Hands On

Hands On may refer to:

Put (card game)

Put is an English tavern trick-taking card game first recorded in the 16th century and later castigated by 17th century moralists as one of ill repute. It belongs to a very ancient family of card games and clearly relates to a group known as Trut, Truque, also Tru, and the South American game Truco. Its more elaborate version is the Spanish game of Truc, which is still much played in many parts of Southern France and Spain.

Analogy

The name Put, pronounced "u", like the name of the English village of Putney, derives from "putting up your cards in cafe", if you do not like them, or from "putting each other to the shift".

"The Buck"

The game of Put appears in a "riddle", or acrostic, probably written by a Royalist in the thrilling interval between the resignation of Richard Cromwell on May 25, 1659 and the restoration of Charles II, crowned at Westminster Abbey on 23 April 1661. It expresses in enigmatical terms the designs and hopes of the King's adherents, under colour of describing a game of "Put". The initial letters of the seven verses are an anagram, and indicate the number of cards shared between the two players in the game. S, X, I, C, R, A, T, make SIX CART, or six cartes (six cards). Six cards, also, are expressly mentioned in the riddle itself, namely: "the Knave" (line 2), "a King" (3), "Heart" (5), "Trey", "Quarter" or quatre, and "the Buck" (7). "The Buck", probably one of the picture-cards, or the ace, inferior to "Trey", which is the best card in the game of put; therefore "Trey" comes "to pull down the Buck".

Stunt (gridiron football)

A stunt in American football and Canadian football, sometimes called a twist, is a planned maneuver by a pair of players of the defensive team by which they exchange roles to better slip past blockers of the offensive team at the beginning of a play.

The purpose of a stunt is to confuse opposing blockers, which is an aid to the defense in rushing an opposing forward pass or kick. The main weakness of a stunt is that it is more vulnerable than average to running plays by the opposing team. In most cases, the defense will not use a play incorporating stunting if it expects a running play from the offense.

There are two main types of stunts. In one, a line player, who would otherwise try to charge forward, instead drops back, and a nearby linebacker or defensive back charges forward instead. In the other, which is known as cross-rushing, line players, instead of charging straight ahead, cross paths. One of them may follow a looping path that goes behind the other before moving forward (in which case the stunt is called a "loop"), or one may wait for the other to penetrate slightly first, and then cross behind, their paths angling across each other. In some variants, a rushing player will run around more than one rushing teammate.

Stunt (disambiguation)

A stunt is a difficult or unusual feat performed for film or theatre.

Stunt or Stunting may also refer to:

See also

Stunting (broadcasting)

In radio broadcasting, stunting occurs when a station abruptly airs content that is seemingly uncharacteristic compared to what they normally play. The tactic is commonly used when a station is about to undergo a major change (such as a change in format, branding, frequency, ownership or management, or even the acquisition of a high-profile program or personality), or simply as a prank on listeners and rival broadcasters (e.g. a temporary April Fools' Day stunt that does not involve an on-air change); either way, stunting is intended as a way to generate a greater amount of media publicity and audience attention to the station, by virtue of its shock value, than a straightforward format change could provide. Depending on the station's situation and its management's preference, stunt formats can last anywhere from a few minutes to several weeks before the permanent change is launched.

Types of radio stunting and noted examples

Continuous loop

A station may stunt by repeating the same song or songs over and over on a continuous loop.

Hand

A hand (Latin manus) is a prehensile, multi-fingered organ located at the end of the forearm or forelimb of primates such as humans, chimpanzees, monkeys, and lemurs. A few other vertebrates such as the koala (which has two opposable thumbs on each "hand" and fingerprints remarkably similar to human fingerprints) are often described as having "hands" instead of paws on their front limbs. The raccoon is usually described as having "hands" though opposable thumbs are lacking.

Fingers contain some of the densest areas of nerve endings on the body, are the richest source of tactile feedback, and have the greatest positioning capability of the body; thus the sense of touch is intimately associated with hands. Like other paired organs (eyes, feet, legs) each hand is dominantly controlled by the opposing brain hemisphere, so that handedness—the preferred hand choice for single-handed activities such as writing with a pencil, reflects individual brain functioning.

Some evolutionary anatomists use the term hand to refer to the appendage of digits on the forelimb more generally — for example, in the context of whether the three digits of the bird hand involved the same homologous loss of two digits as in the dinosaur hand.

Hands (Dave Holland and Pepe Habichuela album)

Hands is a 2010 album by English jazz double bassist Dave Holland and Spanish flamenco guitarist Pepe Habichuela. The unlikely pairing was arranged by Minuel Ferrand, the director of musical events for the Cultural Department of Andalusia. The first meeting took place in 2007, with four days of rehearsals, followed by three concerts. The group was expanded in May of 2008 and recorded Hands in March of 2009, and released on Holland's own label Dare2. Eight of the ten tracks on the album were written by Pepe Habichuela based on the flamenco tradition, while Holland contributes two originals.

Reception

The Guardian called Holland's sound, "a natural for this richly sonorous idiom". Chris May of All About Jazz called Hands, "an elegant, lyrical, rhythmically spicy blend of jazz and flamenco in which flamenco gets top billing. The Allmusic review by Chris Nickson awarded the album 4 stars stating "It's Habichuela's magical fingers that mesmerize, covering the scales as adroitly as any pianist and bringing a rich fullness and a stunning imagination to the sound. But what's really at work here is a group consciousness, an exploration of flamenco, and the listener shares Holland's journey. There's nothing here that's diluted - this is hardcore flamenco, very much the real thing - and the hard realism is one of the great pleasures."