Splash! (UK TV series)

Splash! is a British television series that follows celebrities as they try to master the art of diving. The celebrities perform each week in front of a panel of judges and a live audience in an Olympic-size diving pool with the result each week partly determined by public vote. Gabby Logan and Vernon Kay present the show, whilst Team GB Olympic Bronze Medal winning diver Tom Daley is the expert mentor to the celebrities. It is filmed at the Inspire: Luton Sports Village, which is based in Stopsley, Luton. The show premiered on ITV on 5 January 2013 winning the ratings battle for its 7.15pm-8.15pm slot with an average audience of 5.6 million viewers, a network share of 23.6%, however, it was cancelled on 15 February 2014 after just two series.

The format for the show originated from the Celebrity Splash! franchise created by television production company Eyeworks in the Netherlands, and was broadcast on SBS 6 as Sterren Springen Op Zaterdag (Celebrities Jumping On Saturday).

Splash! (B'z song)

"Splash!" is the forty-second single by B'z, released on June 7, 2006. This song is one of B'z many number-one singles in Oricon charts. Splash! was re-recorded in 2012 with English lyrics and released as part of the band's iTunes-exclusive English album

Track listing

Limited Edition I

CD+DVD Ai no Bakudan

Limited Edition II

CD+DVD Fever

Limited Edition III

CD+DVD Pulse

References

External links

Splash (Freddie Hubbard album)

Splash is a studio album by jazz musician Freddie Hubbard released in 1981 on the Fantasy label which features performances by Hubbard with several R&B/soul session musicians.

Reception

The Allmusic biography by Scott Yanow identifies the album as one of Hubbard's "low points" but still features some fine playing albeit not for pure jazz listeners.

Track listing

Personnel

Bass (sound)

Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.

Musical role

Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."

Miami bass

Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. Its roots are directly linked to the electro-funk sound of the early 1980s.

The use of the Roland TR-808 sustained kick drum, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City and Overtown".

Miami bass has never found consistent mainstream acceptance, though it has had a profound impact on the development of Baltimore club, West Coast hip hop, funk carioca, and other genres.

History

1980s

During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Records and Skyywalker Records released much material of the genre. Unterberger has referred to James (Maggotron) McCauley (also known as DXJ, Maggozulu 2, Planet Detroit and Bass Master Khan) as the "father of Miami bass", a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins.

Bass 305

Bass 305 was a Miami bass group founded by brothers David and Mark Watson. Bass 305's first release was in 1992 on their own independent label, DM Records. Bass 305 has been active for nearly two decades, producing 11 studio albums.

Discography

Studio albums

Singles

References

Wait (Earshot song)

"Wait" is the lead single from Earshot's second album Two. It reached #13 on the Mainstream Rock charts and #33 on the Modern Rock charts.

Although it did not chart as well as the band's debut single, "Get Away," "Wait" is considered a breakthrough hit for the band and helped launch them into further mainstream success. It was featured on the video game soundtracks to both Madden NFL 2005 and MX vs. ATV Unleashed. An alternate version was also included on the former soundtrack as The D.O.C. vs. Earshot - "The Madden Re-Match." "Wait" was also featured in the DVD Tampa Bay Lightning 2004 Stanley Cup Champions. Former UFC Lightweight Champion Sean Sherk has used it as his entrance music as well.

Lyrically, the song deals with the frustration of loneliness and indifference toward the world. Phrasing is somewhat general and a particular inspiration or meaning behind "Wait" is not evident. Despite these melancholy themes, the song is rather quick-paced and headstrong in its execution.