Füge eine Handlung in deiner Sprache hinzuFerdinand de Lesseps, disappointed in love, is sent as a junior diplomat to the Isthmus of Suez, and realizes it's just the place for a canal.Ferdinand de Lesseps, disappointed in love, is sent as a junior diplomat to the Isthmus of Suez, and realizes it's just the place for a canal.Ferdinand de Lesseps, disappointed in love, is sent as a junior diplomat to the Isthmus of Suez, and realizes it's just the place for a canal.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 3 Oscars nominiert
- 1 Gewinn & 3 Nominierungen insgesamt
- Mohammed Ali
- (as Maurice Moscovich)
- Sergeant Pellerin
- (as Sig Rumann)
- Count Hatzfeldt
- (as Carlos de Valdez)
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Zanuck expressed the opinion that Annabella was the only one of Power's wives good enough for Power. Zanuck was never one to always hit it exactly right on the head but he got it right with this one. Watch these two in this - it's a union of giants!
Loretta Young !!!! Just plainly the most beautiful woman who ever lived. If Eugenie was one tenth this beautiful she deserved to wear a crown and live a hundred years, as the fortune teller predicted, and as Eugenie in fact did. Even Power's co-stars Madeleine Carroll in LLOYDS OF LONDON and Gene Tierney/Frances Farmer in SON OF FURY, ravishing as they all were, were not Young's equal.
Victoria was badmouthed as too prim and proper but according to Zanuck she must have walked out on a few wires or otherwise there would have been some holdups on both the Suez Canal and the telephone (see ALEXANDER GRAHAM BELL).
There are so many elements in this that represent the very pinnacle of moviemaking that it would be gilding the lily to begin to enumerate them. We can but savor this thankfully as a flawless treasure; an example of the American commercial movie as an art form in the consummate sense.
The large cast also includes Loretta Young as the Empress Eugenie, Leon Ames as Napoleon III and such stalwarts as Joseph Schildkraut, Henry Stephenson, Sig Ruman, Nigel Bruce and George Zucco. For a touch of authenticity the French actress Annabella was cast as the French girl Ty falls for out in Egypt. The Egyptian 'locations' were mostly shot in Arizona and California but an excessive use of sand helps us suspend our disbelief. It's also surprisingly entertaining and Power was as handsome here as he ever was on screen. A swan-necked Loretta Young also manages to live up to her given title as 'the most beautiful woman in Europe'. A huge hit in its day and a great way to pass a dull Saturday afternoon.
Ferdinand DeLesseps should only have been as dashing and as handsome as Tyrone Power, he probably wishes he was. He was never involved in any romantic way with the Empress Eugene of France played by Loretta Young. As for the character that Annabella who was Mrs. Tyrone Power at the time plays, we've sure got no basis in fact for what she does to save Power and the canal itself. Take my word it's quite the sacrifice.
The film has DeLesseps taking over the assignment his father had as consul general for France to Egypt. While there DeLesseps conceives the idea of rebuilding the ancient canal over the isthmus of Suez. And as the film's story unfolds he sacrifices everything to get it. Of course it's all fiction.
The name of Benjamin Disraeli is as linked in history to the Suez Canal as DeLesseps. But how he got involved is also complete fiction. It took place after the canal was complete and while quite a coup for the British at the time, it was hardly anything heroic. Miles Mander plays Disraeli without quite the same flair as George Arliss did nor even Ian McShane in the acclaimed BBC series in the Seventies.
But if you like historical romance than Suez is definitely the film for you.
*** (out of 4)
Entertaining, if fairly flawed, look at Ferdinand de Lesseps (Tyrone Power) and the lose of his love (Loretta Young), which sends him off on a quest to build the Suez Canal. Along his mission he encounters political issues and a natural disaster as he tries to complete the work. There's no question that this movie was made to cash in on the wave of disaster flicks that followed the success of SAN FRANCISCO. Power and Fox had made one the previous year in IN OLD CHICAGO so they tried their luck again and for the most part it worked. I think there are some major problems with the screenplay and a lot of this is around the romance with Young's Countess Eugenie de Montijo. I never really bought her in the role and it's interesting that Young knew her role wasn't all that important so she made the studio agree to let her do her own costumes. This is important because the costumes that were designed for her were so large that many of the sets had to be redone just so she could fit through them. Her costumes certainly outshines her character and I also felt that Young just didn't feel too comfortable with the role, which I believe is the first time I've said that about my favorite actress. The screenplay also doesn't seem to know if it wants to center on the love story, the political stuff or the actual building of the canal. In the end I think the screenplay bites off much more than it can chew but there's still plenty here to enjoy. The best thing going for the film is some tremendous special effects that show up at the very end when a sand storm hits the crew as they're working. The effects are incredibly realistic, for the most part, and there are many times where you'll be asking yourself how they pulled off the trick. There are a couple terrific sequences where large drums of water fall over and take people with them that was very intense. This also leads to an incredibly powerful finale that I won't ruin but how it plays out on the love story was very effective. Power is his typical good self as he manages to be very believable in the role but he's also quite charming and he certainly knows how to woo the ladies. The real star of the movie is Annabella who is simply magnificent in the role of the girl who falls in love with Power but must sit behind the Young character. I thought Annabella did a terrific job with the accent, the charm, the flirtatious nature and she just really made a complete character and nailed every inch of it. Her scenes at the end with Power are extremely effective and really take the film to another level. As with many of the disaster films from this era (and the 70s for that matter) there's way too much story than what was probably needed but the performances and effects make this worth sitting through.
Wusstest du schon
- WissenswertesIn an interview in the late 1970s, director Allan Dwan talked of the censorship battle he had with the Hays Office over the wet-shirt scene, in which Annabella's erect nipples are on prominent display. "I wanted them to show," he said. His argument with the Hays Office was, "Have you ever seen a nude woman? Ever seen your wife nude? There was nothing there that wasn't positively true to life . . . you knew she was going to be sexy . . . that's why you picked her. The audience knows. This is my idea of giving it to them. All women are alike--they can go to the mirror and see that anytime." The matter was dropped, as re-shooting the scene would have cost too much because the studio would have had to rebuild the entire set. Dwan said that his nemesis, studio boss Darryl F. Zanuck, was pleased with the picture.
- Zitate
Benjamin Disraeli: [to the House of Commons] By all means support this policy; by all means rally round the Prime Minister; by all means follow cheerfully and unquestioningly his leadership. All of you... who are as anxious as he to see England reduced to the standing of a third-rate power!
- VerbindungenFeatured in Ty & Loretta: Sweethearts of the Silver Screen (2008)
- SoundtracksLa Marseillaise
(1792) (uncredited)
Music by Claude Joseph Rouget de Lisle
In the score often and extensively during the riot scenes
Top-Auswahl
- How long is Suez?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Süveyş Fedaileri
- Drehorte
- Yuma, Arizona, USA(All-American Canal longshots)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Seitenverhältnis
- 1.37 : 1
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