"Wait for It" is the first episode in the third season of the television series How I Met Your Mother and 45th episode overall. It originally aired on September 24, 2007.
Future Ted tells his children that, although they know the short story (involving a yellow umbrella) of how he met their mother, there is a bigger story of how he became the man he needed to be in order to meet her.
This story begins back at Lily and Marshall's wedding, just as Barney finishes his word "...dary!" and he tries to get Ted out to help him "conquer New York" but Ted says he is not ready yet, prompting Barney to ask when he will be ready.
After the break-up, Robin went to Argentina while Ted grew a beard and painted the apartment, but when Robin returns with her new boyfriend Gael (guest star Enrique Iglesias), Ted announces he's finally ready.
Ted decides that Robin is trying to win their break-up. Marshall backs up this theory by explaining to Lily about the winner and loser in each break-up, so Barney takes Ted out to help him win by getting Ted "a 12" (given that he says Robin is "a 10") but Ted gets "a 12" on his own, a tattooed girl called Amy (guest star Mandy Moore).
"Wait for It... Wait for It!!" is a 7" vinyl single by Californian punk rock band Dead to Me, released on September 10, 2010 in Europe on Shield Recordings, to promote their 2010 European tour. Featuring three brand new songs, the record was also released on October 30, 2010 in the US by Brick Gun Records, at the Fest 9.
All lyrics and music by Dead to Me.
Wait for It..! is a children's game show produced by CBBC Scotland Productions. It is presented by Pete Firman with the voice of Tim Dann. It ran from 26 August 2009 until 7 October 2009.
Four contestants from the same location enter a large room called the Intergalactic Time Machine and attempt to answer clues given by Tim (The Total Intelligence Machine). The player with the lowest score at the end of each round will be dropped into an orange goo portal, which sometimes makes a 'blobbing' sound effect (or sometimes a 'burping' sound effect as well as a 'blobbing' effect).
This is the main round of Wait for It..!. Pete (the host) will announce a category. There will be ten questions full of clues announced by Tim. It takes fifteen seconds for Tim to read out the clues. Unlike counting down, the clock counts up in this game. The clock is shown on a wide, computerised screen on the studio walls, which is installed all over the whole studio in one piece. The clock is also shown on a red rocket blasting off on the bottom left corner of television screens for the viewers at home to see. The contestants have to buzz in as long as possible (without having the other contestant(s) to buzz in or failing to buzz in within fifteen seconds!) If the contestant who buzzed in (therefore stops the clock as soon as he/she buzzes in) gets the correct answer to the clues given, they will earn points according to how many seconds he/she took to buzz in. For example, if the contestant buzzes in and stops the clock at 10 seconds and gets the right answer, he/she earns ten points. However, if he/she gets it wrong, the other players would score the number of seconds stopped on the clock. (e.g. ten seconds.) The scores are kept a secret and are NEVER announced during the game.
Direct is a 1981 live in-studio album by Tower of Power. It was their only album for the direct-to-disc record label Sheffield Lab. It also marked the return of original guitarist Willie James Fulton, not heard from since 1972's Bump City, and the last album to feature saxophonist Lenny Pickett. Mark Sanders plays drums on this album. Between this album and their 1987 comeback album Power they would record the sessions that later became the Dinosaur Tracks CD. Besides that, save for the original single release of "Simple As That" (from the same Dinosaur Tracks sessions), this would be their last new release until 1987. It contained mostly songs from their previous albums but included new stuff as well.
Direct would later be released with alternate takes on CD as Direct PLUS in 1997.
Side One
DIRECT was a late-2000s proposed alternative heavy lift launch vehicle architecture supporting NASA's Vision for Space Exploration, which would replace the space agency's planned Ares I and Ares V rockets with a family of Shuttle-Derived Launch Vehicles named "Jupiter".
DIRECT was advocated by a group of space enthusiasts who asserted that they represented a broader team of dozens of NASA and space industry engineers who actively worked on the proposal on an anonymous, voluntary basis in their spare time. September 2008, the DIRECT Team was said to consist of 69 members, 62 of whom were NASA engineers, NASA-contractor engineers, and managers from the Constellation Program. A small number of non-NASA members of the team publicly represented the group.
The project name "DIRECT" referred to a philosophy of maximizing the re-use of hardware and facilities already in place for the Space Shuttle program (STS), hence a "direct" transition. The DIRECT Team asserted that using this approach to develop and operate a family of high-commonality rockets would reduce costs and the gap between retirement of the Space Shuttle and the first launch of Orion, shorten schedules, and simplify technical requirements for future US human space efforts.
Direct 8 was a national French TV channel, owned by Vincent Bolloré. It was available through digital terrestrial television network "TNT" and the Astra 1H satellite position.
As the name suggests ('direct' is French for 'live'), Direct 8 was originally intended to broadcast live shows only (except during night times and holiday seasons). This is no longer the case.
Following its purchase by Canal Group, the channel closed down on 7 October 2012 and relaunched as D8.
Television portal
"Wait" is a song recorded by the Beatles, from their 1965 album Rubber Soul. The songwriting credit is Lennon–McCartney, and the song is usually said to be a joint effort between the two, although in the 1997 book, Many Years from Now, McCartney recalls it as entirely his. This is supported by a 1970 interview with John Lennon by Ray Connolly. John could not remember writing it. "That must be one of Paul's," he said. The middle eight section is similar to Autumn Leaves (1945 song) (one example being the line "I know that you" matches "old winter's song" from Autumn Leaves).
The song was originally recorded for Help! in June 1965 but did not make the final pressing. When Rubber Soul fell one song short for a Christmas release, "Wait" was brought back. Overdubs were added to the initial recording so it would blend in better with the other, more recent songs on Rubber Soul.
The lyrics, describing the singer's anxieties about his relationship with his girlfriend while he is away, are thematically similar to several other Lennon–McCartney songs, such as "When I Get Home" and "Things We Said Today," written during the period of 1964 and 1965. The vocals on the verse are shared between Lennon and McCartney, and McCartney sings the two middle eight sections. Instrumentally, the most memorable feature of "Wait" is George Harrison's tone pedal guitar.