Volume Two

Volume Two, Volume 2, or Volume II may refer to:

Music

See also

Volume 2 (CKY album)

Volume 2 is a compilation album by American heavy metal band CKY. It was released by Distant Recordings and Teil Martin International on February 27, 1999, the same day as the band's debut studio album Volume 1. The album features a number of early demo recordings, as well as skits and samples from the first CKY video, and recordings of prank calls performed by Brandon DiCamillo.

Often considered a soundtrack album for the first CKY video, Volume 2 was produced early in CKY's career, largely during sessions for Volume 1 and earlier demos. In contrast to other releases by the band, the album features a number of comedic tracks included in the CKY video, as well as various skits and other rough recordings. Multiple songs have been subsequently released in other forms.

Background

Recording for Volume 2 took place between 1996 and 1998 in various locations: tracks were recorded by guitarist Chad I Ginsburg on a 24-track tape and an ADAT in Newtown, Pennsylvania, drummer Jess Margera on a 4-track tape in West Chester, Pennsylvania, John Teague on an ADAT in Westtown, Pennsylvania, and Dave Kurtz on an 8-track tape in Downingtown, Pennsylvania.Brandon DiCamillo's prank calls were recorded by DiCamillo and Margera in West Chester.

Joan Baez, Vol. 2

Joan Baez, Vol. 2 was Baez's second album. Released in 1961, the album, like her self-titled 1960 debut album, featured mostly traditional songs. The bluegrass band The Greenbriar Boys provided backup on two songs. Joan Baez, Vol. 2 peaked at #13 on the Billboard album chart and was nominated for a Grammy for "Best Contemporary Folk Performance".

The Vanguard reissue contains three unreleased tracks, "I Once Loved A Boy", "Poor Boy", and "Longest Train I Ever Saw".

Reception

In his Allmusic review, music critic Matt Fink wrote of the album: "The material chosen is truly exceptional... Without a doubt, Baez's version of "Pal of Mine" is every bit as vibrant as when the Carters recorded it, though here given a more bluegrass sound by the banjo and backup vocal accompaniment of the Greenbriar Boys. Baez is a true master of her craft, and though she hasn't always made the best choices for material, the 14 interpretations here are as timeless as the songs themselves... this is an album that all fans of traditional folk music should seek out."