Cut may refer to:
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve and wipe serve as the three primary transitions. The term refers to the physical action of cutting film or videotape, but also refers to a similar edit performed in software; it has also become associated with the resulting visual "break".
Due to the short length of early film stock, splicing was necessary to join together segments into long-form. Actuality directors spliced together reels prior to shooting in order to record for longer periods of time. Narrative directors, on the other hand, preferred shooting for shorter lengths, editing together shot footage. In either case, film was cut (and subsequently joining the cut segments) in order to remove excess footage, focusing attention on significant elements.
Cut is the seventh studio album by Australian rock band, Hunters & Collectors. It was mostly produced by American Don Gehman with the group and issued by White Label/Mushroom on 5 October 1992. It reached No. 6 on the ARIA Albums Chart and No. 17 on the New Zealand Albums Chart. The band were nominated for Best Group at the 1992 ARIA Music Awards and Album of the Year for Cut in the following year.
"Where Do You Go" was co-produced with Nick Sansano and released as a single in September 1991, prior to commencing the rest of the album with Gehman, but it was included on Cut. Subsequent singles were "Head Above Water" (July 1992), "We the People" (September), "True Tears of Joy" (November), "Holy Grail" (March 1993) and "Imaginary Girl" (August), all appeared on the ARIA Singles Chart Top 100.
Hunters & Collectors' seventh studio album, Cut, was recorded from late 1991 and into 1992. The line-up of the group was John Archer on bass guitar; Doug Falconer on drums, backing vocals, programming, percussion and tape loops; Jack Howard on trumpet, keyboards and backing vocals; Robert Miles on live sound and art design; Barry Palmer on lead guitar; Mark Seymour on lead vocals and guitar,; Jeremy Smith on French horn, keyboards, guitars and backing vocals; and Michael Waters on keyboards and trombone.
Most of the programs in Edu-Ware Service's initial product line, released in 1979 under the slogan "Unique software for the unique mind", were not typical of the intellectually challenging computer games and structured, pedagogically sound educational software for which the company would later become known. Quickly designed and programmed in Applesoft BASIC primarily by co-founder Sherwin Steffin, most of these text-based programs were dropped from Edu-Ware's catalog when the company began developing products featuring high-resolution graphics in 1981.
E.S.P. is a game giving players the opportunity to find out whether they possess extrasensory perception. While displaying a constantly changing graphic design on the screen, the program briefly flashes emotionally charged words, randomly chosen from a word list, on the screen. The program then asks a series of questions to determine if the player's attitudes have been influenced by the subliminal messages. A file-builder is included to allow players to insert new words in the data base.
Virginia "Pepper" Potts is a fictional supporting character and romantic love interest appearing in books published by Marvel Comics, in particular those featuring Iron Man. Created by writer Stan Lee and artist Don Heck, she first appeared in Tales of Suspense #45 (September 1963).
In 2007, she joined the Fifty State Initiative under the codename Hera. In 2009, after being given her own suit of armor by Tony Stark, she assumes the identity of Rescue, which lasted until the 2012 storyline "The Future".
The character is portrayed by Gwyneth Paltrow in the films Iron Man, Iron Man 2, The Avengers and Iron Man 3.
Virginia "Pepper" Potts first appeared in Tales of Suspense #45 (September 1963), which was written by Stan Lee and illustrated by Don Heck. Though she was named Pepper Potts from the start, Stark addresses her as "Kitty" in one panel, which is thought to be a typo. Heck modeled Potts as Ann B. Davis’ character of Schultzy from The Bob Cummings Show, and is rendered with brown hair done up in a hairdo similar to that of Schultzy's. Someone on the creative team or in editorial came to feel that the resemblance was too great, and in Tales of Suspense #50, Potts' look was altered to give her red hair and a different hairdo. Potts is originally a member of a secretarial pool, and gets her job by fixing an accounting error made by Stark. She is depicted initially as being infatuated with Stark, and rejects the advances of Stark's chauffeur and assistant Happy Hogan, who debuted in the same issue, with acerbic remarks. As Stark's affection for her grows in the ensuing issues, she becomes part of a love triangle between the two men, and eventually falls in love with and marries Hogan, eloping with him in Tales of Suspense #91.
Rescue is the fifth studio album by the Canadian post-hardcore band Silverstein. It was released on 26 April 2011, the first full length album to be released through Hopeless Records.
Rescue was produced by Jordan Valeriote and mixed by Cameron Webb.
The material on Rescue was described by Told as "a cross between Discovering and Shipwreck".
Rescue contains two songs from the band's previously released EP album Transitions.
A music video has already been released for the song "Sacrifice". On February 5, 2011 the band played a free show in Toronto, with Robby Starbuck filming the event for a music video for the song "The Artist", released on March 28. Frontman, Shane Told revealed that a video will also be released for the song "Burning Hearts". Told also announced that there will be a 7" vinyl release for "The Artist" on their Record Store Day and it will have 3 exclusive covers as B-sides along with there being an iTunes exclusive track for the album as well.
I lay this out on the table
Only if you catch me
Call me out on this fable
Just to hear my story
I will look you in the eye
Say those words that make you melt inside
History repeats again just like me
This will never end I will never end
I’ll be as sketchy as this pen and paper
Sending you to war without a weapon
Using my ability to get your sympathy
The only thing this is, its apathy
Just one more
You’ve seen this so many times yet you can’t walk away
Behind closed doors
Lights out you think you know me
So delicately I wanted more
So I lied and betrayed you
This must be love
How could you miss the doubtful look in my eyes?
When I told you that this felt right
I will kiss your lips again
With the passion that you only see in movies
I’ll set you up to take this fall
Make you think that I am perfect I’m so perfect
I own the blueprints to your heart
And just like mines on a battlefield
I’ll use these phone calls so strategically
Placing them perfectly