Beat or beats may refer to:
Swatch Internet Time (or beat time) is a decimal time concept introduced in 1998 by the Swatch corporation as part of their marketing campaign for their line of "Beat" watches.
Instead of hours and minutes, the mean solar day is divided up into 1000 parts called ".beats". Each .beat is equal to one decimal minute in the French Revolutionary decimal time system and lasts 1 minute and 26.4 seconds (86.4 seconds) in standard time. Times are notated as a 3-digit number out of 1000 after midnight. So, @248 would indicate a time 248 .beats after midnight representing 248/1000 of a day, just over 5 hours and 57 minutes.
There are no time zones in Swatch Internet Time; instead, the new time scale of Biel Meantime (BMT) is used, based on Swatch's headquarters in Biel, Switzerland and equivalent to Central European Time, West Africa Time, and UTC+01. Unlike civil time in Switzerland and many other countries, Swatch Internet Time does not observe daylight saving time.
Swatch Internet Time was announced on October 23, 1998, in a ceremony at the Junior Summit '98, attended by Nicolas G. Hayek, President and CEO of the Swatch Group, G.N. Hayek, President of Swatch Ltd., and Nicholas Negroponte, founder and then-director of the MIT Media Lab. During the Summit, Swatch Internet Time became the official time system for Nation1, an online country (supposedly) created and run by children.
Beat reporting, also known as specialized reporting, is a genre of journalism that can be described as the craft of in-depth reporting on a particular issue, sector, organization or institution over time.
Beat reporters build up a base of knowledge on and gain familiarity with the topic, allowing them to provide insight and commentary in addition to reporting straight facts. Generally, beat reporters will also build up a rapport with sources that they visit again and again, allowing for trust to build between the journalist and his/her source of information. This distinguishes them from other journalists who might cover similar stories from time to time.
Journalists become invested in the beats they are reporting for, and become passionate about mastering that beat. Beat reporters often deal with the same sources day after day, and must return to those sources regardless of their relationship with them. Those sources may or may not be pleased with the reporting of the reporters. It is pertinent that beat reporters contact their sources quickly, obtain all necessary information, and write on deadline.
Coldcut are an English electronic music duo composed of Matt Black and Jonathan More. Credited as pioneers for pop sampling in the ‘80s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured cut-up samples of hip-hop, breaks, jazz, spoken word and various other types of music, as well as video and multimedia. According to Spin, "in ’87 Coldcut pioneered the British fad for ‘DJ records’".
Coldcut's records first introduced the public to pop artists Yazz and Lisa Stansfield, through which these artists achieved pop chart success. In addition, Coldcut has remixed and created productions on tracks by the likes of Eric B & Rakim, James Brown, Queen Latifah, Eurythmics, INXS, Steve Reich, Blondie, The Fall, Pierre Henri, Nina Simone, Fog, Red Snapper, and BBC Radiophonic Workshop.
Beyond their work as a production duo, Coldcut are the founders of Ninja Tune, an independent record label in London, England (with a satellite office in Montreal) with an overall emphasis on encouraging interactive technology and finding innovative uses of software. The label’s first releases (the first four volumes of DJ Food - 'Jazz Brakes') were produced by Coldcut in the early 90s, and composed of instrumental hip-hop cuts that led the duo to help pioneer the trip hop genre, with artists such as Funky Porcini, The Herbaliser and DJ Vadim.
Greedy is a 1994 comedy film directed by Jonathan Lynn and written by Lowell Ganz and Babaloo Mandel. The film starred Michael J. Fox, Kirk Douglas, and Nancy Travis, with Phil Hartman, Ed Begley, Jr., Olivia d'Abo, Colleen Camp, and Bob Balaban appearing in supporting roles. The original music score was composed by Randy Edelman.
Carl (Begley), Ed (Balaban), Frank (Hartman), Glen (Burns), and Patti McTeague (Camp) are the greedy relatives of wealthy, wheelchair-bound scrap-metal tycoon Uncle Joe McTeague (Douglas). They continually suck up to him and try to outdo each other in order to inherit his millions when he passes away. With their attempts constantly failing and irritable Uncle Joe showing a decided interest in his new sexy "nurse" Molly (d'Abo), Frank decides to hire a private detective named Laura (Khandi Alexander) to bring in his brother Daniel (who turned his back on the family years ago because of their money driven ways) believing if they can make up, Uncle Joe will thaw towards them.
I went walking along a highway
Lost in a trance as I went on my way
I heard a bad beat
That weird, weird beat
Everywhere I put my feet
Well it all started about a week ago
When my lover told me
He said well baby you gotta go
I heard a bad beat
That weird, weird beat
Everywhere I put my feet
It was the beat of sorrow
It was the beat of the moon
I know Ill be here tomorrow
If I dont find another love soon
So Ill keep walk, walk, walking
Walk, walk, walk,
Walking down the highway
Lost in trance as I went on my way
I heard a bad beat
That weird, weird beat
Everywhere I put my feet
So I went walking along the highway
Lost in a trance as I went on my way
And I heard a bad beat
That weird, weird beat
Everywhere I put my feet
Ooh trouble
He gives me nothing but trouble
Trouble, trouble
He keeps disturbing my sleep
Ooh trouble, trouble
He gives me nothing but trouble
Trouble, trouble
He gives me nothing but