Albion is a given name, usually masculine, which may refer to:
"Albion" is a song by English band Babyshambles. It was released as the third single from Down in Albion on 28 November 2005 in the UK. The single was released in Japan on 8 March 2006 by Reservoir Records/EMI.
"Albion" deals primarily with the concept of Albion, thought of as a mythical England (or Great Britain), the landscape and life of which is referred to throughout the song. This idea was central to The Libertines and still is to Babyshambles. The song was the first acoustic song Babyshambles released. The song had been used in The Libertines live sets, and thus there was some controversy from fans when it was released. It is always one of the highlights of Babyshambles live shows. The "Albion" is also a recurrent theme in Pete Doherty's music and poetry. A lot of songs contain the word "Albion" in their lyrics: in The Libertines' "Love on the Dole", "Bucket Shop" (both from the Legs 11 Session), "The Good Old Days" (from their debut album Up The Bracket), and in Babyshambles' "Merry-Go-Round" (from their debut album Down In Albion). Most of The Libertines fans discovered the song "Albion" in the 2003 Babyshambles Sessions.
Albion is a six-issue comic book limited series plotted by Alan Moore, written by his daughter Leah Moore and her husband John Reppion, with covers by Dave Gibbons and art by Shane Oakley and George Freeman. As a result of a deal forged by Vice-President Bob Wayne of DC Comics and Publishing Director Andrew Sumner of IPC Media, it was published through DC Comics' WildStorm imprint. The series aimed to revive classic IPC-owned British comics characters such as Captain Hurricane, Robot Archie, The Steel Claw and The Spider (as well as minor characters like Fishboy and Faceache), all of whom appeared in comics published by Odhams Press and later IPC Media during the 1960s and early 1970s, such as Valiant and Lion.
Debuting with a cover date of August, 2005 the first two issues were released monthly, with the third issue delayed two months (Moore & Reppion cited delays in scheduling impacting the art production). Initially solicited release between October 2005 and January 2006, issues 4–6 were subsequently resolicited, and finally released throughout 2006, with cover dates between June and November. The TPB collection followed swiftly after No. 6 was released in both the US and UK, from WildStorm and Titan Books respectively.
Gravity or gravitation is a natural phenomenon by which all things with energy are brought toward (or gravitate toward) one another, including stars, planets, galaxies and even light and sub-atomic particles. Gravity is responsible for many of the structures in the Universe, by creating spheres of hydrogen — where hydrogen fuses under pressure to form stars — and grouping them into galaxies. On Earth, gravity gives weight to physical objects and causes the tides. Gravity has an infinite range, although its effects become increasingly weaker on farther objects.
Gravity is most accurately described by the general theory of relativity (proposed by Albert Einstein in 1915) which describes gravity not as a force but as a consequence of the curvature of spacetime caused by the uneven distribution of mass/energy; and resulting in gravitational time dilation, where time lapses more slowly in lower (stronger) gravitational potential. However, for most applications, gravity is well approximated by Newton's law of universal gravitation, which postulates that gravity is a force where two bodies of mass are directly drawn (or 'attracted') to each other according to a mathematical relationship, where the attractive force is proportional to the product of their masses and inversely proportional to the square of the distance between them. This is considered to occur over an infinite range, such that all bodies (with mass) in the universe are drawn to each other no matter how far they are apart.
Gravity is the fifth studio album by the Canadian rock band Our Lady Peace. It was released on June 18, 2002 by Columbia Records in North America. The album became a worldwide success, charting highly both in Canada and the United States with the hit singles "Somewhere Out There" and "Innocent".
The album title, Gravity, was inspired by the chorus lyrics "Falling back to me, defying gravity" from the track "Somewhere Out There". At the time of the album's release, OLP drummer Jeremy Taggart said that Gravity was "by far [their] best album".
Gravity was the first album to feature new guitarist, Steve Mazur, who replaced Mike Turner in 2002 after the latter's departure, which the band was feeling limited by Mike Turner guitar abilities in the studio. The band also wanted a guitarist who can really stand up and have a strong voice. Despite of Mike Turner departure, Turner appears on half the tracks on the album, however, having recorded parts for several songs on the album prior to his departure. This was also their last album with musician Jamie Edwards, who had performed on two prior albums and was briefly an official member, but left the band soon after the album's completion.
Gravity: Original Motion Picture Soundtrack is the soundtrack album of the 3D science fiction thriller film Gravity, written by British film composer Steven Price. The album was released in 2013 via WaterTower Music label.
Price's score was universally applauded by film critics and audiences alike, leading Price to win and receive nominations for several Best Original Score awards at ceremonies, including a BAFTA Award, a Satellite Award and an Academy Award, as well as a Golden Globe Award nomination.
"We knew we needed to express silence. We didn't want the score to be descriptive, but psychological and emotional. We composed a score which is expressive of surroundings. Here the music is moving around you all the time."
Composer Steven Price was originally called in to help out for a couple of weeks on the music design of Gravity. After having a creative discussion with director Alfonso Cuarón, Price began coming up with a template of sounds and noises that eventually led to him being hired as the film's composer. As work began on the film's score, Cuarón and Price set ground rules for distancing the score from conventional Hollywood-style action scores such as omitting the use of percussion. "Ordinarily in an action film you're often competing with explosions and god knows what else, whereas with this [movie] music could do things a different way," said Price. "With everything we did we would try and look beyond the normal way of doing things. [For] some of the action sequences where there are explosions, I knew that [...] those explosions had to be inherent."