The Wind can refer to:
The Wind is a 1928 American silent romantic drama film directed by Victor Sjöström. The movie was adapted by Frances Marion from the novel of the same name written by Dorothy Scarborough. It features Lillian Gish, Lars Hanson and Montagu Love. It was one of the last silent films released by Metro-Goldwyn-Mayer, and is considered one of the greatest silent films.
An impoverished young woman named Letty (Lillian Gish) travels west by train from Virginia to live at her cousin Beverly's isolated ranch in Sweet Water. On the way, she is bothered by the constantly blowing wind. Fellow passenger and cattle buyer Wirt Roddy (Montagu Love) makes her acquaintance and tells her the wind usually drives women crazy.
Upon arrival, she is picked up by Beverly's closest neighbors, Lige Hightower (Lars Hanson) and the older, balding Sourdough (William Orlamond), who live 15 miles from her cousin. Wirt assures her he will drop by occasionally to see how she is doing.
After endless miles in sand and wind, they arrive at the ranch. Beverly (Edward Earle) is delighted to see her, but his jealous wife Cora (Dorothy Cumming) gives her a cold reception, despite Letty saying she and Beverly (who was raised by Letty's mother) are like brother and sister. Cora is further angered when her children seem to like Letty better.
Robert Chase, M.D. is a fictional character on the Fox medical drama House. He is portrayed by Jesse Spencer. His character was a part of the team of diagnosticians who worked under Gregory House until the end of the third season when House fires him. However, he resumed work at the hospital as a surgeon, and was re-hired by House in season 6. Robert Chase is the longest-serving member of House's staff. Chase has been attracted to Allison Cameron since the beginning of the show and embarks on a romantic relationship with her in "Human Error." In "Post Mortem," he left the Diagnostic Team after realizing he was in the same position as he was 10 years earlier, unlike all of the other former members of the team. However, in the series finale, he rejoins the hospital as the new Head of Diagnostic Medicine, replacing House, who is thought to have died.
An Australian, Chase is portrayed as an eager fellow of House during the first 3 seasons, often supporting his opinions and carrying out his orders without question. He was raised Catholic, and in the Season 1 episode "Damned If You Do," it was revealed that he attended seminary before becoming a doctor. He seems to trust House the most and sometimes takes part in House's morally questionable plans when the other members of the team have refused, showing a situational application of ethics and a flexible stance on morality. This leads to tension between Chase and Foreman, who is quick to disagree with House and prove him wrong.
"Chase" or "The Chase" is an instrumental by Giorgio Moroder from his Academy Award-winning soundtrack album Midnight Express (1978). It was an electronic instrumental that was subsequently extended and released as maxi single and made the Billboard Hot 100 in January 1979, listing as high as #33. In Canada, the song reached #41 on the RPM Magazine Top Singles Chart.
Alan Parker, the director of Midnight Express, explicitly asked Moroder for a song in the style of "I Feel Love", which Moroder composed for Donna Summer. It was Moroder's first time composing a movie soundtrack.
Although a disco piece, "Chase", along with "I Feel Love", is more specifically considered the pioneering introduction of the hi-NRG genre, which came to prominence in the early 1980s.
The music was arranged by Harold Faltermeyer under the leadership of Giorgio Moroder.
In 2000, a remix of "Chase" credited to Giorgio Moroder vs. Jam & Spoon, went to number one on the US Dance Charts.
Chase is a 2010 Bollywood action film directed by Jagmohan Mundhra, who has previously directed films such as Shoot on Sight and Provoked. The film stars Anuj Saxena, Udita Goswami, Sameer Kochhar and Tareena Patel in the lead roles, while Gulshan Grover makes a special appearance. The film was released on 30 April 2010.
Analogue electronics (or analog in American English) are electronic systems with a continuously variable signal, in contrast to digital electronics where signals usually take only two levels. The term "analogue" describes the proportional relationship between a signal and a voltage or current that represents the signal. The word analogue is derived from the Greek word ανάλογος (analogos) meaning "proportional".
An analogue signal uses some attribute of the medium to convey the signal's information. For example, an aneroid barometer uses the angular position of a needle as the signal to convey the information of changes in atmospheric pressure. Electrical signals may represent information by changing their voltage, current, frequency, or total charge. Information is converted from some other physical form (such as sound, light, temperature, pressure, position) to an electrical signal by a transducer which converts one type of energy into another (e.g. a microphone).
Structural analogs (structural analogue or simply analog) are models or representations that keep each other certain "structural similarity". It is used in engineering, chemistry, mathematics and other fields.
Despite the field diversity, all structural analog analysis use some level of abstraction to transform models in mathematical graphs, and detected structural analogies by algorithms. Example: for molecular structure comparison and classification operations, the compared compounds are modeled as a mathematical graph. Formally, when structures are represented by graphs, the concept of analog is related to a graph isomorphism.
Analogical models are used in a method of representing a ‘target system’ by another, more understandable or analysable system.
Two systems have analog structures (see illustration) if they are isomorphic graphs and have equivalent (mapped) lumped elements. In Electronics, methods based on fault models of structural analogs gain some acceptance in industry.
I listen to the wind
to the wind of my soul
Where I'll end up
well, I think only God really knows
I sat upon the setting sun
But never never never
I never wanted water once
No never, never, never
I listen to my words
but they fall far below
I let my music take me
where my heart wants to go
I swam upon the Devil's lake
but never never never
I'll never make the same mistake