Ein Engel ist es leid, über die Menschen und ihr Tun zu wachen, und möchte auch zum Menschen werden, als er sich in eine Sterbliche verliebt.Ein Engel ist es leid, über die Menschen und ihr Tun zu wachen, und möchte auch zum Menschen werden, als er sich in eine Sterbliche verliebt.Ein Engel ist es leid, über die Menschen und ihr Tun zu wachen, und möchte auch zum Menschen werden, als er sich in eine Sterbliche verliebt.
- Nominiert für 1 BAFTA Award
- 18 Gewinne & 14 Nominierungen insgesamt
- In weiteren Rollen - Der Sterbende
- (as Hans Martin Stier)
- Im Zirkus - Der Schlagzeuger
- (as Chico Rojo Ortega)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn the closing titles it says: "Dedicated to all the former angels, but especially to Yasujiro, François and Andrej." This refers to film directors Yasujirô Ozu, François Truffaut, and Andrei Tarkovsky. All were favorites of director Wim Wenders. At the time of this movie's filming, Truffaut and Tarkovsky had only recently passed away, in 1984 and 1986, respectively; Ozu died in 1963.
- PatzerWhen Cassiel (Otto Sander) is crossing the street, a bus slows down to allow him to cross the road, then accelerates once he's clear. As Cassiel is an invisible angel, the bus driver shouldn't have been able to see him.
- Zitate
Damiel: When the child was a child, it was the time of these questions. Why am I me, and why not you? Why am I here, and why not there? When did time begin, and where does space end? Isn't life under the sun just a dream? Isn't what I see, hear, and smell just the mirage of a world before the world? Does evil actually exist, and are there people who are really evil? How can it be that I, who am I, wasn't before I was, and that sometime I, the one I am, no longer will be the one I am?
- Crazy CreditsDedicated to all the former angels, but especially to Yasujiro, François and Andrej.
- SoundtracksZirkusmusik
by Laurent Petitgand
But handle with care: if you're looking for a movie with an enthralling plot, a clear language and a reasonable pace, you'll be disappointed. The first time I saw this movie with a friend we laughed all the way. I've seen it more 5-6 times now and I've stopped laughing. I sit there and I'm mesmerized.
The movie was born without a script and it is a melting pot with dialogues by Peter Handke, improvised monologues by the actors, connecting material written by Wim Wenders. In one example, Wenders indulges too long in a scene just because he regrets removing it due to all the work the actress has made for preparing to be a trapezist. This is clearly against all rules and all common sense.
Despite all this the movie works and the reason is, the movie somehow manages to touch deep strings all the way through, because of its beautiful imagery (thanks to director of photography Henri Alekan), its eerie soundtrack, the disorderly collection of truly poetic dialogues/monologues, very inspired acting, and the impredictable combined effect of all this -- surely beyond what was planned by Wim Wenders himself. Should I add that the movie has created its own language for making its point?
The film has also become an incredible documentary on Berlin just before the fall of the wall.
- pietro_parodi
- 28. Dez. 2003
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Wings of Desire
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 3.333.969 $
- Eröffnungswochenende in den USA und in Kanada
- 17.301 $
- 1. Mai 1988
- Weltweiter Bruttoertrag
- 3.518.525 $
- Laufzeit2 Stunden 8 Minuten
- Farbe
- Sound-Mix