Everyday (OMD song)

"Everyday" was the third and last single from Orchestral Manoeuvres in the Dark's 1993 album Liberator. Co-founder Paul Humphreys, who had left the band four years prior, is credited as a co-writer.

"Everyday" was the only single from Liberator to miss the UK Top 25, charting at #59. Its accompanying music video features Sara Cox, who would later be known as a BBC Radio DJ.

Track listing

7" single

Cassette single

5" CD single

Chart positions

Song

A song is a single (and often standalone) work of music intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Written words created specifically for music or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs in a simple style that are learned informally are often referred to as folk songs. Songs that are composed for professional singers are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers and lyricists. Art songs are composed by trained classical composers for concert performances. Songs are performed live and recorded. Songs may also appear in plays, musical theatre, stage shows of any form, and within operas.

Song (airline)

Song, LLC was a low-cost air service within an airline brand owned and operated by Delta Air Lines from 2003 to 2006.

Song's main focus was on leisure traffic between the northeastern United States and Florida, a market where it competed with JetBlue Airways. It also operated flights between Florida and the West Coast, and from the Northeast to the west coast.

Song's aircraft were fitted with leather seats and free personal entertainment systems at every seat, with audio MP3 programmable selections, trivia games that could be played against other passengers, a flight tracker, and satellite television (provided by the DISH Network). Song offered free beverages, but charged for meals and liquor. Both brand-name snack boxes and healthy organic meals were offered. The flight safety instructions were sung or otherwise artistically interpreted, depending on the cabin crew. In addition to crew uniforms designed by Kate Spade, customized cocktails created by nightlife impresario Rande Gerber and an in-flight exercise program designed by New York City fitness guru David Barton, the airline created its own distinct mark in the industry. The Song brand was placed on more than 200 flights a day which carried over ten million passengers.

Song (album)

Song is the third and final album of Lullaby for the Working Class. It was released October 19, 1999 on Bar/None Records.

Track listing

Everyday (Buddy Holly song)

"Everyday" is a song written by Buddy Holly and Norman Petty, recorded by Buddy Holly and the Crickets on May 29, 1957 and released on September 20, 1957 as the B-side to "Peggy Sue". On the original single the Crickets are not mentioned, but it is known that Holly plays acoustic guitar; drummer Jerry Allison slaps his hands on his lap for percussion; Joe B. Mauldin plays a standup acoustic bass; and producer Norman Petty's wife, Vi, plays the celesta (a keyboard instrument with a glockenspiel-like tone, used in such classical pieces as "Dance of the Sugarplum Fairy" from The Nutcracker). The song length is an economical 2 minutes and 5 seconds. The song is ranked #238 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.

Cover versions

In 1958, Tina Robin, also with the Coral Records label, recorded a version of the song.

In 1960, Bobby Vee released a version as the B-side to his hit, "Rubber Ball".

John Denver recorded this song on his 1971 album Aerie and released the song as a single which peaked at no. 81 on the Billboard pop singles chart and no. 21 on the AC chart in 1972.

Realistic (album)

Realistic is the debut album by American indie pop band Ivy. It was released on February 14, 1995 by Seed Records. Musically, the album followed the material featured on Ivy's previous release, Lately. The album took influence from indie pop music, with partial influence from indie rock. Ivy collaborated with famed producer, Kurt Ralske, for each track. Lyrically, each track was written by band members, Dominique Durand, Andy Chase, and Adam Schlesinger.

Realistic received positive reviews from critics upon release. Commercially unsuccessful, the album did not peak on any record chart, nor did the singles released from the album.

Three singles were released from the album. "Get Enough", the album's lead single, was released in 1994 to general acclaim from critics, especially in the United Kingdom where it was promoted heavily. Singles "Don't Believe a Word" and "Beautiful" were both released in 1995 to highly positive reviews, but less success than "Get Enough".

Critical reception

Vertical Man

Vertical Man is the eleventh studio album by Ringo Starr, issued in 1998. The release represents Starr's attempt at a comeback following the enormous success of The Beatles Anthology project. Like some of his best-loved projects, Starr would engage the help of many of his musician friends in making Vertical Man, including Scott Weiland, Brian Wilson, Alanis Morissette, Ozzy Osbourne, Tom Petty, Joe Walsh, Timothy B. Schmit, Steven Tyler, and former-Beatles, Paul McCartney and George Harrison.Beatles engineer Geoff Emerick mixed the tracks, and Starr and Hudson served as producers.

Background and recording

Ringo Starr met songwriter Dean Grakal at a party on New Year's Eve 1996, during which the pair had a discussion about songwriting, with Grakal proposing that they form a team with Mark Hudson, whom Starr had met years prior while Starr was working on Time Takes Time (1992). Starr spoke of the writing process in an interview with Billboard magazine: "This is the first time I've really been involved [in my record]. Whereas before, I'd just sort of pick out other people's songs or songs other people had written that I thought were vaguely trying to say what I would have liked to say, on this, we're really trying to say what I want to say, thank you."