Tradition
A tradition is a belief or behavior passed down within a group or society with symbolic meaning or special significance with origins in the past. Common examples include holidays or impractical but socially meaningful clothes (like lawyer wigs or military officer spurs), but the idea has also been applied to social norms such as greetings. Traditions can persist and evolve for thousands of years—the word "tradition" itself derives from the Latin tradere or traderer literally meaning to transmit, to hand over, to give for safekeeping. While it is commonly assumed that traditions have ancient history, many traditions have been invented on purpose, whether that be political or cultural, over short periods of time. Certain scholarly fields, such as anthropology and biology, have adapted the term "tradition," defining it more precisely than its conventional use in order to facilitate scholarly discourse.
Sacred tradition
Sacred tradition or holy tradition is a theological term used in some Christian traditions, primarily in the Catholic, Anglican, Eastern Orthodox and Oriental Orthodox traditions, to refer to the fundamental basis of church authority.
The word "tradition" is taken from the Latin trado, tradere meaning to hand over, to deliver, or to bequeath. The teachings of Jesus and his Apostles are preserved in writing in the Bible as well as word of mouth and are handed on. This perpetual handing-on of the Tradition is called a living Tradition; it is the transmission of the teachings of the Apostles from one generation to the next. The term "deposit of faith" refers to the entirety of Jesus Christ's revelation, and is passed to successive generations in two different forms, sacred scripture (the Bible) and sacred tradition (through apostolic succession).
In the theology of these churches, sacred scripture is the written part of this larger tradition, recording (albeit sometimes through the work of individual authors) the community's experience of God or more specifically of Jesus Christ. Hence the Bible must be interpreted within the context of sacred tradition and within the community of the church. Sacred tradition, and thus sacred scripture as well, are "inspired," another technical theological term indicating that they contain and communicate the truths of faith and morals God intended to make known for mankind's salvation. This is in contrast to many Protestant traditions, which teach that the Bible alone is a sufficient basis for all Christian teaching (a position known as sola scriptura).
Tradition (Michael Angelo Batio album)
Tradition is the third studio album by American heavy metal musician Michael Angelo Batio. Recorded at Monster Mix Studio in Chicago, Illinois, it was released in 1998 by his own label M.A.C.E. Music as a companion to the video release Jam with Angelo. Batio performed all instruments on the release, as well as producing, engineering and mixing the album.
Background and production
Michael Angelo Batio's third solo album, Tradition, was recorded and mixed at Monster Mix Studio in his hometown Chicago, with Batio handling all production, engineering and mixing, and performing all instruments. The album was mastered at Kingsize Sound Laboratories. The final five tracks on the album are backing tracks without lead guitar.
Reception and legacy
Guitar Nine Records highlighted several songs on Tradition: on "China", Batio was praised for "making the unbelievable [guitar] passages seen easy and effortless", "Voices of the Distant Past" was described as a "progressive rock masterpiece with ... some of the most complex mixed meter passages that have been written", and "Prog" was noted to feature "one of the "coolest" grooves and melodies that Michael has written".
Podcasts:
[traditional]
ALBUMS
- Le Roman de Renart released: 2011
- Chants seto released: 2008
- Body & Soul: Deep Relaxation released: 2007
- Inspirational Piano released: 2007
- Amazing Grace released: 2007
- Spiritual Melodies released: 2007
- Bluegrass Hymns released: 2007
- Estonian Religious Folk Chorales & Mass Sections released: 2007
- Sorcières, ogresses et mauvaises fées released: 2006
- Bättruef – Alpsegen / Swiss Alpine Prayer released: 2006
- Labritiņi, Rītiņā released: 2001
- Achille Milien, Le pommier doux released: 2000
- Estonie : Airs anciens released: 2000
- Music of the World - China released: 1998
- Yemen: Music of the High Plateaus released: 1997
- Canada - Jeux vocaux des Inuit released: 1989
- Jean Malaurie: Chants et tambours Inuit de Thulé au Détroit de Béring released: 1988
- 30 chansons dorées de notre enfance released:
- Contes traditionnels japonais (lu par Lou Saintagne) released:
- Tibet - Népal: Musique rituelle et profane released:
- 世界屋脊的音乐（三） released:
- 世界屋脊的音乐（二） released:
- 世界屋脊的音乐（一） released:
- Violons du Cézallier - Antonin Pécoil, Alexandre Savignat released:
Chants seto
Released 2008- Miä'ks om kuri varastada
- Vel'ekene nu noorõkõnõ
- Jauha'ks jauha nu, kivikõnõ
- Lätsi tillo, lätsi marjamäele
- Hirokõnõ, hal'kõnõ
- Jaani, Jaani, Jaanõkene
- Maamakõnõ mu armakõnõ
- Vele'ks-sa-kene noorõkõnõ
- Kiä kuah was olt tekk
- Ülge'ks, ülge ütte
- Pööräjuuskminõ
- Kosjalaul
- Valge jänes
- Elame mere veerel
- Laul lät's läbi Setomaa
Bättruef – Alpsegen / Swiss Alpine Prayer
Released 2006- Einführung zur Betruf-Tradition
- Alpsegen auf Fronalp am Stoos SZ
- Urner Juchzer
- Alpsegen von der Göschener-Alp UR
- Alpsegen von der Brunnialp UR
- Nidwaldner Bicheljuiz
- Alpsegen auf der Frutt OW
- Alpsegen auf Silwängen LU
- Alphorn-Ruf vom Pilatus (1767)
- Alpsegen aus dem Sarganserland SG
- Zäuerli mit Talerschwingen
- Alpsegen aus Innerrhoden
- Alpsegen von der Alp Pradame, Malbun FL
- Hirtenweise auf der Schüblöt da marmel GR
- L'Ave Maria dils signuns, Alpsegen aus der Surselva GR
- Alpsegen aus dem Goms VS
- Alphorn-Improvisation auf Rosenfluh, Stockhorn BE
Labritiņi, Rītiņā
Released 2001- Sīki mazi žagariņi
- Kurš putniņis
- Aust gaismiņa
- Zinu zinu
- Cepu cepu kukulīti, Riku raku, Ķīsels brauca
- Mek mek āzīti
- Vāru vāru putriņu, Žagatiņa putru vāra
- Vār' māmiņa
- Sitam plaukstiņas
- Tā jāj kungi, Jājam jājam mēs ar zirgu
- Kur tad tu nu biji
- Dop dop Rīgā, Kalu kalu kājiņu, Kripu krapu zābaciņi
- Ar vilciņu Rīgā braucu
- Aizbrauca mans vīrelis
- Ak tad kaķīts
- Šļūcu šļūcu
- ABCD
- Dzīvoju pie kundziņa
- Kā mēs
- Suņi zaķiem
- Dievs nosvieda bumbuli zemē
- 1, 2, 3, nu tu esi brīvs
Achille Milien, Le pommier doux
Released 2000- Je m'en vais cueillir la rose
- Destinées
- Montagne que tu es haute
- Rossignolet
- Le pommier doux
- Tout près de ma fenêtre
- Brune, changeuse d'amant
- Fille vignerone / Plume au vent / À la pointe du jour
- Adieu Rosette Fancoeur
- La fille possédée du démon
- Petite Rosalie
- Les trois tambour
- La danse des gorets
- Nous sommes trois frères
- Mignonne, oh! ma mignonne
Estonie : Airs anciens
Released 2000- Vana eesti tants
- Saajalugu
- Kas mäletad kevadet õites?
- Kaera-Jaan
- Trallilugu / Savikua polka
- Karjaselaul sarvel / Loomad on paha peale läinud / Karjuse õhtulaul / Vana Rüsseli sarvelugu / Sarvelugu
- Kus on kurva kodu / Kevadvalss
- Papiljoni-polka / Emajõe peal
- Minu pruut oli pikk ja peenike
- Halliste pillilugu / Saaja lugu / Hiiu valss
- Minu sünnimaa / Närbunud õied
- Jänese polka / Hüppepolka
- Heale sõbrale / Koolikaaslased / Helise, kannel
- Puhas poissmees
- Valss / Vahtra polka
- Tükk / Pala / Lutusarveviis / Sarve kutse / Karjase sarvelugu
- Pilliviis / Veere, veere, vokiratas
- Eha valss
- Polka
- Neli eesti roopillilugu
- Polka / Padespan / Jooksupolka
- Eesti valss
- Tee luuda
- Töölemineki tükk
- Karjapasuna tuututusi
- Räditants
Canada - Jeux vocaux des Inuit
Released 1989- Qiarvaa (texte)
- Qiarvaa (avec ustensile)
- Niaqu
- Qatsivaaq
- Qatsivaaq
- Niaquinaq et Qiarpaaq
- Qattipaartuq (texte)
- Qiarpalik
- Qiaaqjuittiarqtut
- Ullu (avec ustensile)
- Qiarpaa (avec ustensile)
- Qiarpaa
- Umaqtuq
- Umpi (avec ustensile)
- Quana
- Quananau (texte)
- Quananau
- Huangahaaq
- Marmartuq
- Iurnaaq (avec ustensile)
- Anuraqtuq
- Aqittuq
- Qiarpaa
- Qattipaartuq
- Niaquinaq
- Marmartuq et Haqalaqtuk
- Qiarpaa (texte)
- Qiarpaa
- Qattipaartuq
- Quarniarniaktok
- Kaperniarniaktok
- Qiarpalik
- Qiarpaa
- Quana
- Quarnana
- Angutinguarq
- Iurnaaq
- Qiarutsiaq
- Angutinguark (texte)
- Qiarpalik
- Qiarpa
- Huangahaaq
- Qiarpalik
- Qattipaartuk
- Qatsivaaq
- Niaquinaq
- Qattipaartuk
- Quananau
- Hapapiyarktuk
- Qatsivaaq
- Kadjiparniartok
- Niaquinaq
- Quananau
- Quana
- Qiarlittiak
- Qiarpaa
- Immpijuutuq
- Iurnaaq
- Qiarpaa
- Siqusurtaqtuk (avec ustensile)
- Qilaaqjuittiarqtut
- Quana
- Quanaqtuq
- Qiarvaktuq
- Uqsiqtuk
- Amerniaktok
- Niaqu
- Illuqumajanuarmatuk
- Illuquma (texte)
- Qiarpaa (avec ustensile)
- Niaqu
- Aqittuq
- Marmartuq (texte)
- Pirqusiqtuk
- Iurnaaq
- Qiarvaktuk
- Qiarpa
- Quananau
- Hiqnaqtuq
- Qiarpaa
- Siurnaqtuq
- Iqusuttak
- Illuqumajumuarmatuk
- Niaqu (texte)
- Niaqu (avec ustensile)
- Niakorniartuk
- Qiarpalik
- Qattipaartuk
- Qatsivaaq
- Qattipaartuk
Jean Malaurie: Chants et tambours Inuit de Thulé au Détroit de Béring
Released 1988- Imina, Siorapaluk/Thulé (4 chants)
- Kujaakitsoq, Qaanaaq/Thulé (3 chants)
- Chant de Nivikannguaq, Siorapaluk (1 chant)
- Sakaeunnguaq, Siorapaluk/Tulé (5 chants)
- Sakaeunnguaq, Siorapaluk/Tulé (5 chants)
- Chant de son père (Nukapianguaq), Sakaeunnguaq Siorapaluk/Thulé (1 chant)
- Berceuse de Bertsie, Siorapaluk/Thulé (1 chant)
- Tatsiannguaq Ssuaq, Qeqertarsuaq/Thulé (4 chants)
- Bertsie, Siorapaluk/Thulé (1 chant)
- Nivikannguaq, Siorapalul/Thulé (1 chant)
- Imina, Siorapaluk/Thulé (1 chant)
- Iglulik/Baie d'Hudson (1 chant)
- Iglulik/Baie d'Hudson (2 chants)
- Awa. Naujarolu, Iglulik/Baie d'Hudson (2 chants)
- Chants de femme, Iglulik/Baie d'Hudson (2 chants)
- Chants de gorges. Jeannie Manning, Elisa Kilabuk Iqaluit.. (4 chants)
- Spence Bay/Péninsule de Boothia Arctique central (1 chant)
- Teerta. Spence Bay/Péninsue de Boohia. Arctique central (2 chants)
- Savoonga. Niki Wangitillin, (et autres) Ile St-Laurent, Détroit de Béring (7 chants)
- Savoonga. Niki Wangitillin, (et autres) Ile St-Laurent, Détroit de Béring (2 chants)
- Savoonga, Chant d'allégresse (Ile St-Laurent, Détroit de Béring (1 chant)
- Savoonga, Ile St-Laurent, Détroit de Béring (2 chants)
- Savoonga. Logan Annarayak et autres chanteurs + tambour, Ile St-Laurent, Détroit de Béring
- Savoonga. Logan Annarayak + tambour, Ile St-Laurent, Détroit de Béring (2 chants)
- Savoonga. Logan Annarayak essuie le tambour et tambour seul (Ile St-Laurent/Détroit de Béring)
- Savoonga. Logan Annarayak (Ile St-Laurent/Détroit de Béring) (3 chants, tambour dans le 1°)
- Chivak. S.-0. Alaska (Chants + tambours)
- [unknown]
30 chansons dorées de notre enfance
- Dansons la capucine
- Mon beau sapin
- Cadet Rousselle
- Savez-vous planter les choux
- Alouette
- Compère Guilleri
- Gentil coquelicot
- Sur le pont d'Avignon
- Joli tambour
- J'ai du bon tabac
- La tour prends garde
- Malbrough
- Mon père m'a donné un étang
- Jean de la lune
- Maman, les p'tits bateaux
- Il etait une bergère
- Le bon roi Dagobert
- Frère Jacques
- Fais Dodo Colas mon p'tit frère
- Promenons-nous dans les bois
- Dame Tartine
- Les rois Mages
- Au clair de la lune
- Il était un petit navire
- Meunier tu dors
- Il pleut, il pleut, bergère
- La mère Michel
- Il court, il court, le furet
- Le petit bossu
- Ah ! mon beau château
Tibet - Népal: Musique rituelle et profane
- Rituel de fumigation Lha-bsangs
- Pière d'offrande collective
- Chant d'un mantra (formule magique)
- Prière avec accompagnement du tambour à boules frappantes
- Cérémonie Bon-po, danse du yak sauvage
- Cérémonie de guru Drag-po (divinité terrible)
- Médium-intercesseur, Lha-pa
- Récit légendaire Dpon-lha
- Epopée de Ge-sar
- Chant de bon augure
- Vièle à quatre codes et fredonnement
- Luth à cinq cordes
- Chant et vièle à deux cordes
- Hymne à Kalika (bhajan)
- Chant de guerre (Dhawa)
- Chant Tamang
- Chant Tamang de bon augure (ouest)
- Chant de moisson
- Chant de veillée
- Fête religieuse de Gai Jatra
- Cérémonie pour la divinité protectrice Matsyendra-nath
- Fête du Janaipurnima
- Jhakri Gurung officiant à Pokhara
世界屋脊的音乐（三）
- 三、藏族器乐：碧汪独奏：格桑曲珍（芒康、巴塘器乐曲）
- 三、藏族器乐：碧汪独奏：央卓扎西（芒康器乐曲）
- 三、藏族器乐：碧汪独奏：索朗拉（芒康器乐曲）
- 三、藏族器乐：铁琴独奏：格桑觉觉（拉萨器乐曲）
- 三、藏族器乐：根卡独奏：阿妈勒火（拉萨器乐曲）
- 三、藏族器乐：扎年独奏：夏龙扎（拉萨器乐曲）
- 三、藏族器乐：扎年独奏：宋则牙拉（拉萨器乐曲）
- 三、藏族器乐：器乐合奏：扎拉西巴（拉萨器乐曲）
- 三、藏族器乐：器乐合奏：格巴桑松（拉萨器乐曲）
- 三、藏族器乐：器乐合奏：吉白尼玛（拉萨器乐曲）
- 三、藏族器乐：器乐合奏：达瓦雄奴（拉萨器乐曲）
- 三、藏族器乐：器乐合奏：宋则牙拉（拉萨器乐曲）
- 四、藏族戏曲音乐：文成公主（拉萨戏曲音乐）
- 四、藏族戏曲音乐：苏吉尼玛（拉萨戏曲音乐）
- 五、藏族曲艺音乐：格萨尔：赞帽（拉萨曲艺音乐）
- 五、藏族曲艺音乐：喇嘛玛尼：猴、鸟的故事（拉萨曲艺音乐）
- 五、藏族曲艺音乐：折嘎：扎西德勒（拉萨曲艺音乐）
世界屋脊的音乐（二）
- 二、藏族民间歌曲：酒歌： 夏果白玛热嗄（江孜民歌）
- 二、藏族民间歌曲：酒歌：格瓦列姆（江孜民歌）
- 二、藏族民间歌曲：酒歌：聂色德瓦（江孜民歌）
- 二、藏族民间歌曲：山歌：幸福的家乡，思乡曲（芒康、巴塘民歌）
- 二、藏族民间歌曲：山歌：过去和现在（昌都民歌）
- 二、藏族民间歌曲：山歌：越来越美好（芒康民歌）
- 二、藏族民间歌曲：山歌：天黑后心里难过（芒康民歌）
- 二、藏族民间歌曲：山歌：我的兄长（芒康民歌）
- 二、藏族民间歌曲：山歌：唱个山歌好上路（芒康民歌）
- 二、藏族民间歌曲：山歌：帽子像什吉花一样美（昌都民歌）
- 二、藏族民间歌曲：山歌：我的家在德格炯拉（昌都民歌）
- 二、藏族民间歌曲：山歌：果瓦夏梅朵什吉拉（昌都民歌）
- 二、藏族民间歌曲：山歌：山岗上开满花（昌都民歌）
- 二、藏族民间歌曲：山歌：今世相聚愿来世也相聚（昌都民歌）
- 二、藏族民间歌曲：山歌：美丽地方我的家（昌都民歌）
- 二、藏族民间歌曲：儿歌：舍舍舍啦（西藏儿歌）
- 二、藏族民间歌曲：儿歌：帕来郎卡西啦（西藏儿歌）
- 二、藏族民间歌曲：儿歌：堆堆贡巴（西藏儿歌）
- 二、藏族民间歌曲：儿歌：帕日邦结顿啦（西藏儿歌）
- 二、藏族民间歌曲：劳动歌曲：榨油歌（堆龙德庆民歌）
- 二、藏族民间歌曲：劳动歌曲：铲土歌（堆龙德庆民歌）
- 二、藏族民间歌曲：劳动歌曲：割青稞（堆龙德庆民歌）
- 二、藏族民间歌曲：劳动歌曲：打青稞歌（堆龙德庆民歌）
- 二、藏族民间歌曲：劳动歌曲：扬场歌（堆龙德庆民歌）
- 二、藏族民间歌曲：劳动歌曲：打阿嘎歌（一）（拉萨民歌）
- 二、藏族民间歌曲：劳动歌曲：打阿嘎歌（二）（拉萨民歌）
- 二、藏族民间歌曲：劳动歌曲：打阿嘎歌（三）（拉萨民歌）
- 二、藏族民间歌曲：劳动歌曲：打阿嘎歌（四）（拉萨民歌）
世界屋脊的音乐（一）
- 一、藏族歌舞音乐：囊玛：宗巴囊玛（拉萨古典歌舞）
- 一、藏族歌舞音乐：囊玛：阿玛勒火（拉萨古典歌舞）
- 一、藏族歌舞音乐：囊玛：格巴桑松（拉萨古典歌舞）
- 一、藏族歌舞音乐：堆谐：唉马林几（拉萨民间歌舞）
- 一、藏族歌舞音乐：堆谐：夏加错（拉萨民间歌舞）
- 一、藏族歌舞音乐：堆谐：达瓦雄奴（拉萨民间歌舞）
- 一、藏族歌舞音乐：堆谐：占堆年久（拉萨民间歌舞）
- 一、藏族歌舞音乐：锅庄：耶巴斯（昌都民间歌舞）
- 一、藏族歌舞音乐：锅庄：金巴的舞蹈（昌都民间歌舞）
- 一、藏族歌舞音乐：锅庄：阿布也（昌都民间歌舞）
- 一、藏族歌舞音乐：果谐：雅隆谐拉日久（扎囊民间歌舞）
- 一、藏族歌舞音乐：弦子：闪光的星星（芒康民间歌舞）
- 一、藏族歌舞音乐：弦子：长柳树的地方（芒康民间歌舞）
- 一、藏族歌舞音乐：谐钦：东方升起太阳（堆龙德庆民间歌舞）
- 一、藏族歌舞音乐：谐钦：婚礼谐钦（堆龙德庆民间歌舞）
- 一、藏族歌舞音乐：伯谐：唱马的歌（贡嘎民间歌舞）
- 一、藏族歌舞音乐：伯谐：唱酒的歌（贡嘎民间歌舞）
Violons du Cézallier - Antonin Pécoil, Alexandre Savignat
- Monologue "La fête à Rentières", "L'escargot" et autres airs à danser
- Suite de bourrées
- Suite d'airs à danser (final : "La java bleue")
- Suite d'airs à danser
- Suite de valses
- Bourrée jouée à deux violons
- Bourrée jouée à deux violons
- Bourrée
- Bourrée
- Mélodie jouée à deux violons
- L'aigua de rosa
- Polka piquée
- La fille de la meunière
- La debrajada
- Suite "Son davalats", le "Turlututu", la "mazurka des familles", scottisch
- Dialogue de Jean Martin et Antonin Pécoil / Bourrée
- Suite de valse et scottisch-valse
- Suite bourrée, valse, scottisch-valse, scottisch et polka "toca la vièlha"
Tradition
ALBUMS
- Tradition released: 2006
Tradition
ALBUMS
- No Home released:
-
by Fiddler on the Roof Soundtrack
-
by Do Or Die
-
by Burning Spear
-
by Vavamuffin
-
by Kathryn Williams
-
by Naturally 7
-
by The Unseen
-
by Aztek Trip
-
by Kayak
-
by Unseen
Tradition
by: Fiddler on the Roof Soundtrack[TEVYE]
Tradition, tradition! Tradition!
Tradition, tradition! Tradition!
[TEVYE & PAPAS]
Who, day and night, must scramble for a living,
Feed a wife and children, say his daily prayers?
And who has the right, as master of the house,
To have the final word at home?
The Papa, the Papa! Tradition.
The Papa, the Papa! Tradition.
[GOLDE & MAMAS]
Who must know the way to make a proper home,
A quiet home, a kosher home?
Who must raise the family and run the home,
So Papa's free to read the holy books?
The Mama, the Mama! Tradition!
The Mama, the Mama! Tradition!
[SONS]
At three, I started Hebrew school. At ten, I learned a trade.
I hear they've picked a bride for me. I hope she's pretty.
The son, the son! Tradition!
The son, the son! Tradition!
[DAUGHTERS]
And who does Mama teach to mend and tend and fix,
Preparing me to marry whoever Papa picks?
The daughter, the daughter! Tradition!
The daughter, the daughter! Tradition!
[MATCHMAKER]
Matchmaker, matchmaker, make me a match.
Find me a find, catch me a catch.
Matchmaker, matchmaker, look through your book
And make me a perfect match.
Matchmaker, matchmaker, I'll bring the veil.
You bring the groom, slender and pale.
Bring me a ring, for I'm longing to be
The envy of all I see.
For Papa, make him a scholar.
For Mama, make him rich as a king.
For me, well, I wouldn't holler
If her were as handsome as anything.
Matchmaker, matchmaker, make me a match.
Find me a find, catch me a catch.
Night after night, in the dark, I'm alone.
So, find me a match of my own.
[TSEITEL]
Hodel, oh Hodel, have I made a match for you.
He's handsome! He's young! All right, he's 62.
But he's a nice man, a good catch. True? True!
I promise you'll be happy. And even if you're not,
There's more to life than that. Don't ask me what!
Chava! I've found him! Will you be a lucky bride!
He's handsome. He's tall! That is, from side to side.
But he's a nice man, a good catch, Right? Right!
You've heard he has a temper. He'll beat you every night.
But only when he's sober- so you're all right!
Did you think you'd get a prince?
Well I do the best I can.
With no dowry, no money, no family background,
Be glad you got a man!
Matchmaker, matchmaker, you know that I'm
Still very young. Please, take your time.
Up to this minute, I've misunderstood
That I could get stuck for good.
Dear Yenta, see that he's gentle.
Remember, you were also a bride.
It's not that I'm sentimental.
It's just that I'm terrified!
Matchmaker, matchmaker, plan me no plans.
I'm in no rush. maybe I've learned
Playing with matches a girl can get burned.
So bring me no ring, groom me no groom,
Find me no find, catch me no catch.
Unless he's a matchless match!
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