The phonograph is a device invented in 1877 for the mechanical recording and reproduction of sound. In its later forms it is also called a gramophone (as a trademark since 1887, as a generic name since c. 1900). The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones. In later electric phonographs (also known as record players (since 1940s) or, most recently, turntables), the motions of the stylus are converted into an analogous electrical signal by a transducer called a pickup or cartridge, electronically amplified, then converted back into sound by a loudspeaker.
A turntable or phonograph (or record-deck/-player in UK) is a device for playing sound recordings.
Turntable may also refer to:
3D is the fourth studio album by American girl group TLC. It was released by Arista Records on November 12, 2002, in the United States, seven months after the death of TLC member Lisa "Left Eye" Lopes. The album debuted at number six on the Billboard 200, and at number four on the Top R&B/Hip-Hop Albums chart, selling 143,000 copies sold in its first week of release and was met with positive reviews. The album nearly sold two million in the United States alone. 3D earned TLC two Grammy Award nominations, and the album was certified Platinum by the RIAA in 2002. 3D produced 4 singles. The only three singles to chart were "Girl Talk", peaking at 3 on the US Hot R&B/Hip-Hop Songs chart; "Hands Up", which peaked at number 7 on the Bubbling Under R&B/Hip-Hop Singles chart; and "Damaged", which managed to peak at 19 on the US Mainstream Top 40.
During and after the release of FanMail, Lopes made it known to the press on multiple occasions that she felt that she was unable to fully express herself working with TLC and Austin. Her contributions to the songs had been reduced to periodic eight-bar raps, and studio session singers such as Debra Killings often took her place on the background vocals for the group's songs. In its November 28, 1999 issue, Entertainment Weekly ran a letter from Lopes that challenged her group mates to record solo albums and let the fans judge which of the three was the most talented:
[verse 1]
Ahh, yeah,
Didn't think you'd expect
this one right ?
C Breezy
Excuse me Mr. DJ
you need to turn it up
This song is fire
I'm about to burn it up
You ready, I'm ready
go right to the left
If you get tired
you fired
so stay on track
imma holla back
I'm too beautiful to be alone
Take me to a place
that only we know
Wats the deal bout
what ya lookin for
Know what ya need
baby come on
[chorus]
Be my DJ tonight
Won't ya come n save my life
You turn me on (on)
me on (on)
me on (on)
Put the needle on the record
With somethin unexpected
To keep me goin (goin)
Me goin (goin)
me goin (goin)
I want you to
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
[verse 2]
(Rewind)
Runnin' back i put you in a trance
Spinnin' like i record
i'm in your hands
My selection makes you wanna dance yeah
Before ya leave i have one request
[chorus]
Be my DJ tonight
Won't ya come n save my life
You turn me on (on)
me on (on)
me on (on)
Put the needle on the record
With somethin unexpected
To keep me goin (goin)
Me goin (goin)
me goin (goin)
I want you to
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
[verse 3]
Don't know why they tryin for
They can't keep me off the floor
Coz you keep me wantin more
Don't Stop what you're doin
Coz i don't know why they tryin for
They can't keep me off the floor
Coz you keep me wantin more
Don't stop what you're doin
[chorus]
Be my DJ tonight
Won't ya come n save my life
You turn me on (on)
me on (on)
me on (on)
Put the needle on the record
With somethin unexpected
To keep me goin (goin)
Me goin (goin)
me goin (goin)
I want you to
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
Ha, C'mon
Now turn 'em on me baby
Why don't cha turn em on me baby
i like that
yeah
turn em on me baby
[chorus]
Be my DJ tonight
Won't ya come n save my life
You turn me on (on)
me on (on)
me on (on)
Put the needle on the record
With somethin unexpected
To keep me goin (goin)
Me goin (goin)
me goin (goin)
I want you to
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables
turn the tables on me
turn the tables
turn the tables