Añade un argumento en tu idiomaMarine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur that threatens London.Marine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur that threatens London.Marine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur that threatens London.
- Prof. James Bickford
- (as Andre Morell)
- Dr. Sampson - the Paleontologist
- (as Jack McGowran)
- Tom Trevethan
- (as Henry Vidon)
- P.C. Spotting Monster
- (sin acreditar)
- Laboratory Technician
- (sin acreditar)
- Fleeing Man in Crowd
- (sin acreditar)
- Fleeing Man
- (sin acreditar)
- TV Newscaster
- (sin acreditar)
- Police Inspector
- (sin acreditar)
- Officer at Conference
- (sin acreditar)
- Navy Lieutenant
- (sin acreditar)
- Man Listening to Car Radio
- (sin acreditar)
- Scientist at Conference on Atomic Research
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesWillis H. O'Brien and Pete Peterson completed a significant amount of the stop-motion animation on a table in Peterson's garage.
- PifiasBecause of budget restraints, one shot of the monster smashing a model car is repeated no less than three times.
- Citas
Dr. Sampson, the Paleontologist: Oh, it's heading for the Thames. They always made for the freshwater rivers to die. That's where their skeletons have been found - some irrestible instinct to die in the shallows that gave them birth. You know, all my life I hoped this would happen. Ever since childhood I expected it. I knew these creatures were alive somewhere, but I had no proof, scientific proof, and I had to keep it to myself, or my colleagues would have all laughed at me. See, no form of life ceases abruptly, and all those reports of sea serpents - well, what can they be?... The tall, graceful neck of paleosaurus. He can stay underneath the surface for an age, and now he comes to the top.
- Créditos adicionalesThe writing credits for this film are locked by the WGA. However, the opening credits should read: Story: Robert Abel and Allan Adler (both uncredited) Screen Play: Eugène Lourié (as Eugene Lourie) Order #1,1,1
- ConexionesEdited into FrightMare Theater: The Giant Behemoth (2016)
However, the main problem with this film is that we have seen it all before. The film is almost a remake of Lourie's BEAST FROM TWENTY THOUSAND FATHOMS. The original script for this film was about an invisible radioactive monster that dwelled in the ocean. The backers of this film turned the script down, saying they didn't like the idea of an invisible monster. So Lourie went with a radioactive dinosaur and simply rewrote BEAST FROM TWENTY THOUSAND FATHOMS.
The special effects are pretty good. The stop motion effects by Willis O'Brien and Pete Peterson look pretty good for a low budget picture. The main problem is that O'Brien and Peterson had done much more impressive work elsewhere. The effects are not bad, but the effects here are not up to the work O'Brien and Peterson did in KING KONG or even THE BLACK SCORPION. The mechanical and pyro-technical effects by Jack Rabin and Irving Block are pretty ambitious for a picture of this nature.
BEHEMOTH, THE SEA MONSTER is a decent late fifties monster on the loose picture. It is just that we have seen this before and the people who made this film had done better work elsewhere.
- youroldpaljim
- 21 dic 2001
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- The Giant Behemoth
- Localizaciones del rodaje
- Plady Beach, Looe, Cornwall, Inglaterra, Reino Unido(rocky coastal scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 20 minutos
- Color
- Relación de aspecto
- 1.37 : 1(original ratio)
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