The Car is a 1977 American thriller film directed by Elliot Silverstein and written by Michael Butler, Dennis Shryack and Lane Slate. The film stars James Brolin, Kathleen Lloyd, John Marley, and Ronny Cox, and tells the story of a mysterious car which goes on a murderous rampage, terrorizing the residents of a small town.
The film was produced and distributed by Universal Studios, and was influenced by numerous "road movies" of the 1970s including Steven Spielberg's 1971 thriller Duel and Roger Corman's Death Race 2000.
Two bicyclists cycling on a canyon are followed by a mysterious black car down the road. At the bridge, the car proceeds to crush one cyclist against the wall, and ram the other from behind, causing him to fall off the bridge. A hitchhiker, hoping to get a ride, encounters the car and insults it after it purposefully tries to run him down. In response, the car runs over him and leaves. The local sheriff's office, called to the first of a series of hit and run deaths, get a lead on the car that appears heavily customized and has no license plate, as pointed out by Amos Clemens (R. G. Armstrong) after he sees it run over the hitchhiker.
The Car is a 1955 painting by Australian artist John Brack. The painting depicts a family in a car on a drive in a rural area. The painting shows the father looking at the road ahead while the mother and children look towards the viewer. While the whole car cannot be seen, the car itself is identifiable as a Triumph Mayflower.
The work was painted around the same time as two of Brack's best-known paintings, Collins Street., 5 pm (1955) and The Bar (1954).
Brack described how he came to paint the work:
Kirsty Grant, Senior Curator of Australian Art at the National Gallery of Victoria claims that The Car is one of Brack's more popular works stating "I think it transports people who lived through that time, whether they are adults or children, back to that era ...The Car is familiar. It is about people and the way we behave and our foibles."
The painting is part of the National Gallery of Victoria's Australian art collection. The painting was part of the Australia exhibition at the Royal Academy in 2013.
The Car is a 1993 novel by Gary Paulsen.
Terry Anders is a fourteen-year-old boy who lives in Cleveland, Ohio. When both of his parents abandon him, he decides to go on a cross country adventure to find an uncle that he vaguely remembers after assembling his father's abandoned Blakely Bearcat kit car project. Along the way, he befriends two Vietnam vets Waylon and Wayne whom with he enjoys life on the open road. This book is about their adventure together and where they go.
A bear is a type of mammal. It can also be a verb meaning to hold up, carry, or support; further, it can mean to give birth to, but in this sense occurs almost always in the passive form to be born.
Bear or Bears may also refer to:
The Bears is the debut studio album by the rock band The Bears, released in 1987.
The Bears are an American power pop band formed in 1985 in Cincinnati, Ohio. It features the distinctive avant-garde guitar playing of Adrian Belew, the band's most prominent member.
In addition to guitarist, vocalist and producer Belew, the Bears consists of guitarist/vocalist Rob Fetters, drummer/vocalist Chris Arduser, and bassist Bob Nyswonger.
Fetters, Nyswonger and Arduser are all former members of the Raisins, a Cincinnati-based band that was a local success in the early 1980s. In 1983, the Raisins, who then consisted of Fetters, Nyswonger, Rick Neiheisel (keyboards, vocals) and Rick "Bam" Powell (drums, vocals), recorded an eponymous album, produced by Adrian Belew. Adrian's friendship with the Raisins dated back to the mid-'70s, when he crossed paths with them as a member of a band named Sweetheart before being discovered by Frank Zappa. The Raisins album, which was released on the small Cincinnati-based label Strugglebaby, produced a local No. 1 hit, "Fear is Never Boring" (later re-recorded for the Bears' first album), on popular Cincinnati radio stations. Clive Davis, then head of Arista Records, considered signing the band, but the Raisins didn't break through nationally.
sooner or later gravity always wins
and the clock on the wall runs down
the plates you've been spinning break on the floor
and the people edge toward the door
you got me going
you got me going around
you got me going around in circles
chasing my tail - spitting into the wind
you got me going around
sooner or later
indian summer is gone
and everything green turns brown
the wind gnaws the tree down to skeleton bones
and the sun's just a shiny cold stone
sooner or later
we'll be together again
and there's no telling where or when