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Adventurous, innovative, and thought-provoking animation projects from around the world.
Singing, instrument-playing stop-motion rabbits, dripping paints, felt, and an urban landscape made of wood and found materials, “Weeping Monolith” is a wondrous sensory overload.
The film by Iria Lopez and Daniela Negrin Ochoa celebrates over a decade of running a studio together.
Arash Akhgari’s film combines collage with ink-and-paint animation to explore the fragmented, overstimulated nature of today’s media environment.
Stepping into Pelstring’s world feels like entering a warped, psychedelic time capsule from the 1970s.
Set against a backdrop of soulful retro grooves, “Don’t Make it a Song,” a music video for Canal Power Club, is a breezy, funk-infused stop-motion piece.
The British student film played at dozens of festivals including Annecy and Zagreb.
In the video for the band Kiwi Hug, icky green snail creatures try to devour the band members.
A technical and visual explosion, this video is an unsteady zoom ride where we encounter an array of faces, objects, and scenarios.
The mixed-media music video combines drawn animation, cg, and rotoscope for Irish singer Mary Coughlan’s take on the classic song ‘Is That All There Is?’
Oscar-winning animator Joan Gratz’s short is a punk-ish manifesto urging us to seize control of our choices and our paths.
A fast-paced darkly comic take on grief and guilt.
The short film is a playful celebration of being true to yourself and embracing who you are.
Beneath its seemingly lighthearted surface, the film delves into issues related to gender, healthcare, pregnancy, parenting, and adulthood.
With a playful touch and subtle double entendres, the film explores the exhilaration of travel, masculinity, self-discovery, and an unexpected sexual awakening.
The quirky and comedic folklore tale is based on a recorded conversation between the film’s creative director, Suresh Eriyat, and his father.
The new film is a collaboration with the band The Sound of Money and AI artist Isabel Kohlhagen.
The film hilariously and precisely captures the relentless seesaw of youthful emotion.
Jarrod Prince’s ‘Olive Place’ is a lo-fi technical kaleidoscope that blends puppetry, live action, pixilation, stop motion, and hand-drawn animation.
This hypnotic and surreal new short by Victoria Vincent was produced for Adult Swim’s Smalls program.
The film offers an inventive and hypnotic narrative following a cat, a butterfly, and a snake.