ÉVALUATION IMDb
7,1/10
43 k
MA NOTE
L'histoire intense de Mark "Chopper" Read, un criminel légendaire qui a écrit son autobiographie alors qu'il purgeait une peine de prison. Son livre, "From the Inside", sur lequel le film es... Tout lireL'histoire intense de Mark "Chopper" Read, un criminel légendaire qui a écrit son autobiographie alors qu'il purgeait une peine de prison. Son livre, "From the Inside", sur lequel le film est basé, était un best-seller.L'histoire intense de Mark "Chopper" Read, un criminel légendaire qui a écrit son autobiographie alors qu'il purgeait une peine de prison. Son livre, "From the Inside", sur lequel le film est basé, était un best-seller.
- Prix
- 12 victoires et 14 nominations au total
Renée Brack
- Television Interviewer
- (as Renee Brack)
Histoire
Le saviez-vous
- AnecdotesEric Bana spent two days living with Mark Brandon Read so he could get a better understanding of how to play his character in the film.
- GaffesAt Tanya's house you see the car lights are on as Chopper goes to her front door. When he comes back and beats the car in frustration --- they are off.
- ConnexionsFeatured in 20 to 1: Great Aussie Movies (2006)
- Bandes originalesDon't Fence Me In
Performed by Frankie Laine
Composed by Cole Porter
© 1944 Warner Bros. Inc. (ASCAP). All rights reserved
Courtesy of Prestige Records (UK) Limited
Licensed from Rajon Entertainment Pty Ltd
Commentaire en vedette
Andrew Dominik writes and directs his film debut of Australian crime legend turned best selling author, Mark "Chopper" Read (who can't even spell and claims to be nearly illiterate as he spouts a big mocking laugh right in the faces of everyone). Bana in the title role completely owns this character and goes through a gaudy transformation, producing one of the most fascinating performances you will ever find. A performance that should be as legendary as the real life character in which it based on, is sadly overlooked and missed by many. A movie this low budget and this relatively unknown hinders the level of praise it will receive from fans and critics alike, but it's one that should be sought out by anyone with the least bit of interest because it doesn't disappoint. Bana gives the performance of the year and one of the best the decade has to offer. He truly captures the charisma of Read. He's also convincing when he puts a bullet in someone's knee or head, or stabs them to death and leaves them in a pool of their own blood. Completely driven by paranoia, jealousy and speed, Chopper corners himself into a room and finds a nice cozy spot all by himself. He's pitted against anyone and everyone, which is beautifully captured in the films final moments. Out of fear he's forced to kill or be killed. He has no friends, and the friends he does have attempt to kill him because of the dire circumstances he puts himself in. He has a sense of charm and infectious attitude that attract people to him when he's sober. He's seemingly incapable of murder, until he's struck the wrong way at the wrong time, then anything is possible. Whether it be the guards in the prison, the media, or the people of Australia, Mark "Chopper" Read is as fascinating as they come.
Dominik really has shown to be extremely interested and captivated by the art of storytelling, and how fact and fiction can become blurred or distorted. We see multiple scenes where an event will unfold, then we'll hear "Chopper" tell the story of what happened, then we'll hear someone else tell the story in a completely different manner. One thing Chopper loved to do was tell a story. He loved to fascinate and make people laugh. Sometimes he had to bend the truth and make certain events a little more entertaining, or more intense, because that's what storytelling is: Bending the truth and amplifying certain facts while downgrading, or disregarding others. This is way when "Chopper" tells Read's story the audience feels all the emotions he felt during that time. Dominik captures this beautifully. One great scene portrays Chopper getting stabbed by his own friend, and the pure shock that he felt by getting stabbed by his friend is illustrated in a way that's incredibly unusual and surprisingly hilarious. Like Chopper, we can find humor in some of the most odd and unexpected places. "Chopper" is one of the best films of the year, and Bana gives the performance of a lifetime.
Dominik really has shown to be extremely interested and captivated by the art of storytelling, and how fact and fiction can become blurred or distorted. We see multiple scenes where an event will unfold, then we'll hear "Chopper" tell the story of what happened, then we'll hear someone else tell the story in a completely different manner. One thing Chopper loved to do was tell a story. He loved to fascinate and make people laugh. Sometimes he had to bend the truth and make certain events a little more entertaining, or more intense, because that's what storytelling is: Bending the truth and amplifying certain facts while downgrading, or disregarding others. This is way when "Chopper" tells Read's story the audience feels all the emotions he felt during that time. Dominik captures this beautifully. One great scene portrays Chopper getting stabbed by his own friend, and the pure shock that he felt by getting stabbed by his friend is illustrated in a way that's incredibly unusual and surprisingly hilarious. Like Chopper, we can find humor in some of the most odd and unexpected places. "Chopper" is one of the best films of the year, and Bana gives the performance of a lifetime.
- DaveDiggler
- 2 août 2009
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Détails
Box-office
- Budget
- 5 000 000 $ AU (estimation)
- Brut – États-Unis et Canada
- 236 185 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 044 $ US
- 15 avr. 2001
- Brut – à l'échelle mondiale
- 310 466 $ US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for Chopper: Ennemi public (2000)?
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