Una squadra di salvataggio scopre una nave del 1962 scomparsa da tempo che galleggia senza vita in una remota regione del Mare di Bering. Presto notano che i suoi passeggeri già morti da tem... Leggi tuttoUna squadra di salvataggio scopre una nave del 1962 scomparsa da tempo che galleggia senza vita in una remota regione del Mare di Bering. Presto notano che i suoi passeggeri già morti da tempo potrebbero essere ancora a bordo.Una squadra di salvataggio scopre una nave del 1962 scomparsa da tempo che galleggia senza vita in una remota regione del Mare di Bering. Presto notano che i suoi passeggeri già morti da tempo potrebbero essere ancora a bordo.
- Premi
- 1 candidatura in totale
Bob Ruggiero
- Captain
- (as Robert Ruggiero)
Matthew Wollaston
- Steward Number 3
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn 2016, the media website ComingSoon named the film's opening scene one of the greatest in horror film history.
- Blooper(at around 24 mins) Captain Murphy's story of the Mary Celeste is largely inaccurate. According to him, it was a two-mast brigantine leaving Charleston, South Carolina, during the American Civil War. She carried a load of cotton for London, England. Fishermen off the coast of Tripoli found the ship under sail with no one on board; its last log entry was 59 days prior. Somehow an unmanned ship sailed through the Strait of Gibraltar and into the Mediterranean Sea.
In truth, the Mary Celeste left New York Harbor in late October 1872 with a cargo of 1,701 barrels of denatured alcohol bound for Genoa, Italy. She was found off the coast of Portugal, under sail yet abandoned, with its last log entry nine days before she was found.
- Curiosità sui creditiThe opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening.
- Versioni alternativeThe version aired on Indian cable networks omitted a huge chunk of the opening mass-decapitation scene and most of the gore and graphic shots throughout the film. The scene where Francesca seduces Greer was also edited significantly in order to obscure any nudity.
- ConnessioniFeatured in Dietro l'angolo (2004)
- Colonne sonoreSenza Fine
Written by Gino Paoli
Produced by John Frizzell
Performed by Monica Mancini
Courtesy of Concord Records
[Francesca sings the song in the opening sequence; the salvage crew later hears her singing the song]
Recensione in evidenza
With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
- Lechuguilla
- 17 gen 2006
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Barco fantasma
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.113.491 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.503.423 USD
- 27 ott 2002
- Lordo in tutto il mondo
- 68.349.884 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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