VALUTAZIONE IMDb
8,1/10
60.206
LA TUA VALUTAZIONE
Vede i detenuti evasi Veeru e Jai difendere un villaggio terrorizzato dai banditi guidati dal folle Gabbar Singh.Vede i detenuti evasi Veeru e Jai difendere un villaggio terrorizzato dai banditi guidati dal folle Gabbar Singh.Vede i detenuti evasi Veeru e Jai difendere un villaggio terrorizzato dai banditi guidati dal folle Gabbar Singh.
- Premi
- 5 vittorie e 5 candidature totali
Jaya Bachchan
- Radha
- (as Jaya Bhaduri)
Satyendra Kapoor
- Ramlal
- (as Satyen Kappu)
Leela Mishra
- Mausie
- (as Leela Misra)
Sachin Pilgaonkar
- Ahmed
- (as Sachin)
Alankar Joshi
- Deepak
- (as Master Alankar)
Trama
Lo sapevi?
- QuizActor 'Amjad Khan' was almost dropped from the project because scriptwriter 'Javed Akhtar' found his voice too weak for Gabbar Singh's role.
- BlooperWhen Basanthi is being chased by bandits, while crossing the wooden bridge she does a small stunt, she moves the horse cart and breaks down the bridge and moves ahead, so the bandits are forced to take a detour to catch her. Veeru follows them and also find the bridge broken and take a detour. Both Basanti and Veeru are caught by the bandits and Jai rescues them later. While returning after being saved by Jai from Gabbar's den, Veeru, Basanti and Jai are seen crossing the same bridge which is fully intact.
- Citazioni
Gabbar Singh: What's going to happen to you now, Kaalia?
- Versioni alternativeThere has recently been a director's cut of Sholay shown on the asian u.k. satellite channel 'Zee TV', this has not been released up till now on cinemas. It contains the original ending director Ramesh Sippy intended that shows GabarSingh being killed at the hands of Thakur, instead of just being arrested by police. The film ran into problems with Indian Censors who claimed their rules about people taking the law into their own hands and not being punished for it was not permitted and may corrupt naive viewers; for this reason the ending of the film had to be re-shot for a 'U' Rating. Other unrated footage includes a more graphic footage of the fight between Gabar and Thakur in the film's ending, the subsequent pre-torture footage of a young village boy (showing Gabar's ruthlessness), Veeru dragging a bandit with a neck-noose galluping on horse- back, Ramlal fitting metal-spiked studs on Thakur's shoes, a village person on fire during a raid by Gabar.
- ConnessioniEdited into Who Am I to You? (1994)
- Colonne sonoreSholay Title Theme
Music by Rahul Dev Burman
Recensione in evidenza
Some of the most pathetic conversion from 2D-3D available on screen, that puts the shoddy 'Clash of the Titans' on a pedestal for how to do things. The wonderful original background score has also been screwed-with (thankfully, not to a great extent) by someone called Raju Singh. Atmos sound works most of the time. Better viewed in 2D, and I shall remedy the mistake when/if I get the chance, though I'd have to live with the screwed-over score in any case (I think).
Having said that, the audience members who watched this one when I did, had the following attributes: 1. Intent in capturing selfies during the movie's running time. Cams pointed right at the audience as well, flashes going off to the tune of 5-10 occasions every half hour. 2. Babies, who (obviously) brought the house down with the (oh so pleasant) screaming when Atmos accentuated every gunshot, every death-scream, and every swear word. 3. Cam phones once again, being used by geniuses to take snaps of the (3D) images on screen. Wait, there's more... 4. Cacophonous laughs and jeers at every quite moment, some of which were romantic, most of which were tragic/poignant. Same batch of geniuses (see above) joining in, with quite a few followers to boot......
Now, in spite of not blowing a blood vessel at all that (quite used to putting up with, nee living with, said geniuses that populate most cinemas, including multiplexes), I confess to having not felt bored even during (what I consider the weakest element of this masterpiece) those interminable flashbacks, and dated-looking/sounding/seeming scenarios on display. The performances are still top-notch, the music plays a huge role (the not-too-destroyed RDB-original score during the train sequence being a case-in-point - the rest having been butchered by Raju Singh).
All-in-all, I do hope someone coverts this for IMAX (hopefully, without the 3D), or someone updates the 3D sometime, even with crowd-funding, if that's an option. Still, this compares well against most of the other trash playing, and being appreciated, out there.
Having said that, the audience members who watched this one when I did, had the following attributes: 1. Intent in capturing selfies during the movie's running time. Cams pointed right at the audience as well, flashes going off to the tune of 5-10 occasions every half hour. 2. Babies, who (obviously) brought the house down with the (oh so pleasant) screaming when Atmos accentuated every gunshot, every death-scream, and every swear word. 3. Cam phones once again, being used by geniuses to take snaps of the (3D) images on screen. Wait, there's more... 4. Cacophonous laughs and jeers at every quite moment, some of which were romantic, most of which were tragic/poignant. Same batch of geniuses (see above) joining in, with quite a few followers to boot......
Now, in spite of not blowing a blood vessel at all that (quite used to putting up with, nee living with, said geniuses that populate most cinemas, including multiplexes), I confess to having not felt bored even during (what I consider the weakest element of this masterpiece) those interminable flashbacks, and dated-looking/sounding/seeming scenarios on display. The performances are still top-notch, the music plays a huge role (the not-too-destroyed RDB-original score during the train sequence being a case-in-point - the rest having been butchered by Raju Singh).
All-in-all, I do hope someone coverts this for IMAX (hopefully, without the 3D), or someone updates the 3D sometime, even with crowd-funding, if that's an option. Still, this compares well against most of the other trash playing, and being appreciated, out there.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Veter, plamen in bes
- Luoghi delle riprese
- Bangalore, Karnataka, India(outskirts)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione3 ore 24 minuti
- Proporzioni
- 1.37 : 1
- 1.37 : 1(original negative)
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![Amitabh Bachchan in Sholay (1975)](https://m.media-amazon.com/images/M/MV5BNmI1NTRmMWQtNDJlZC00MGIzLWEwYzctYTQwNTI2NWNjM2MwXkEyXkFqcGc@._V1_QL75_UX90_CR0,1,90,133_.jpg)