
354
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a look-a-like French citizen.A French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a look-a-like French citizen.A French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a look-a-like French citizen.
- Regia
- Sceneggiatura
- Star
Jean-Pierre Aumont
- Bertrand Corlay
- (as Pierre Aumont)
- …
Recensioni in evidenza
This picture has the look and feel of a British film of the period, probably because it includes mainly actors who spent WWII in Hollywood under contract to MGM. Jean-Pierre Aumont and his colleagues show their previous training on stage through too large gestures and reactions. Also, the acting often looks as if war were a lot of fun.
Aumont is incredibly handsome but seems wasted in this two-dimensional portrayal of a Free French warrior. The picture no doubt bolstered the spirits of his fans, dramatizing the efforts of the Free French at a crucial time in history. Any authenticity in his character comes from the knowledge that he did indeed serve with the Free French, for which he was later decorated by the French government.
The best acting in the film is by the naturalistic Susan Peters and the classically trained Margaret Wycherly.
Nevertheless, the picture is worth seeing for its place in the history of movie making.
Aumont is incredibly handsome but seems wasted in this two-dimensional portrayal of a Free French warrior. The picture no doubt bolstered the spirits of his fans, dramatizing the efforts of the Free French at a crucial time in history. Any authenticity in his character comes from the knowledge that he did indeed serve with the Free French, for which he was later decorated by the French government.
The best acting in the film is by the naturalistic Susan Peters and the classically trained Margaret Wycherly.
Nevertheless, the picture is worth seeing for its place in the history of movie making.
This is a wartime film obviously intended to bolster the public's resolve. It stars a French expatriate, Jean-Pierre Aumont, who came to Hollywood when his country fell to the Germans. Unfortunately, not too many other French actors were available...and those who SHOULD have had French accents never even tried. So, it's all a bit strange with Aumont the only French person in a film set in a France where everyone has American and British accents!! Just suspend your sense of disbelief and watch.
The story is a bit silly but enjoyable. It seems that a French agent cannot go back to his native land for an assignment due to an injury. But, they manage to find a Free-French officer, Pierre (Aumont) who looks a lot like him. And, after a bit of plastic surgery, voila...the man has a double who will do the assignment for him! His job is to locate the secret German submarine bases so they can be destroyed. And, until he locates them, Pierre is to assume the other man's life...living withe man's mother and interacting with his friends.
The story that follows is rather typical of a wartime film. However, the Germans are not quite as monstrous as they often were in WWII- era films--as the filmmakers were going more for realism in this instance. Overall, it's enjoyable but a tad dumb. Turn off the part of your brain that questions silly plot lines and you'll no doubt enjoy this generally well made film.
The story is a bit silly but enjoyable. It seems that a French agent cannot go back to his native land for an assignment due to an injury. But, they manage to find a Free-French officer, Pierre (Aumont) who looks a lot like him. And, after a bit of plastic surgery, voila...the man has a double who will do the assignment for him! His job is to locate the secret German submarine bases so they can be destroyed. And, until he locates them, Pierre is to assume the other man's life...living withe man's mother and interacting with his friends.
The story that follows is rather typical of a wartime film. However, the Germans are not quite as monstrous as they often were in WWII- era films--as the filmmakers were going more for realism in this instance. Overall, it's enjoyable but a tad dumb. Turn off the part of your brain that questions silly plot lines and you'll no doubt enjoy this generally well made film.
10mutti-2
This is a story of the remarkable resemblance of two French men during WW II: one of whom is dealing traitorously with the Nazi occupation, and the other who is sent by British intelligence to try to discover the location of a Nazi port in Brittany that is destroying English ships. Both the mother and the sweetheart of Bertrand (the first man) are very disappointed with his activities and find it hard to believe in the goodness of Pierre, who is impersonating him, and are slow to accept the deception. Complicating the plot is Bertrand's mistress whose existence is unknown to Pierre. How the location of the Nazi port is discovered and the double-identity is resolved form a thrilling development.
Solid story, I think well done and paced nicely for modern sensibilities even. Dramatic scenes jump to quite harrowing action without warning, and play out realistically. A relatively simple, high-stakes spy/war plot, clearly resolved. Nice bits of play acting, being discovered, double agents, etc. etc.
Some here complain about the acting, but I thought it all worked great, and the supporting cast really held up their end; even people on screen for two minutes seem real, and to be motivated by actual emotion.
Not a great transfer, and hard to watch but I caught it on TCM. Nicely done sets, and mostly works within the confines of budget by keeping things indoors and at night. The few outdoor scenes (especially those in the day) are a bit lame in the backlot/studio way they were, but that's about the only flaw I can find in it.
Some here complain about the acting, but I thought it all worked great, and the supporting cast really held up their end; even people on screen for two minutes seem real, and to be motivated by actual emotion.
Not a great transfer, and hard to watch but I caught it on TCM. Nicely done sets, and mostly works within the confines of budget by keeping things indoors and at night. The few outdoor scenes (especially those in the day) are a bit lame in the backlot/studio way they were, but that's about the only flaw I can find in it.
Darryl Hickman is WAY down in the cast list, but he's about the only name i recognize. you'll also know Reginald Owen, the stately old gentleman in SO many huge films... he was never the lead, but an important co-star in so many great productions. check out his roles. In this war-time flicker, a frenchman poses as another office to locate a german submarine base. Jean-Pierre Aumont plays several roles.... to the french, he's a captain in the french army. then he parachutes to where "his" fiancee is, and must find the submarine base. the usual espionage shenanigans. darryl hickman was only 12 at this time, so he's just a boy. Sixteen years later, he'll be Dobie Gillis, in 1959, with his own television series. the war had another two years to go, so we see the rough sacrifices the villagers had to make repeatedly, to thwart the german troops. it's pretty good. some violence, as they gun down the innocent (and some not so innocent) towns-people. Directed by Jack Conway, who had also directed some incredible films.
Lo sapevi?
- QuizThe Germans built several submarine bases on the west coast of France after their occupation of the country in 1940. Enormous submarine pens of reinforced concrete were erected at Bordeaux, Brest, La Pallice, Lorient and Saint-Nazaire. These structures protected the U-Boats from attack and allowed them freer access to the Atlantic Ocean, as the submarines did not have to transverse the English Channel or go around the UK via the North Sea from bases in Germany. As of 2020 these massive constructions are still largely intact and some have even been re-purposed. The pens at La Pallice can be seen in U-Boot 96 (1981) and I predatori dell'arca perduta (1981).
- BlooperAs Corlay and Kerenor are about to enter the pub, a German guard stops them. Kerenor says, "One uncovers. It's good form for the content." They take their hats off and enter. But once inside, only they have their hats off. All the other Frenchmen of the town, and the German officers, have their hats on their heads.
- Citazioni
Jean Kerenor: [as he and Metard/Corlay are stopped by a guard from entering a pub] One uncovers. It's good form for the content.
[German officers as well as town folk are seated inside]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Assignment in Brittany
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Proporzioni
- 1.37 : 1
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