Lolita (term)

Lolita was the nickname of one of the principal characters in Vladimir Nabokov's novel Lolita. Lolita's actual name was Dolores, with whom the narrator, Humbert Humbert, develops a sexual obsession. In the book itself, "Lolita" is specifically Humbert's nickname for Dolores. Nevertheless, "Lolita" and "loli" has come to be used as a general reference to a seductive or sexually attractive young woman.

In the marketing of pornography, lolita is used to refer to a young girl, frequently one who has only recently reached the age of consent, or appears to be younger than the age of consent.

Etymology & Related Terms

Nymphet

A nymphet is a sexually attractive girl, or young woman. The first recorded use of the term "nymphet", defined by The Century Dictionary as "a little nymph", was by Drayton in Poly-Olbion I. xi. Argt. 171 (1612): "Of the nymphets sporting there In Wyrrall, and in Delamere."

In Lolita, "nymphet" was used to describe the 9- to 14-year-old girls to whom the protagonist is attracted, the archetypal nymphet being the character of Dolores Haze. Nabokov, in the voice of his narrator Humbert, first describes these nymphets in the following passage:

Lolita (play)

Lolita is a play adapted by Edward Albee from Vladimir Nabokov's novel of the same name. The troubled production opened on Broadway on March 19, 1981 after 31 previews and closed after only 12 performances.

Frank Rich in his New York Times review wondered why the play even opened after "weeks of delays" as it was "the kind of embarrassment that audiences do not quickly forget or forgive." Rich said the least of its sins were incompetence, being boring, and trashing a literary masterpiece. "What sets Lolita apart from ordinary failures is its abject mean-spiritedness," he wrote. "For all this play's babbling about love, it is rank with indiscriminate – and decidedly unearned – hate."

Ten years earlier, John Barry and Alan Jay Lerner's musical Lolita, My Love was a bomb, closing during tryouts in Boston. (Albee's Lolita also played in Boston before its Broadway launch.) Critics had scored the play, saying that the lack of Nabokov's authorial voice made the musical salacious. Albee put Nabokov on stage in his play, but it did not help.

Lolita (trop jeune pour aimer)

"Lolita (trop jeune pour aimer)" (meaning "Lolita (Too Young to Love)") is the third single from Celine Dion's album Incognito, released in October 1987 in Quebec, Canada.

The song was composed by Jean-Alain Roussel and the lyrics were written by Luc Plamondon. The song references Lolita by Vladimir Nabokov and the lyrics describe a young woman who insists that she is not "too young" for love. According to Dion, "When I saw what Luc had written, I was bowled over. Like Eddy, Luc had explored my inner life. What he had written was so close to me that I couldn't help being really unsettled by it." Dion said the song described her love for her manager and future husband René Angélil, "The first time I sang the words to 'Lolita,' I was in front of René, and I sang it to arouse him."

The single was released with "Ma chambre" as B-side. "Lolita (trop jeune pour aimer)" was very successful reaching number 1 in Quebec for two weeks. It entered the chart on October 3, 1987 and spent twenty two weeks on it.

Cinema (Elaine Paige album)

Cinema is the fourth solo album by Elaine Paige. The album was released in 1984 on Warner Music, peaking at #12 in the UK album charts. This album has been re-issued on CD. It was the second of Paige's recordings to be produced by Tony Visconti. To follow the theme of Stages, Paige chose tracks that had been previously recorded for soundtracks. Like Stages, the recording was primarily conducted at Visconti's Good Earth Studios, other than for "Sometimes" (Theme from Champions) which had been previously recorded at CTS Studios, London featuring the New World Philharmonia.

Out-Takes

In 2014, Rhino UK released on the compilation album Elaine Paige - The Ultimate Collection the out-take "What A Feeling" (from the musical 'Flashdance') which was originally recorded as part of the 'Cinema' album sessions.

Track listing

Cinema (Andrea Bocelli album)

Cinema is the fifteenth studio album by Italian classical tenor recording artist Andrea Bocelli.

The album featuring renditions of classic film soundtracks and scores, was released on October 23, 2015 through Sugar Music and Universal Music Group.

Background

The album was produced by David Foster, Humberto Gatica, and Tony Renis who also worked together on Bocelli's Amore in 2006.

Bocelli said of Cinema: "With the album ‘Cinema,’ I’m fulfilling a wish that I’ve harboured for decades. I’ve never made a secret of my dream of bringing to life a recording project associated with soundtracks, as I truly believe that it’s an exceptional artistic treasure trove."

Commercial performance

Cinema entered the Official UK Albums Chart at No. 3, behind 5 Seconds of Summer's Sounds Good Feels Good and Bryan Adams's Get Up!. The tally was Bocelli's highest UK chart position in over a decade, since 2001’s Cieli di Toscana, and his tenth Top 10 album on the UK pop charts, a record for a classical music artist.

Cinema 1: The Movement Image

Cinema 1: The Movement Image (French: Cinéma 1. L'Image-Mouvement) is a 1983 book by the philosopher Gilles Deleuze in which he combines philosophy with film criticism. In the preface to the French edition Deleuze says that, "This study is not a history of cinema. It is a taxonomy, an attempt at the classifications of images and signs" and acknowledges the influence of the American pragmatist C.S. Peirce and the French philosopher Henri Bergson (p. xiv). The cinema covered in the book ranges from the silent era to the 1970s, and includes the work of D. W. Griffith, Abel Gance, Erich von Stroheim, Charlie Chaplin, Sergei Eisenstein, Luis Buñuel, Howard Hawks, Robert Bresson, Jean-Luc Godard, Sidney Lumet and Robert Altman. The second volume, Cinéma 2, L'Image-temps was published in 1985 (translated as Cinema 2: The Time-Image in 1989). Both books are clearly about cinema, but he also uses cinema to theorise time, movement and life as a whole.

The movement-image