Actualités
Dick Vorisek
For most re-recording mixers, the most challenging scenes to mix are the ones with lots of action and requires a multitude of sound effects. For re-recording mixer, Tom Fleischman, it’s the opposite. He has been working with director Martin Scorsese since the ’80s. The two first met when Fleischman was a freshman at NYU and Scorsese was teaching film. They worked together later first on “Raging Bull” and then on “King of Comedy.”
Since then, Fleischman has continued to work with the director. Their most recent collaboration is on “The Irishman.” His main objective with the epic was to work on the sound, or rather quiet the sound so the viewer doesn’t get distracted from the performances. To both Scorsese and Thelma Schoonmaker, that was the most important thing, keeping the performances strong and intimate.
Fleishman explains the process below and discusses his relationship with Scorsese.
You and Marty go way back.
Since then, Fleischman has continued to work with the director. Their most recent collaboration is on “The Irishman.” His main objective with the epic was to work on the sound, or rather quiet the sound so the viewer doesn’t get distracted from the performances. To both Scorsese and Thelma Schoonmaker, that was the most important thing, keeping the performances strong and intimate.
Fleishman explains the process below and discusses his relationship with Scorsese.
You and Marty go way back.
- 2019-11-14
- par Jazz Tangcay
- Variety Film + TV
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