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5,8/10
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MA NOTE
Ajouter une intrigue dans votre langueA German archaeological excavation in Israel finds a 2,000-year-old skeleton holding instructions for a video camera - results of an apparent time traveler who recorded footage of Jesus Chri... Tout lireA German archaeological excavation in Israel finds a 2,000-year-old skeleton holding instructions for a video camera - results of an apparent time traveler who recorded footage of Jesus Christ.A German archaeological excavation in Israel finds a 2,000-year-old skeleton holding instructions for a video camera - results of an apparent time traveler who recorded footage of Jesus Christ.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Gode Benedix
- Dr. Simmon
- (as Gode Bendix)
Sylvia Kube
- Bedienung
- (as Sylvia Schäffler)
Mohamen Mehdi Ouazanni
- Hotel Manager
- (as Medhi Ouazzani)
Avis à la une
- One of the best films using the paradox of time. Moreover, he does it better than Christopher Nolan in Tenet (2020) (it was not difficult, since he didn't handle it at all).
- The best practical scientific explanation for the time paradox in the history of cinematography, even the great Emmett Brown (Christopher Lloyd) from Retour vers le futur (1985) explained worse.
-The plot twist at the end is interesting and unexpected.
But drawback is that it is a low-budget action movie with elements of a detective story, so it doesn't look as big as its high-budget competitors.
I have seen a 2 hour version of this movie and found it nice and enjoyable entertainment. The story flowed well and was interesting. Having seen perhaps too many movies, the plot was somewhat predictable, but nice, nonetheless.
In common with many action movies, we see the hero being beaten up, shot at, tortured ... and still running around in the end. Had it been me, I probably wouldn't even have survived the main character's first drop. Contrary, however, to many action movies, there was a story and the story did not get lost in the action. Dialogues were more than some stupid grunting and one-liners ... there was an attempt to make this story if not believable, then at least acceptable.
All in all, a nice movie ... It got my attention enough to want to read the book.
In common with many action movies, we see the hero being beaten up, shot at, tortured ... and still running around in the end. Had it been me, I probably wouldn't even have survived the main character's first drop. Contrary, however, to many action movies, there was a story and the story did not get lost in the action. Dialogues were more than some stupid grunting and one-liners ... there was an attempt to make this story if not believable, then at least acceptable.
All in all, a nice movie ... It got my attention enough to want to read the book.
I almost always avoid to compare movies to the novels they're based upon. You can't film a 600 page book and stay true to the text. That film would be 10 hours long, have endless dialogue scenes and be terribly boring. So I do agree, a screenplay writer has to simplify the story. But `Jesus Video' goes way too far to be acceptable. The book offered an amazing story (time-traveller presumably filmed J.C. Superstar, surely envied by Cecil B De Mille, but where did he leave the camera for the world to see?), many new ideas and surprising turns. Andreas Eschbach, the author, had a very clever way of never letting you easily guess what will happen next. His characters think a lot about the problems of time-travelling and the origins of religious belief, a fascinating concept. The movie script abandoned all creative ideas and all logical thought that made the book so impressive, instead it replaced them by a stupid action story we have seen a thousand times before: hey, that guy stole something that rightfully belongs to us! Let's chase him, torture him, kill him! Thus, a breathtaking story full of suspense was turned into a violent, boring 3 hour movie. 3 hours should be plenty of time to develop a clever storyline! Why were the producers scared and preferred to waste the huge potential? For example, the professor (in the book) is in a difficult situation, standing between his employer and the hero (his student). In the end, he is the key figure to the solution. In the movie however, they somehow didn't know what to do with him, since they wanted to rewrite the ending anyway (with another big explosion if possible), so somebody just shoots the professor in the middle of the film without any convincing motive. Bang, bang, one character less to write lines for, story even more simple from now on. The movie's only virtue is: every five minutes, somebody fires a gun to keep you awake.
This is definitely not a candidate for the `worst film ever'. It just is so depressing that this particular novel offered something we rarely get to see: new ideas, no cliches! But the movie doesn't use ANY of these ideas and delivers a below average action movie (I voted 3/10) instead. Such a waste of potential is annoying.
In opposite to a few other reviewers here, I think the actors did okay (within the limited possibilities the script gave them). Naike Rivelli reminded me so much of her mother, screen legend Ornella Muti, in the early 1980s. I'm looking forward to see more movies with this talented young lady, but please not `Jesus Video 2 - Pontius Strikes Back"!
This is definitely not a candidate for the `worst film ever'. It just is so depressing that this particular novel offered something we rarely get to see: new ideas, no cliches! But the movie doesn't use ANY of these ideas and delivers a below average action movie (I voted 3/10) instead. Such a waste of potential is annoying.
In opposite to a few other reviewers here, I think the actors did okay (within the limited possibilities the script gave them). Naike Rivelli reminded me so much of her mother, screen legend Ornella Muti, in the early 1980s. I'm looking forward to see more movies with this talented young lady, but please not `Jesus Video 2 - Pontius Strikes Back"!
I saw this in the video store titled "Ancient Relic" and was intrigued, knowing nothing about it. When I started watching it, I was impressed with the production values, the music, the look of the cast and then they opened their mouths: DUBBED! I quickly stopped the DVD, went to the menu expecting to switch to German dialogue with English subtitles, only to find no such option existed. The only way to watch it was dubbed. Doh! And watch it I did. It was a fun a little story that really needed to be cut down to 2 hours, but otherwise a joy to look at. The music was enthralling and the story interesting. But the producer or the distributor and definitely most of the dubbing actors (if you can call them actors) needed to be shot for the dreadful blow they dealt to this film (oh and let's not forget the voice casting director!). The lackluster voice performances destroyed any compelling drama the original production might have had. There is no way to adequately judge a movie that has been dubbed, beyond the story and production values. It further disturbs me that our country has gotten so lazy that we would rather listen to a badly dubbed movie than feel the drama of the original performance and read the subtitles, so much so some production or distribution executive decided not to spend the money on offering a subtitled original language version. I sat riveted to "Das Boot" in the original German, even as I read the English translation. Not that this is anything as brilliant as Das Boot, but come on, the weaker the content the more you need to give it every edge possible. Frankly I think this was a fine film, definitely entertaining and definitely worth watching -- otherwise I would have turned it off within the first 15 minutes of the horrible dubbing job. It is most unfortunate that someone in power was so bone-headed as to actually think this version would be acceptable to anyone, much less represent the film the way the director intended. I might have given the film an 8 if not for the poor dubbing. But I enjoyed watching it enough to recommend to others despite the bad English dub.
Having read some comments explaining how the film did not do justice to the book, I bought and read the book. It was a tough task because this is one of the most poorly written books I have read in a long time (not the translator's fault - I read it in German).
As for the ideas, the cliches abound and nothing is believable.
So even though the film is full of unbelievable moments, and of cliches, believe it or not but it is a marked improvement on the book!
Make sure you don't buy the book, or waste time reading it.
Yes it was a best-seller in Germany but I guess this only proves that today's masses are ignorant and unsophisticated enough, that they can be made to love such a thing... ;-)
As for the ideas, the cliches abound and nothing is believable.
So even though the film is full of unbelievable moments, and of cliches, believe it or not but it is a marked improvement on the book!
Make sure you don't buy the book, or waste time reading it.
Yes it was a best-seller in Germany but I guess this only proves that today's masses are ignorant and unsophisticated enough, that they can be made to love such a thing... ;-)
Le saviez-vous
- AnecdotesOne of the two helicopters on the chase near the end, the white and orange one, has a Spanish registration number: EC-FJA. Just some months after the release of the movie, this helicopter suffered an accident while performing fire-fighting tasks. Fortuntelly, all 7 on board escaped unharmed, but the main rotor caught fire and the whole aircraft was destroyed on this new fire.
- GaffesThe imprint of the second page should have appeared mirrored.
- ConnexionsReferences Maya l'abeille (1975)
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Détails
Box-office
- Budget
- 4 500 000 $US (estimé)
- Durée3 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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By what name was À la poursuite du passé (2002) officially released in Canada in English?
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