AVALIAÇÃO DA IMDb
7,3/10
8,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDocumentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).
- Prêmios
- 4 vitórias e 13 indicações no total
Eddie Albert
- Self
- (cenas de arquivo)
Peter Bart
- Self
- (cenas de arquivo)
Charlie Bluhdorn
- Self
- (cenas de arquivo)
William Castle
- Self
- (cenas de arquivo)
- (as Bill Castle)
Francis Ford Coppola
- Self
- (cenas de arquivo)
Catherine Deneuve
- Self
- (cenas de arquivo)
Charles Evans
- Self
- (cenas de arquivo)
Josh Evans
- Self
- (cenas de arquivo)
- (as Joshua Evans)
Mia Farrow
- Self
- (cenas de arquivo)
Errol Flynn
- Self
- (cenas de arquivo)
Ava Gardner
- Self
- (cenas de arquivo)
Karen Greenberger
- Self
- (cenas de arquivo)
Ernest Hemingway
- Self
- (cenas de arquivo)
Arthur Hiller
- Self
- (cenas de arquivo)
Henry Kissinger
- Self
- (cenas de arquivo)
Ali MacGraw
- Self
- (cenas de arquivo)
Steve McQueen
- Self
- (cenas de arquivo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe soundtrack narration, in which Robert Evans portrays all the other characters as well as himself, is taken directly from the recording of the audio-book version of his autobiography.
- Erros de gravaçãoThe closing credits say that Evans has been at Paramount for over 35 years, "more than any other producer on the lot." However, A.C. Lyles has been with Paramount for 75 years (as of 2003), though he is no longer actively producing.
- Citações
Robert Evans: There are three sides to every story: Your side, my side, and the truth. And no one is lying. Memories shared serve each differently.
- Cenas durante ou pós-créditosThe closing credits include 1976 footage of Dustin Hoffman doing an impersonation of a future Robert Evans of 1996.
- ConexõesEdited from O Beijo da Morte (1947)
- Trilhas sonorasSin Titulo
Performed by Chico O'Farrill
Written by Fernando Castro Valencia, Pepe del Rio, Ruben Berrios
Published by Peer International Corp.
Courtesy of the Verve Music Group
Under license from Universal Music Enterprises
Avaliação em destaque
Documentaries are a dime a dozen, and I've seen my share. Being the type of person who would watch a documentary on anything, I was excited to catch this film about a man who has had one hell of a career in Hollywood. I knew I would find the subject matter interesting, but was completely surprised at how much I enjoyed the way the story was presented.
The Kid Stays In The Picture is the story of Robert Evans, told in Evans' words and narrated by Evans himself. His amazing career highs and lows are detailed in fantastic cinematic fashion, utilizing photographs and film clips from Evans' acting, then producing career while accompanied by Evans' enrapturing narration. The stories told by Evans were so effective and interesting that it could have been overlaying a blank screen and would have riveting. He is truthful, arrogant and most importantly, self-deprecating. He isn't afraid to admit the mistakes he made in his career, which is a refreshing turn from so many self-serving documentaries.
If anything, this film is worth watching for two scenes: When Evans tells the story of his near-suicidal moments that are harrowing in itself, but is accompanied by appropriate images from some of the films he produced. The other is during the final credits, when you see Dustin Hoffman do an incredible and hilarious impersonation of Evans on the phone. I certainly hope that Evans was proud of the way this documentary portrayed him, and should be commended in the way he portrayed himself.
--Shelly
The Kid Stays In The Picture is the story of Robert Evans, told in Evans' words and narrated by Evans himself. His amazing career highs and lows are detailed in fantastic cinematic fashion, utilizing photographs and film clips from Evans' acting, then producing career while accompanied by Evans' enrapturing narration. The stories told by Evans were so effective and interesting that it could have been overlaying a blank screen and would have riveting. He is truthful, arrogant and most importantly, self-deprecating. He isn't afraid to admit the mistakes he made in his career, which is a refreshing turn from so many self-serving documentaries.
If anything, this film is worth watching for two scenes: When Evans tells the story of his near-suicidal moments that are harrowing in itself, but is accompanied by appropriate images from some of the films he produced. The other is during the final credits, when you see Dustin Hoffman do an incredible and hilarious impersonation of Evans on the phone. I certainly hope that Evans was proud of the way this documentary portrayed him, and should be commended in the way he portrayed himself.
--Shelly
- FilmOtaku
- 21 de mai. de 2003
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Kid Stays in the Picture?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Kid Stays in the Picture
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.439.232
- Fim de semana de estreia nos EUA e Canadá
- US$ 89.087
- 28 de jul. de 2002
- Faturamento bruto mundial
- US$ 1.521.593
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was O Show Não Pode Parar (2002) officially released in India in English?
Responda