Der alte Vampir Graf Dracula kommt in England an und stellt dort der tugendhaften jungen Mina nach.Der alte Vampir Graf Dracula kommt in England an und stellt dort der tugendhaften jungen Mina nach.Der alte Vampir Graf Dracula kommt in England an und stellt dort der tugendhaften jungen Mina nach.
- Auszeichnungen
- 5 Gewinne & 3 Nominierungen insgesamt
Charles K. Gerrard
- Martin
- (as Charles Gerrard)
Anna Bakacs
- Innkeeper's Daughter
- (Nicht genannt)
Bunny Beatty
- Flower Girl
- (Nicht genannt)
Nicholas Bela
- Coach Passenger
- (Nicht genannt)
Daisy Belmore
- Coach Passenger
- (Nicht genannt)
William A. Boardway
- Concertgoer Outside Theatre
- (Nicht genannt)
Barbara Bozoky
- Innkeeper's Wife
- (Nicht genannt)
Tod Browning
- Harbormaster
- (Synchronisation)
- (Nicht genannt)
Moon Carroll
- Maid
- (Nicht genannt)
Geraldine Dvorak
- Dracula's Wife
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesGenerally regarded as the film that kickstarted the horror genre in Hollywood.
- PatzerIn the scene where Van Helsing is attempting to catch Dracula's lack of reflection in a mirror, there are visible chalk marks on the floor showing Bela Lugosi where to stand for the shot.
- Zitate
Count Dracula: This is very old wine. I hope you will like it.
Renfield: Aren't you drinking?
Count Dracula: I never drink... wine.
- Crazy CreditsThe original title card has producer Carl Laemmle, Jr. identified as Presient (sic).
- Alternative VersionenA version of the film played on the 10/24/15 airing of Svengoolie (1995) featured a soundtrack taken from the French language audio track on the Dracula Blu-ray.
- VerbindungenAlternate-language version of Dracula (1931)
- SoundtracksSwan Lake, Op.20
(1877) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Excerpt Played during the opening credits
Ausgewählte Rezension
... and that explains all of the differences, such as Renfield being the person to visit Dracula in Transylvania to seal a real estate deal rather than Jonathan Harker.
I imagine this was quite the spectacle in 1931. Visually it still is - sweeping staircases, ruined old castles covered in dust, moonlight illuminating giant spiderwebs, coffins with limbs hanging out of them, rats scurrying about. And Bela Lugosi, who starred in the Broadway play, was dying to play the lead. But director Tod Browning was set on Lon Chaney, a frequent collaborator, playing both Dracula and Van Helsiing.
It's not true that everybody is replaceable, but it IS true that eventually an irreplaceable person will no longer be around and a perhaps less than ideal work-around must be found. This was the situation with Chaney - a unique actor who could convince you he was anybody. He died before Dracula was filmed. Lugosi successfully lobbied for the part, although he did so at a cut rate. Today his old world hypnotic presence is synonymous with the role.
But I have to admit I have an unpopular opinion. To me Dracula seems very slow and very much "early talkie" in personality when compared to the film Frankenstein of just a year later. Also, like many early talking films that were not musicals, there is no score.
And I have to wonder about director Tod Browning. Although this was Browning's biggest hit, his other enduring works all starred Lon Chaney. He only directed a few more films and disappeared from the industry for a quarter of a century until his death. He had a disappearing act worthy of Universal Horror.
Things to watch for - Armadillos in Transylvania? Probably far too cold for them there. David Manners and Helen Chandler as young lovers Jonathan Harker and Mina - They have all of the chemistry of two cardboard boxes. Why did they keep pairing these two in films? Dwight Frye as Renfield - did Frye EVER get to play a normal person? And why would he want to be sent away? He gets to wander in and out of the lush living quarters of the superintendent f the mental facility. He wouldn't get that freedom anywhere else. And last but not least, Carla Laemmle, unrecognizable as a tourist, reading from a Transylvania tour guide.
I imagine this was quite the spectacle in 1931. Visually it still is - sweeping staircases, ruined old castles covered in dust, moonlight illuminating giant spiderwebs, coffins with limbs hanging out of them, rats scurrying about. And Bela Lugosi, who starred in the Broadway play, was dying to play the lead. But director Tod Browning was set on Lon Chaney, a frequent collaborator, playing both Dracula and Van Helsiing.
It's not true that everybody is replaceable, but it IS true that eventually an irreplaceable person will no longer be around and a perhaps less than ideal work-around must be found. This was the situation with Chaney - a unique actor who could convince you he was anybody. He died before Dracula was filmed. Lugosi successfully lobbied for the part, although he did so at a cut rate. Today his old world hypnotic presence is synonymous with the role.
But I have to admit I have an unpopular opinion. To me Dracula seems very slow and very much "early talkie" in personality when compared to the film Frankenstein of just a year later. Also, like many early talking films that were not musicals, there is no score.
And I have to wonder about director Tod Browning. Although this was Browning's biggest hit, his other enduring works all starred Lon Chaney. He only directed a few more films and disappeared from the industry for a quarter of a century until his death. He had a disappearing act worthy of Universal Horror.
Things to watch for - Armadillos in Transylvania? Probably far too cold for them there. David Manners and Helen Chandler as young lovers Jonathan Harker and Mina - They have all of the chemistry of two cardboard boxes. Why did they keep pairing these two in films? Dwight Frye as Renfield - did Frye EVER get to play a normal person? And why would he want to be sent away? He gets to wander in and out of the lush living quarters of the superintendent f the mental facility. He wouldn't get that freedom anywhere else. And last but not least, Carla Laemmle, unrecognizable as a tourist, reading from a Transylvania tour guide.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Drácula
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 355.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 87.019 $
- Laufzeit1 Stunde 15 Minuten
- Seitenverhältnis
- 1.20 : 1(original release)
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