In particle physics, the tracking is the act of measuring the direction and magnitude of charged particles momenta. The particles entering a tracker (the device used for tracking), release part of their energy in the device: the tracker has to be finely segmented in order to be able to reconstruct with good precision where the particle passed. Since the tracking is usually made in a region where a magnetic field is present, it is possible to reconstruct part of the helix made by the particle inside the tracker (that is called track), and from the track parameters, and by knowing the mass of the particle under study (which is known by the use of particle identification), it is possible to reconstruct the actual direction and magnitude of the particle momenta. From these information the tracking of charged particles can be used to reconstruct secondary decays, this can be done for B-tagging (in experiments like CDF or at LHC) or to fully reconstruct events (like in BaBar and Belle).
Tracking is a technique in which dogs are trained to locate certain objects by using the object's scent, for a variety of purposes. Tracking has always been an essential skill for dogs to survive in the wild, through hunting and tracking down potential prey.
Primarily, dogs use their sense of smell, to find and follow a track. Dogs have a highly sensitive olfactory system superior to humans, and are able to discriminate between different human’s scents. Moreover, dogs are also able to use visual cues to follow a track.
There are three phases, which complete the process of tracking:
1. Searching Phase
2. Deciding Phase
3. Tracking phase
There are several factors which influences a dog’s ability to track: Physiological features of the dog are a factor. Some instances include with age, sex are influences. As a dog ages, their olfactory acuity decreases and decreases their ability to track. Furthermore, male dogs have found to be better at tracking than females, possibly due to sex differences in olfaction. Sniffing behaviour also influences olfaction, and therefore a dog’s ability to track. For example, a dog’s ability to sniff is higher when it is not panting due to fatigue – it is physically impossible for a dog to both pant and sniff at the same time and the mouth must be open or closed respectively . However, dogs trained to track during physically demanding activities may have adapted their behaviour by increasing sniffing frequency to maximize olfaction, and tracking. Also, different dog breeds have varying suitability to different tasks of tracking. For example, the Bureau of Alcohol, Tobacco, Firearms and Explosives use Labrador Retrievers for their tracking purposes.
Tracking in hunting and ecology is the science and art of observing animal tracks and other signs, with the goal of gaining understanding of the landscape and the animal being tracked (quarry). A further goal of tracking is the deeper understanding of the systems and patterns that make up the environment surrounding and incorporating the tracker.
The practice of tracking may focus on, but is not limited to, the patterns and systems of the local animal life and ecology. Trackers must be able to recognize and follow animals through their tracks, signs, and trails, also known as spoor. Spoor may include tracks, scat, feathers, kills, scratching posts, trails, drag marks, sounds, scents, marking posts, the behavior of other animals, habitat cues, and any other clues about the identity and whereabouts of the quarry.
The skilled tracker is able to discern these clues, recreate what transpired on the landscape, and make predictions about the quarry. The tracker may attempt to predict the current location of the quarry and follow the quarry's spoor to that location, in an activity known as trailing.
Bass or Basses may refer to:
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice. (the note furthest in the bass) While the bass note is often the root or fundamental of the chord, it does not have to be, and sometimes one of the other pitches of the chord will be found in the bass. See: inversion (music).
In pre-tonal theory (Early music), root notes were not considered and thus the bass was the most defining note of a sonority. See: thoroughbass. In pandiatonic chords the bass often does not determine the chord, as is always the case with a nonharmonic bass.
Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.
Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."
Aubrey is an English given name. It is most commonly a female name, although historically its use has been masculine. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements alf "elf" and ric "power", with the meaning of "Fair Ruler of the Little People." Before the Norman conquest, the Anglo-Saxons used the corresponding variant Ælf-rīc (see Ælfric).
An early female form is recorded as Aubrée and does not share the same etymology. It is instead derived from the Germanic Albereda or Alberada. It can be found in certain genealogies of the noble Norman families (See f. e. Aubrey of Buonalbergo).
The name is traditionally male, but is more commonly used as a feminine name in the United States. It was the 20th most popular name given to girls born in the United States in 2014. The variants Aubree and Aubrie were the 61st most and 428th most popular given names for girls respectively. It was last ranked among the top 1,000 most common names for boys in the United States in 2002. It was the 479th most common name for all males in the United States in the 1990 census.