CBS 12 may refer to one of the following television stations in the United States:
WDJT-TV, virtual channel 58 (UHF digital channel 46), is a CBS-affiliated television station in Milwaukee, Wisconsin, United States. The station is owned by Chicago-based Weigel Broadcasting, as part of a duopoly with independent station WMLW-TV (channel 49), and is also a sister station to Me-TV owned-and-operated station WBME-CD (channel 41, which is also carried via WDJT's DT2 subchannel) and Telemundo affiliate WYTU-LD (channel 63). All four stations share studio facilities located on South 60th Street in Milwaukee (near West Allis); WDJT's transmitter is located in Milwaukee's Lincoln Park (next to the transmitter belonging to ABC affiliate WISN-TV, channel 12).
On cable, WDJT-TV is carried on Time Warner Cable, Charter Communications and AT&T U-verse channel 5 (Charter channel 9 in Sheboygan), with the station's HD signal on digital channel 1005 on Time Warner and U-verse, and on Charter digital channel 605.
KFMB-TV, virtual and VHF digital channel 8, is a CBS-affiliated television station located in San Diego, California, United States. The station is owned by Midwest Television, Inc., and is a sister station to radio stations KFMB (760 AM) and KFMB-FM (100.7 FM). The television and radio stations shares studio facilities located on Engineer Road in the Kearny Mesa section of San Diego; KFMB-TV maintains transmitter facilities located on Mount Soledad in La Jolla.
The station first signed on the air on May 16, 1949; it was the first television station to sign on in the San Diego market. The station was founded by Jack O. Gross, who also owned local radio station KFMB (760 AM). San Diego Mayor Harley E. Knox was present at the station's first broadcast. The station cost Gross $300,000 to build. KFMB-TV has been a primary CBS affiliate since its sign-on (and is the only television station in the market that has never changed its network affiliation), however in its early years, channel 8 also maintained secondary affiliations with ABC, NBC and the DuMont Television Network.
"Myth" is a song by American dream pop band Beach House, from the band's fourth studio album, Bloom. The song was released as a single on March 26, 2012. The song surfaced on the band's website on March 7, 2012, before its commercial release.
"Myth" received very positive reviews from contemporary music critics. The song was chosen upon release as Pitchfork Media's "Best New Track". Larry Fitzmaurice stated that, "On a surface level, there's no mistaking Myth for a Beach House song. All the sonic elements that have travelled with the Baltimore dream-pop duo during their steady ascent over the last five years are intact: Alex Scally's narcotic guitar, a steady backbeat, and Victoria Legrand's smoky ache of a voice. What sets "Myth" as another sonic evolution for Beach House, then, is all in the details." Fitzmaurice continues by saying, "The layers of echo surrounding Legrand's voice during its chorus, as well as the gauzy glow wrapped around everything, give the impression that the airy expansiveness of 2010's Teen Dream has contracted, but somehow the sound is just as "big", if not bigger, than before. "What comes after this momentary bliss?" Legrand croons at one point. Hopefully, we'll find out soon enough."
Myth ISBN 1-84386-267-0 is a dark erotic fantasy, the first novel by English writer R. J. Dent. It was published by Vanguard/Pegasus in July 2006.
The Greek island is beautiful and the holiday idyllic… until James Barratt and his girlfriend Penny Ward are told about the chimera, a savage creature that should only exist in Greek mythology, but somehow is still alive in the foothills of the island. Sceptical, but curious, they set off for the hills, where they come face to face with a monstrous secret and find themselves in a desperate fight for survival against an enemy of inconceivable ferocity – an unholy trinity with multiple hearts of darkness that will not stop until they are both destroyed.
In J. R. R. Tolkien's Middle-earth books, such as The Hobbit and The Lord of the Rings, the terms Man and Men refer to humankind – in contrast to Elves, Dwarves, Orcs and other humanoid races – and does not denote gender.
The Elves call the race of Men Atani in Quenya, literally meaning "Second People" (the Elves being the First), but also Hildor (Followers), Apanónar (After-born), and Fírimar or Firyar (Mortals). Less charitably they were called Engwar (The Sickly), owing to their susceptibility to disease and old age, and their generally unlovely appearance in the Elves' eyes. The name Atani becomes Edain in Sindarin, but this term is later applied only to those tribes of Men who are friendly to the Elves. Other names appear in Sindarin as Aphadrim, Eboennin, and Firebrim or Firiath.
The race of Men is the second race of beings created by the One God, Ilúvatar. Because they awoke at the start of the Years of the Sun, while the Elves awoke at the start of the First Age during the Years of the Trees, they are called the Afterborn by the Elves.
Man is the third studio album by the Welsh psychedelic/progressive rock band Man and was released March 1971. It was the first album by this line-up, Terry Williams having replaced Jeff Jones on drums, while Martin Ace replaced Ray Williams on bass.
As well as a change in personnel, the album also represented a change in record label from Pye to United Artists (released under the UA stable "Liberty" imprint) with whom the band would remain until 1976. Reviews were mixed, particularly regarding the long tracks "Would the Christians...." and "Alchemist" which were an attempt to recreate some of the longer improvised jams that the band performed on stage, but which did not have the same impact on vinyl.
The album contained three shorter tunes: "Country Girl" that showed a clash of direction but showcases some fine Welsh harmonies. "Daughter of the Fireplace", a Leonard-penned rocker, which became a stage favourite (and highlight of Man's 1972 live LP Live at the Padget Rooms, Penarth) while "Romain", a bluesy-shuffle, was written as a reaction to Martin Ace's treatment by a Belgian police officer of the same name when he attempted to intervene in a situation at a music festival; the song remains in the Man live set to the present day.