Gusha no bindume

The low-budget origins and "arty" look initially had me worried this would be another Shinya Tsukamoto-esque Japanese film, high on style but low on content. Thankfully, HELLEVATOR is a very accessible, very watchable science fiction flick that is not trying to answer the meaning of life, just deliver 90 minutes of first class entertainment.

It resembles CUBE in that respect, making the absolute most of its location, and building the tension around the personalities of the characters accidentally thrust together in a high-stress situation. In fact, it could be seen as an ultra-minimalist riff on that film, confining the action to just one single room, but providing breathing room via the schoolgirl's telepathic "visions", and varying the tone via the comical parade of passengers getting on and off.

Great fun.

This is certainly not the best Japanese movie ever, there are a bit too much technical flaws (could partially have been due to a bad tape though, I've seen it on the Brussels BIFFF festival), and a bit too many cliché's in the plot, and the gore was a bit too soft(for a movie advertised as a horror movie, that is) it doesn't really have something to stand out from the rest of the new Japanese movie....except for its atmosphere...really liked the atmosphere, which had a lot to do with the decors, which were very well put together.... the two people who I went to see the movie with hated it, mainly for the flaws I've mentioned before, but I guess this is a typical case of "if you concentrate too much on the flaws you'll hate it, otherwise it just might grab you, and you're in for a very enjoyable ride"

So to be brief: I loved it but I can't really recommend it...still I'll give it an 8, mainly to promote a talented filmmaker which I'm sure will deliver a few brilliant movies if he gets the budget he deserves

Hellevator: The Bottled Fools is set in a dystopian future somewhat reminiscent of THX1138. Apparently the outside world is no longer fit for human habitation so everyone is forced to stay indoors. Large elevators are used to get from one place to another and the commute time on these vehicles seems to be substantial for most people. After dropping an illegal cigarette and running away from the police, thus starting a chain of events that culminates in a large explosion a few minutes later; Luchino Fujisaki, a seventeen year old telepathic schoolgirl who has recently been released from a mental institution in spite of her ongoing violent urges and/or delusions, enters one of these elevators. The elevator soon becomes a HELLEVATOR when a young, nervous police officer enters with two extremely dangerous prisoners moments before the aforementioned large explosion causes him to be distracted long enough for the prisoners to get the upper hand and wreak havoc. Eventually Luchino gets a little berserk herself and the bodies start to pile up. As this unusual scenario plays itself out each of the eight passengers is involved in multiple acts of violence and it's revealed that virtually every one of them has something to hide.

Although rookie director Hiroki Yamaguchi pulls out a lot of tricks to make Hellevator at least moderately visually interesting, it's clear from the get go that the film was shot on a tiny budget. Still, there are some nice dreamlike special effects shots when Luchino enters the minds of her fellow passengers and the frequent gore effects were done fairly well. Yamaguchi also does a good job of creating some atmosphere, both in the green tinted elevator scenes and the interwoven interrogation scene that makes use of a dark blue color palette. Hellevator is a fairly well done cyberpunk movie that makes adequate use of an unusual setting but runs out of steam just before the inexplicable ending.

I went into The Bottled Fools hoping for a lot. I knew it was low budget, but the trailer and synopsis had me very intrigued. I guess that's why companies have marketing departments. It's probably the only way to sell this film.

The set/feel to the movie reminded me of the mid 70's Dr Who show. It was very low budget and almost looked like it was shot on a camcorder. This didn't really bother me however, it's more I'm letting others know what to expect. I've seen my share of low budget productions and I've grown to learn that a strong story or cast can take a movie much more powerful than it's CGI effects.

So now I'll get into the story. While the concept was somewhat good, the execution was not. The story seemed pretty basic after the first 30 minutes, however upon the 45th minute passing I realized I was wrong. I guess the writer wanted to make a statement on human interaction, so he decided at the expense of the audience to keep the film going much after one would have assumed this disaster would have finished.

I won't ruin the film by saying what happened, but the final scene made my laugh out loud.

Not something I'd suggest anyone waste time on. I'm guessing Tokyo Shock made a killing on this one as the hype around the DVD was fairly good. I'm starting to wonder if they may have got the rights for this film for free. I wish I would have got my copy for that price.

This movie wasn't at all what I expected from it. It's being somewhat a mix of an art house film and a modern Japanese exploitation horror flick. So in short, it's bloody and artsy but it's not being really good and successful as either an horror or an art house type of movie.

First of all, something that often bugs me about modern Japanese horror flicks is how low-budget they are looking. Cheap sets, cheap lighting, fake gore. Yes, everything is present in this movie as well its cheapness often can take you really out of the movie.

But what mostly was disappointing to me was its story. I mean, the concept sounds so promising and surely they could and also really should had come up with something more interesting and good for the actual movie. What is really the problem with its story is that it doesn't seem able to keep focus. For a movie that's almost completely set in an elevator it's a shockingly messy told movie. It takes a while before the movie finally kicks in and after that, every time I thought that the movie was going into an interesting direction, it completely changed course. You could call this surprising but bad or annoying are some words that I would rather use.

It's one of those movies that thinks it's being really clever but the movie is just too often either predictable or annoying with all of its twists and oddness. It also really makes this movie a bit of a mess to watch.

Yes, this movie can get a really odd one to watch. Hiroki Yamaguchi seemed to be full with plenty of ideas but the execution seems only halve, halve, which again is also really partly due to its restrained budget, so in this case you perhaps really can't blame the director for anything. Who knows, he might be capable of delivering something really good, if only given the right budget next time. Seems unlikely to happen though, since director Hiroki Yamaguchi hasn't made a movie since this one and prior to this he did only amateur stuff and shorts. So this was his big movie and I doubt it was a financially successful one. Slim chance he is ever going to get a new chance, unless he's capable of raising the right amount of money himself somehow.

Not the worst attempt I have ever seen but I also just can't think of any reason why you should ever go watch this film.

5/10

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