Fade Away (EP)

Fade Away is an EP by Matt Finish. It was recorded live during two sessions at Sydney's PACT theatre in July 1981.Fade Away captured the rawness and power of the live performances for which Matt Finish was renowned.

Track listing

Personnel

References

Away

Away may refer to:

Literature

Sports

Music

Songs

See also

Away (Enrique Iglesias song)

"Away" is the first single released from Spanish singer-songwriter Enrique Iglesias' Greatest Hits album. The song features vocals from American pop-rap singer Sean Garrett. The single was released on 11 November 2008. "Away" was originally intended to be on Sean Garrett's debut solo album "Turbo 919", but the decision was made to include it on Iglesias' album instead. The song debuted on the UK Singles Chart, at #132 on the week of the physical single release.

Music video

The video was directed by Anthony Mandler. The video premiered on TRL on 12 November 2008. The video features a cameo by Sean Garrett. In the video, Iglesias is seen walking through the desert, looking back at the horrible crash in which he has died while his girlfriend, played by Niki Huey, cries hysterically. Most of the video was shot in the desert.

Track listing

Fade (lighting)

In stage lighting, a fade is a gradual increase or decrease of the intensity of light projected onto the stage. The term fade-in refers to gradually changing the lighting level from complete darkness to a predetermined lighting level. A fade-out (also known as fade-to-black) refers to gradually decreasing the intensity of light until none is shining on the stage. A crossfade is when lighting levels are gradually altered from one setting to another. A fade-in is sometimes called a build, and where this terminology is used, a fade is understood to be a fade-out.

Increasing lighting intensities that are not black is referred to as a fade-up. Similarly, decreasing lighting intensities to a level above black is referred to as a fade-down.

Cross-fades are accomplished by executing fade-ups and/or fade-downs. In nearly all theatrical lighting designs, multiple lighting instruments are used to illuminate the stage at any one time. A cue refers to the recorded state of illumination for the entire stage at that time. The intensity of the lighting instruments are often altered with a single crossfade, altering the lighting state of the stage.

Fade (audio engineering)

In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)).

A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and cross-fades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio region is smooth in order to not have any prominent glitches. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and out can also be used to change the characteristics of a sound, for example a fade-in is used to soften the attack, especially in vocals where very plosive (‘b’,‘d’, and ‘p’) sounds can occur. It can also be used to soften up the attack of the drum and/or percussion instruments. A cross-fade can be manipulated through its rates and coefficients in order to create different styles of fading. Almost every fade is different; this means that the fade parameters must be adjusted according to the individual needs of the mix.

Dissolve (filmmaking)

In the post-production process of film editing and video editing, a dissolve is a gradual transition from one image to another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may be used in montage sequences also. Generally, but not always, the use of a dissolve is held to indicate that a period of time has passed between the two scenes.

Creation of effect

In film, this effect is usually created with an optical printer by controlled double exposure from frame to frame. In linear video editing or a live television production, the same effect is created by interpolating voltages of the video signal. In non-linear video editing, a dissolve is done using software, by interpolating gradually between the RGB values of each pixel of the image. The audio track optionally cross-fades between the soundtracks.

Dreams (Fleetwood Mac song)

"Dreams" is a song written by singer Stevie Nicks, for the group Fleetwood Mac's 1977 album, Rumours. It is the only U.S. No. 1 hit for the group where it sold over a million copies, and remains one of their best known songs.

Background and writing

The members of Fleetwood Mac were experiencing emotional upheavals while recording Rumours. Drummer Mick Fleetwood was going through a divorce. Bassist John McVie was separating from his wife, keyboardist Christine McVie. Guitarist Lindsey Buckingham and lead singer Stevie Nicks were ending their eight-year relationship. "We had to go through this elaborate exercise of denial," explained Buckingham to Blender magazine, "keeping our personal feelings in one corner of the room while trying to be professional in the other."

Nicks wrote the song at the Record Plant studio in Sausalito, California, in early 1976. "One day when I wasn't required in the main studio," remembers singer Stevie Nicks to Blender, "I took a Fender Rhodes piano and went into another studio that was said to belong to Sly, of Sly & the Family Stone. It was a black-and-red room, with a sunken pit in the middle where there was a piano, and a big black-velvet bed with Victorian drapes."