Isolation is a documentary film by Luke Seomore and Joseph Bull completed in 2009.
The atmospheric documentary centers around the life of Stuart Griffiths, an ex-Paratrooper, who has since become a renowned social photographer. He journeys through England encountering ex-soldiers, experiencing the physical and emotional scars of life after the Army.
The film premiered at the Edinburgh film festival in June 2009.
Isolation is the second studio album by Australian hardcore punk band Carpathian. The album peaked at No. 19 on the Australian ARIA Charts. The song "'Permanent" takes lyrics from "Something Must Break" by Joy Division. The title track and "Ceremony" also share their names with Joy Division songs. It reached No. 1 in the ShortFastLoud top 40 countdown of the year on triple J.
The topographic isolation of a summit is the minimum great-circle distance to a point of equal elevation. Topographic isolation represents a radius of dominance in which the peak is the highest point. Topographic isolation can be calculated for small hills and islands as well as for major mountain peaks. Topographic isolation can even be calculated for submarine summits.
The following sortable table lists the Earth's 40 most topographically isolated summits.
End or Ending may refer to:
In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.
Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.
Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v0, v1, v2, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r0 and r1 are equivalent if there is another ray r2 (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r0 and r1. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.
I Need You is the third compilation album from American recording artist LeAnn Rimes. The album was first released on January 30, 2001, through Curb Records to help satisfy Rimes' recording contract obligations during litigation with the label and her management. Rimes publicly disowned the album just days after its release, causing it to be discontinued. The album was then officially released by Rimes on March 26, 2002, with four additional tracks and a new recording: "Light the Fire Within". In 2008, the album was released as a package with Rimes' debut album, Blue (1996).
I Need You received mixed reviews by music critics, who praised its pop appeal but criticized the selection of the songs, noting that none of them made a significant impact on the listeners. In the United States, the album peaked at number one on the Billboard Top Country Albums chart, and reached number ten on the Billboard 200. Internationally, it peaked at number four on the Finnish Albums Chart, number ten on the Canadian Albums Chart, and number eleven on both the Austrian Albums Chart and the Irish Album Chart. The album was certified Gold by the Recording Industry Association of America (RIAA), among other organizations, and was certified platinum by both Music Canada and the IFPI Finland.