Key research themes
1. How do metal music communities form translocal networks and sustain identity through collective musicking practices?
This theme examines the social structures and networked interactions that underpin metal music communities globally, focusing especially on underground scenes. Research investigates how collective action, shared values, and situational practices like events and musicking enable scene and community formation across local and translocal spaces. This is vital for understanding metal not merely as a musical genre but as a complex socio-cultural phenomenon where identity, belonging, and agency are negotiated and performed through social networks and embodied interactions.
2. How do linguistic choices and metalinguistic awareness within metal subcultures influence perceptions of identity, authenticity, and community belonging?
This research theme focuses on the intersection of language use, metalinguistic consciousness, and cultural identity within metal subcultures. Investigations explore how language selection in metal music (e.g., English vs vernacular languages) interacts with nationalist, gendered, and authenticity discourses, shaping both self-expression and audience reception. Also included are studies of communities formed around endangered language revival or symbolic language practices, revealing the role of language ideology in constructing metalinguistic communities within or adjacent to metal culture.
3. What roles do ideology, discourse, and political narratives play in shaping extreme metal subcultures and their representation?
This theme addresses the ideological dimensions and discursive constructions within extreme metal subgenres, focusing on how political narratives—such as self-conscious elitism, racism, paganism, and anti-mainstream stances—contribute to community identity, transgression, and controversy. It analyzes the ways extreme metal negotiates societal reactions, moral panics, and internal tensions over inclusion, providing a nuanced understanding of how politics and ideology are performed, contested, and managed within metal studies.