Marble House is a Gilded Age mansion at 596 Bellevue Avenue in Newport, Rhode Island, now open to the public as a museum run by the Preservation Society of Newport County. It was designed by the society architect Richard Morris Hunt. For an American house, it was unparalleled in design and opulence when it was built. Its temple-front portico, which also serves as a porte-cochère, resembles that of the White House.
The mansion was built as a summer "cottage" retreat between 1888 and 1892 for Alva and William Kissam Vanderbilt. It was a social landmark that helped spark the transformation of Newport from a relatively relaxed summer colony of wooden houses to the now legendary resort of opulent stone palaces. The fifty-room mansion required a staff of 36 servants, including butlers, maids, coachmen, and footmen. The mansion cost $11 million ($260,000,000 in 2009 dollars) of which $7 million was spent on 500,000 cubic feet (14,000 m³) of marble. William Vanderbilt's older brother Cornelius Vanderbilt II subsequently built the largest of the Newport cottages, The Breakers, between 1893 and 1895.
"Marble House" is a song by the Swedish electronic music duo The Knife from their third studio album Silent Shout (2006). It features contributing vocals from fellow Swedish singer Jay-Jay Johanson. The music video was directed by Chris Hopewell.
Two music videos have been made for this song, both of which can be found on the deluxe edition of Silent Shout. One depicts an early 20th-century or late 19th-century family, presumably one in a British Colony in Asia. The second video depicts a day in the lives of a family of mice, who have built a fairly comfortable house behind a wall in a human house. It uses stop-motion animation.
Marble House is a Gilded Era mansion in Newport, Rhode Island
Marble House may also refer to:
The Knife was a Swedish electronic music duo from Gothenburg formed in 1999. The group consisted of siblings Karin Dreijer Andersson and Olof Dreijer, who together also run their own record company, Rabid Records. The group gained a large international following in response to their 2003 album Deep Cuts.
The duo's first tour took place in 2006, along with the release of their critically acclaimed album Silent Shout. They have won a number of Swedish Grammis, but refuse to attend awards ceremonies. They have appeared in public wearing Venetian masks. Andersson released a solo album under the name Fever Ray in 2009, while Olof Dreijer released several EPs as Oni Ayhun in late 2009 and early 2010. The Knife disbanded in November 2014 after playing the final dates of their Shaking the Habitual Tour.
Formed in Gothenburg in 1999, amidst the deterioration of Karin's former group Honey Is Cool, the group perhaps gained stronger international recognition when José González covered their song "Heartbeats" on his 2003 album, Veneer. The cover was used by Sony in a commercial for BRAVIA television sets, and released as a single in 2006. The group commented on this in a Dagens Nyheter article, claiming that Sony paid a large sum of money to use the song. Despite the group's anti-commercial views, they justified the transaction by citing their need for money to establish a record company.
Autopsia is an art project dealing with music and visual production. Autopsia gathers authors of different professions in realization of multimedia projects. Its art practice began in London in the late 1970s, continued during the 1980s in the art centers of former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. At the beginning of its activity, Autopsia issued dozens of MCs. In the period after 1989, twenty CDs were issued, at first for Staalplaat from Amsterdam, then for German label Hypnobeat and London's Gymnastic Records. One of its compositions is a part of the soundtrack for Peter Greenaway's The Pillow Book. Music production of Autopsia can be classified as experimental, breakcore, avant-garde, ambient, industrial; it's associated with a large graphic production which consists of original graphic objects, design of flyers, posters, booklets, CDs, experimental films and audio installations.
"The Knife" is a protest song by progressive rock band Genesis from their second album Trespass from 1970. It was performed live often in the band's early days (a live version appears on the Genesis Live album from 1973) and has appeared sporadically in the band's setlists all the way up through 1982 (after 1975, however, they performed an edited four-minute version). The first half of the song was released as a single in May 1971 with the second half as the B-side, but it did not chart.
The song was unusually aggressive for Genesis at the time, as most of their work consisted of soft, pastoral acoustic textures and poetic lyrics. It features a bouncy, march-like organ riff, heavily distorted guitars and bass, and fast drumming. (Peter Gabriel said he wanted to write something that had the excitement of "Rondo" by The Nice.) In the lyrics of the song, Gabriel, influenced by a book on Gandhi, "wanted to try and show how all violent revolutions inevitably end up with a dictator in power".
I have taken
Off my robe
Why did I
Put it on again
I have washed
My feet
Why did
I Soil them again
An evil in my heart lurks
Permitted and un-judged
Breeding failure and sorrow
Some unnoticed and forgotten sewer
I want to be a dove
In the clefts of
the rock
In the hiding places
On the mountain side
Show me your face
Let me hear your voice
(X4) Bring me to long for the knife, which shall set me free
Your love
A love that forgives
Any failure
Spans any distance
Withstands any tempest
A new love
A fresh love