Eine Gruppe von Twentysomethings versucht, mit Beziehungen, Einsamkeit, Begehren und ihren individuellen Neurosen fertig zu werden.Eine Gruppe von Twentysomethings versucht, mit Beziehungen, Einsamkeit, Begehren und ihren individuellen Neurosen fertig zu werden.Eine Gruppe von Twentysomethings versucht, mit Beziehungen, Einsamkeit, Begehren und ihren individuellen Neurosen fertig zu werden.
- Auszeichnungen
- 2 Nominierungen insgesamt
- Cheryl's Friend
- (as Jenny Blong)
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And that is, a movie before its time. Most all cinema, both in and out of Hollywood, is brought to us by upper-class white males, complete with their beliefs, morals, what have you. One would argue, then, that even if a film came from someone who was not an upper-class white male would still have to work within that system, probably even being influenced by it, in order to get a film made.
Note, then, that this film was written by a woman, and directed by a woman. The characters in it are not testoserone-driven or in any way the pumped-up dumbed-down characters we have seen in recent decades. They are sensitive, but open to communication, a little irrational at times, but still human. They are characters from the female mind, a female psychology, and have very feminine ways in interacting with each other.
Then note that is was probably marketed by the same male-dominated Hollywood.
This is, of course, mostly backed up with the amount of psychology classes I have taken, but the simple version is that when this movie was new, I discussed it with many of my friends. All of the men either had no desire to see it, or hated it. Every single one of the women thought it was excellent.
Granted, this is a common rationale used by people who think themselves movie critics, but just you try seeing with a member of the opposite sex, and see how your opinions differ.
This is the first movie of a New Hollywood, tho it will certainly not be remmebered as such. Check it out and see what I mean.
Admit it. You've always meant to take all your friends, cook them down to provide enough essential oil to include each of them as a character in a vignette, toss them all into a conglomerate situation and see where they go. 200 Cigs accomplishes this goal with effortless ease. The archetypal characters can still be found wandering the East Village today.
And if you've ever spent a night bumbling around the lower east side, trying to get somewhere, but getting caught in the mire of the late night social whirlwind that simply *is* Manhattan dahlink, you'll recognize the look and feel of this film as well. It is captured with alarming verisimilitude. It's quite amazing how little things change. Except today, Stephy's fear of Ave. B would be bumped up to D.
And, okay, it bears mentioning -- the soundtrack nails down 1981 flawlessly. Buzzcocks? Kool & the Gang? Bow Wow Wow? B Movie? Go-Go's? Grace Jones? Courtney Love singing along wistfully with the Ice Castles theme? And the most brilliant band to feature, Blue Angel -- Cyndi Lauper's pre-Lauper band. The only band they missed was the B-52's.
I watched this movie on a Friday night before I went out. I was feeling tired and done with the day and would have preferred to stay home. 200 Cigs so perfectly captured the fabulousness of being out on the town, that I caught the fevah, bay-bee, put on my glitter clothes and made some splashes. I was inspired.
$$$$1/2 out of 5 in the "Money Shot" scale.
Wusstest du schon
- WissenswertesDuring filming, Casey Affleck mentioned to Kate Hudson that "Romeo and Juliet" by Dire Straits was one of his favorite love songs. Hudson secretly convinced director Risa Bramon Garcia to play the song during Affleck's and Hudson's final scene together as a surprise for him. Affleck didn't find out until he watched the movie at the premiere.
- PatzerAlthough apparently set on New Year's Eve 1981, numerous automobile designs that were introduced well after 1981 are visible in various shots.
- Zitate
Jack: Look, what happened between us last night is like this ongoing problem with me. It happens all the time: I meet someone, we go home together, but then the next day it's...
Cindy: What? Next day what?
Jack: Well, they tell me that suddenly they've developed these feelings for me.
Cindy: What are you saying, that every woman you go home with falls in love with you or something?
Jack: Yes! It's like a curse! It never ends!
Cindy: A woman falls in love with you and you think that's a curse?
Jack: You have no idea!
Cindy: No! I don't! Because I think you're lucky! I mean, there are some people who wait their entire lives for somebody to tell them they feel that way about them, and you, you just throw it away like it's nothing, like it's a minor inconvenience! Well let me tell you something, Jack, you are cursed - just not the way you think you are.
- Crazy CreditsAt the end of credits Disco Cabie can be heard saying, "If you only remember one thing I've said, remember this; James Brown is the baddest motherf@cker in show business."
- Alternative VersionenA workprint copy exists, which does add some extra footage
- SoundtracksI Want Candy
Written by Bert Berns, Bob Feldman, Jerry Goldstein & Richard Gottehrer (as Richard Gotteher)
Performed by Bow Wow Wow
Courtesy of BMG International U.K. and Ireland Ltd.
Top-Auswahl
- How long is 200 Cigarettes?Powered by Alexa
Details
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.852.450 $
- Eröffnungswochenende in den USA und in Kanada
- 3.244.277 $
- 28. Feb. 1999
- Weltweiter Bruttoertrag
- 6.852.450 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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