Cinco amigos viajam para uma cabana remota na floresta, onde a descoberta de um Livro dos Mortos os leva a involuntariamente invocar demônios.Cinco amigos viajam para uma cabana remota na floresta, onde a descoberta de um Livro dos Mortos os leva a involuntariamente invocar demônios.Cinco amigos viajam para uma cabana remota na floresta, onde a descoberta de um Livro dos Mortos os leva a involuntariamente invocar demônios.
- Prêmios
- 6 vitórias e 20 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesAccording to reports in the press, the film used 70,000 gallons (equivalent to 264,978.82 liters) of fake blood. In an interview, Fede Alvarez said they used 50,000 gallons (189,270.59 liters) for the final scene alone. This is compared to the 200-300 gallons (757.08-1,135.62 liters) used in the original.
- Erros de gravaçãoAt the beginning of the film a woman is speaking a foreign language, according to the subtitles she is speaking Turkish, she is actually speaking in Welsh.
- Citações
Abomination Mia: I will feast on your soul!
Mia: [revs the chainsaw] Feast on this, motherfucker.
[Mia shoves the chainsaw into the Abomination's face]
Mia: Die.
[Mia defeats the Abomination by slice the head in half as the creature begins to sink into the ground]
Mia: Go back to Hell, bitch.
- Cenas durante ou pós-créditosIn reference to a term coined by Sam Raimi after The Three Stooges, the actors which appear in bit parts as "really good people" (Bill Vincent, Judah Tapert, Terri Donaldson, and Alan Breslau) are credited as "Fake Shemps".
- Versões alternativasWhile the theatrical release was uncut, the German DVD release was cut by ca. 1 minute to to keep its "Not under 18" rating from the FSK. The uncut version was released with a SPIO/JK approval (resulting in various sale restrictions).
- ConexõesFeatured in Face Off: Mummy Mayhem (2013)
- Trilhas sonorasBaby, Little Baby
Written by Fede Alvarez and Rodo Sayagues
Performed by Jane Levy and Shiloh Fernandez
Published by Fede Alvarez (ASCAP) and Rodo Saygues (ASCAP)
Avaliação em destaque
So I've read here and there that this remake lacks the camp of the original. And I look back over 20 years ago, watching The Evil Dead on a crummy rental VHS, in the dark of my teenage bedroom one night. The camp? The original Evil Dead was a terrifying experience, even with Bruce Campbell's over the top performance, the film was a scare-fest, a terrifying trip even nearly ten years after its release. The camp was in Evil Dead 2, an horror comedy remaking the original already, technically.
This remake finds many way to bow to the original, aside the obligatory visual quotes. The use of practical effects, notably, in an era of CGI- filled movies, is extremely refreshing. The gore feels painful, makes you cringe, churned my stomach. It successfully palliates a somewhat shallow characterization that makes it difficult to root for the characters (with the exception of Mia, who owes a lot to a really visceral performance by Jane Levy.)
And this is where Evil Dead 2013 took me by surprise. After roughly a first half of the movie taking Evil Dead fans by the hand towards hashed and rehashed territories, making them doubt that this was a good idea at all, the movie lets go of your hand and you're alone, in the middle of the woods, and it's dark and there's strange noises all about... and then limbs start flying.
I won't get into conjectures that the highly conventional and overly familiar first half was made that way with the sole purpose of placing the audience in their comfort zone, only to give more impact to the second half... but I would surely ask Fede Alvarez if I was to interview him.
Evil Dead 2013 is a treat for the fans of gore and horror, in any case. Another reminder that out of ten awful remakes, sometimes one rises to the top and delivers. Not for the faint of heart, for sure, but if you're a true horror fan, and even more, if you miss your old school, gruesome gore rides, this one is for you.
This remake finds many way to bow to the original, aside the obligatory visual quotes. The use of practical effects, notably, in an era of CGI- filled movies, is extremely refreshing. The gore feels painful, makes you cringe, churned my stomach. It successfully palliates a somewhat shallow characterization that makes it difficult to root for the characters (with the exception of Mia, who owes a lot to a really visceral performance by Jane Levy.)
And this is where Evil Dead 2013 took me by surprise. After roughly a first half of the movie taking Evil Dead fans by the hand towards hashed and rehashed territories, making them doubt that this was a good idea at all, the movie lets go of your hand and you're alone, in the middle of the woods, and it's dark and there's strange noises all about... and then limbs start flying.
I won't get into conjectures that the highly conventional and overly familiar first half was made that way with the sole purpose of placing the audience in their comfort zone, only to give more impact to the second half... but I would surely ask Fede Alvarez if I was to interview him.
Evil Dead 2013 is a treat for the fans of gore and horror, in any case. Another reminder that out of ten awful remakes, sometimes one rises to the top and delivers. Not for the faint of heart, for sure, but if you're a true horror fan, and even more, if you miss your old school, gruesome gore rides, this one is for you.
- creepysammich
- 4 de set. de 2013
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Posesión infernal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 54.239.856
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.775.847
- 7 de abr. de 2013
- Faturamento bruto mundial
- US$ 97.542.952
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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