Autopsia is an art project dealing with music and visual production. Autopsia gathers authors of different professions in realization of multimedia projects. Its art practice began in London in the late 1970s, continued during the 1980s in the art centers of former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. At the beginning of its activity, Autopsia issued dozens of MCs. In the period after 1989, twenty CDs were issued, at first for Staalplaat from Amsterdam, then for German label Hypnobeat and London's Gymnastic Records. One of its compositions is a part of the soundtrack for Peter Greenaway's The Pillow Book. Music production of Autopsia can be classified as experimental, breakcore, avant-garde, ambient, industrial; it's associated with a large graphic production which consists of original graphic objects, design of flyers, posters, booklets, CDs, experimental films and audio installations.
The Knife is the self-titled debut album by Swedish electronic music duo The Knife, released on 5 February 2001 by Rabid Records. The album's recordings started early in the summer of 1999 in a cottage on the Swedish island of Tjörn. The duo also recorded it in their flats in Gothenburg and Stockholm, and in a rehearsal studio in the Hökarängen district of Stockholm.
On 31 October 2006, Mute Records released this and The Knife's second album, Deep Cuts, in the United States, marking the first Stateside release of both titles.
All songs written and composed by The Knife.
The UK release of the album was preceded, on 23 February 2004, by the release of a limited edition 10" EP also titled The Knife. The track listing was as follows:
Credits for The Knife adapted from album liner notes.
The Dagger (Serbian: Нож, Nož; which means Knife) is a 1999 Serbian war drama film directed by Miroslav Lekić. The film was written by Miroslav Lekić, Slobodan Stanojević and Igor Bojović. The plot is based on Vuk Drašković's novel of the same name.
The main motive of the film is the eventually disclosed nonsense of ethnic division in contemporary Bosnia, poiting out to the same historical origin of both opposed ethnic groups, Bosnian Serbs and Bosniaks, i.e. Christians and Muslims. Set in the 1960s and observed from the point of view of Alija Osmanović, a young Muslim medical student raised by single mother, his entire family slaughtered and his baby brother kidnaped by Serbs in World war II, as the aftermath of Jugovići (Christian) and Osmanovići (Muslim) violent family feud, he learns not only that Osmanovići were once but a branch of Jugovići family who converted to Islam during the Turkish rule, but that, unbeknownst to his mother, he himself was a baby taken from Jugoviči, after the massacre of Jugovići on Christmas Eve in 1942. Both families now extinct, and Alia as the descendant of both, torn between two cultures and two identities, he struggles to maintain his inner peace, desperately searching for his long lost step-brother and fighting the prejudices against the love relationship he has with a Serbian colleague student.
The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a chequered recording history, with work beginning in mid-1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner (1968 sessions), Malcolm Jones (early-to-mid-1969 sessions), and fellow Pink Floyd members David Gilmour and Roger Waters (mid-1969 sessions). Among the guest musicians are Willie Wilson from (Gilmour's old band) Jokers Wild and Robert Wyatt of the band Soft Machine.
The Madcap Laughs, released in January 1970 on Harvest in the UK, and on Capitol Records in the US, enjoyed minimal commercial success on release, reaching number 40 on the UK's official albums chart, while failing to hit the US charts. It was re-released in 1974 as part of Syd Barrett (which contained The Madcap Laughs and Barrett). The album was remastered and reissued in 1993, along with Barrett's other albums, Barrett (1970) and Opel (1988), independently and as part of the Crazy Diamond box set. A newly remastered version was released in 2010.
Feel is first album released by a Polish pop rock band Feel. The album has earned Diamond certification in Poland.
"Feel" (stylized as feel) is a smooth R&B song by Japanese singer and songwriter Kumi Koda. For the song, she worked closely with composer Hitoshi Shimono, who had composed the instrumental. The single is Kumi's sixth single in her 12 Singles Collection and charted at #1 on Oricon with 39,110 copies sold within the first week. As with some of the other singles released in the collection, feel was limited to 50,000 copies.
The song also became Koda Kumi's second song to have a chorus completely in English (first being 24, which was also written and composed by Hitoshi Shimono).
The music video for the single tied into the four others in the storyline: Candy feat. Mr. Blistah, you, Lies and Someday/Boys♥Girls.
The love interest in the music video was played by Shugo Oshinari. Shugo Oshinari is best known for his portrayals of Teru Mikami in the Death Note TV series and Takuma Aoi in Battle Royale II: Requiem.
As with the other 11 singles in this collection, this single cover represents a stylized version of a traditional dress from a culture; this time it draws its inspiration from Spain and the costume of matadors.
A knife is a sharpened hand tool.
Knife may also refer to:
Beyond the confines of time, the origin and foundation of formulation.
The formless face encased in all creation.
The embodiment of authentic authority.
Abstract intangibility personified to reconcile the gulf of separation.
Undefiled by the loins of man.
Born free of the dark inheritance inherent in all men.
Crystalline intention, absolute but yet unclear.
The archetype of intended life, a spotless anomaly circumventing all conception and convention.
The fulfillment of visions and the herald of hope.
The culmination of thousands of years of anticipation.
The usher of thousands of years of transubstantiation.
Chided, Threatened, Condemned, Betrayed, Detained, Ridiculed,
Denied, Cursed, Chastised, Defiled, Beaten, Battered, Broken, Crucified, Forsaken.
Selfless Abandon; the seal of Atonement.