Groove is the fifth studio album from Philippine Pop and R&B singer Billy Crawford. The album was released on iTunes on May 1st, 2009. It was also made available in physical form in 2009. The new album is a re-working of classic hits from the 1970s to the 1980s.
Groove is a 2000 American film that portrays one night in the San Francisco underground rave scene. Through a single email, the word spreads that a huge rave is going to take place in an abandoned warehouse. John Digweed has a cameo as himself and also contributed to the soundtrack with Nick Muir, under their production alias Bedrock.
Groove tells the story of an all-night rave. The film is broken up into segments by which DJ is spinning and features real-life DJs DJ Forest Green, WishFM, Polywog, and Digweed. It follows David Turner (Hamish Linklater), who becomes a reluctant raver when his brother Colin (Denny Kirkwood) drags him to the rave.
In manufacturing or mechanical engineering a groove is a long and narrow indentation built into a material, generally for the purpose of allowing another material or part to move within the groove and be guided by it. Examples include:
The future is the time after the present.
Future or The Future may also refer to:
In finance, a futures contract (more colloquially, futures) is a standardized forward contract which can be easily traded between parties other than the two initial parties to the contract. The parties initially agree to buy and sell an asset for a price agreed upon today (the forward price) with delivery and payment occurring at a future point, the delivery date. Because it is a function of an underlying asset, a futures contract is a derivative product.
Contracts are negotiated at futures exchanges, which act as a marketplace between buyers and sellers. The buyer of a contract is said to be long position holder, and the selling party is said to be short position holder. As both parties risk their counterparty walking away if the price goes against them, the contract may involve both parties lodging a margin of the value of the contract with a mutually trusted third party. For example, in gold futures trading, the margin varies between 2% and 20% depending on the volatility of the spot market.
In computer science, future, promise, and delay refer to constructs used for synchronization in some concurrent programming languages. They describe an object that acts as a proxy for a result that is initially unknown, usually because the computation of its value is yet incomplete.
The term promise was proposed in 1976 by Daniel P. Friedman and David Wise, and Peter Hibbard called it eventual. A somewhat similar concept future was introduced in 1977 in a paper by Henry Baker and Carl Hewitt.
The terms future, promise, and delay are often used interchangeably, although some differences in usage between future and promise are treated below. Specifically, when usage is distinguished, a future is a read-only placeholder view of a variable, while a promise is a writable, single assignment container which sets the value of the future. Notably, a future may be defined without specifying which specific promise will set its value, and different possible promises may set the value of a given future, though this can be done only once for a given future. In other cases a future and a promise are created together and associated with each other: the future is the value, the promise is the function that sets the value – essentially the return value (future) of an asynchronous function (promise). Setting the value of a future is also called resolving, fulfilling, or binding it.
Mantronix was an influential 1980s hip hop and electro funk music group from. New York City The band was founded by DJ Kurtis Mantronik (Kurtis el Khaleel) and rapper MC Tee (Touré Embden). They underwent several genre and line-up changes during its seven year existence between 1984–91. From old school hip hop and electro-funk to house music, but the group is primarily remembered for its original, heavily synthesized blend of old school hip-hop and electro funk.
Kurtis Mantronik (Kurtis el Khaleel), a Jamaican-Canadian émigré, began experimenting with electro music in the early 1980s, inspired by early electro tracks like "Riot in Lagos" (1980) by Yellow Magic Orchestra's Ryuichi Sakamoto. In 1984, while working as the in-store DJ for Downtown Records in Manhattan, Kurtis Mantronik met MC Tee, a Haitian-born, Flatbush, Brooklyn-based rapper (and regular record store customer). The duo soon made a demo, "Fresh Is The Word," and eventually signed with William Socolov's Sleeping Bag Records.