Ballroom

A ballroom is a large room inside a building, the designated purpose of which is holding large formal parties called balls. Traditionally, most balls were held in private residences; many mansions contain one or more ballrooms. In other large houses, a large room such as the main drawing room, long gallery, or hall may double as a ballroom, but a good ballroom should have the right type of flooring, such as hardwood flooring or stone flooring (usually marble).

Ballrooms are generally quite large, and may have ceilings higher than other rooms in the same building. The large amount of space for dancing, as well as the highly formal tone of events have given rise to ballroom dancing. The largest balls are now nearly always held in public buildings, and many hotels have a ballroom. They are also designed large to help the sound of orchestras carry well throughout the whole room.

A special case is the annual Vienna Opera Ball, where, just for one night, the auditorium of the Vienna State Opera is turned into a large ballroom. On the eve of the event, the rows of seats are removed from the stalls, and a new floor, level with the stage, is built.

Progress

Progress may refer to:

History

OpenEdge Advanced Business Language

OpenEdge Advanced Business Language, or OpenEdge ABL for short, is a business application development language created and maintained by Progress Software Corporation (PSC). The language, typically classified as a fourth-generation programming language, uses an English-like syntax to simplify software development. The language was called PROGRESS or Progress 4GL up until version 9, but in 2006 PSC changed the name to OpenEdge Advanced Business Language (OpenEdge ABL) in order to overcome a presumed industry perception that 4GLs were less capable than other languages. A subset of the language, called SpeedScript, is used in the development of web applications.

OpenEdge ABL helps developers to develop applications optionally using its own integrated relational database and programming tool. These applications are portable across computing systems and allow access to various popular data sources without having to learn the underlying data access methods. This means that the end-user of these products can be unaware of the underlying architecture.

Progress (Michael Giles album)

Progress is a solo album recorded by original King Crimson drummer Michael Giles. It was recorded in 1978, but unreleased until 2002.

Track listing

All words and music composed, recorded and produced by Michael Giles.

Personnel

Deep (Niacin album)

Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.

The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.

Track listing

Personnel

Musicians

Guest musicians

External links

References

Ten (Pearl Jam album)

Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.

Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.

Background

Deep (Peter Murphy album)

Deep is the third solo studio album by English musician Peter Murphy. Produced by Simon Rogers, the album was released on 16 January 1990 through RCA and Beggars Banquet Records and features contributions from Murphy's backing band, The Hundred Men.

The album spawned three singles: "The Line Between the Devil's Teeth (And That Which Cannot Be Repeat)", "Cuts You Up" and "A Strange Kind of Love". The track "Cuts You Up" became a modern rock hit in 1990, spending seven weeks at the top of the U.S. charts and crossing over to Billboard Hot 100, where it peaked at number 55. The other singles also charted on Modern Rock Tracks chart, peaking at number 18 and 21, respectively.

Critical reception

Ned Raggett of Allmusic praised the album, stating that "Deep showed Murphy balancing mass appeal and his own distinct art with perfection." He also wrote: " Murphy simply sounds like he's having the time of his life, singing both for the sheer joy of it and for the dramatic power of his commanding voice."